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Julius Winsome lives in a cabin in the hunting heartland of the Maine woods, with only his books and his dog for company. That is until the morning he finds that his dog has been shot dead - and not by accident. Gerard Donovan weaves an extraordinary tale of revenge that is also a tender and heartbreaking paean to lost love. Narrated by the unforgettable voice of Julius himself - at once compassionate, vulnerable and threatening - it reads like a timeless, lost classic.
In an unnamed European village, in the middle of a civil war, one man digs while another watches over him. Gradually, they begin to talk. Over the course of the afternoon, as the snow falls and truck-loads of villagers are corralled in the next field, we discover why they are there - not just who they are and how specific, sinister events in their country have led them to be separated by a deepening grave, but why the history of civilization is inseparable from the history of mass violence. Beautifully written, with a poet's eye for detail coupled with a chilling narrative drive, Gerard Donovan's first novel has been compared with Franz Kafka and Bernhard Schlink. SCHOPENHAUER'S TELESCOPE is current in the best sense - not merely about Bosnia or Kosovo, but in attempting to make art out of brutal life.
Best-selling books such as Freakonomics and The Undercover Economist have paved the way for the flourishing economics-made-fun genre. While books like these present economics as a strong and explanatory science, the ongoing economic crisis has exposed the shortcomings of economics to the general public. In the face of this crisis, many people, including well-known economists such as Paul Krugman, have started to express their doubts about whether economics is a success as a science. As well as academic papers, newspaper columns with a large audience have discussed the failure of economic to predict and explain ongoing trends. The emerging picture is somewhat confusing: economics-made-fun books present economics as a method of thinking that can successfully explain everyday and "freaky" phenomena. On the other hand, however, economics seems to fail in addressing and explaining the most pressing matters related to the field of economics itself. This book explores the confusion created by this contradictory picture of economics. Could a science that cannot answer its own core questions really be used to explain the logic of everyday life? This book was originally published as a special issue of the Journal of Economic Methodology.
When Jessica’s partner disappears into the dark Tasmanian forest, there is of course the mystery of what happened to him—the deserted car, the enigmatic final image recorded on his phone. There is the strange circle of local women, widows of disappeared men, with their edgy fellowship and unhinged theories. And the forest itself: looming hugely over this tiny settlement on the remote tip of the island. But for Jessica there is also the tight community in which she is still a stranger and Matthew was not. What secrets do they know about her own life, that she doesn’t. And why do they believe things that should not—cannot—be true. For her own sanity, Jessica needs to know two things. Who was Matthew? And who—or what—has he become? Krissy Kneen is the award-winning author of memoir—Affection—and fiction: An Uncertain Grace, Steeplechase, Triptych, The Adventures of Holly White and the Incredible Sex Machine, as well as the Thomas Shapcott Award-winning poetry collection Eating My Grandmother. They have written and directed broadcast documentaries for SBS and ABC Television. ‘At once a supernatural thriller and a sharp meditation on the legacy abusive men leave behind.’ Readings ‘Kneen’s writing, by turns playful and elegant, is never less than stimulating, in the literal and figurative senses of the word.’ Stella Prize 2017 Judges’ Report ‘Endlessly curious and inventive, provocative and inspiring.’ Sydney Morning Herald ‘[A] taut new novel...Wintering uses [a] closed community to examine some disturbing aspects of Australian culture: parochialism, machismo, an unwillingness to face up to the past...Kneen also finds room for strength and kindness in this sleek and gripping novel.’ Australian ‘This book is a surprise, [with] drama and twists that leave you exhilarated...Kneen has jumped, unafraid, into many shades of rough territory.’ Courier Mail ‘Thought-provoking...satisfying and compelling.’ Herald Sun ‘One of Australia’s hidden literary gems. With each new book, I find myself hoping that readers will finally discover her quirky, sexy and incredibly beautiful writing.’ Books+Publishing ‘Highly unusual, very ambitious...but I think Krissy Kneen achieves it.’ Radio New Zealand
Edited by Joseph O'Connor (author of Star of the Sea and Ghost Light) New Irish Short Stories is a stunning collection from a fascinating variety of writers, both new and established. Featuring, among many others, William Trevor and Roddy Doyle, Rebecca Miller and Richard Ford, Christine Dwyer Hickey and Colm Toibin, it shows the short story to be a vibrant, thriving form and one that should continue to be celebrated and encouraged. This collection follows the two acclaimed editions David Marcus edited for Faber in 2004-5 and 2006-7.
Mathieu Sapin has made a career as a nonfiction cartoon chronicler. In a blend of witty, insightful diary and documentary vérité, he has tackled topics from moviemaking to the making of a presidential campaign, and provided behind-the-scenes looks at the presidential Palais d'Élysée. But the French government is no match for his latest subject: larger-than-life film star Gérard Depardieu, the most famous Frenchman in the world! From Azerbaijan to Bavaria, passing through Moscow and Portugal, Sapin tags along on a wild ride, creating a faithful portrait of a man full of contradictions.
More than simply a vital collection development tool, this book can help librarians help young adults grow into the kind of independent readers and thinkers who will flourish at college.