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In his Commentarii de Bello Civili Julius Caesar sought to re-invent his image and appear before his present and future readers in a way which he could control and at times manipulate. Offering a new interpretation of the Bellum Civile this book reveals the intricate literary world that Caesar creates using sophisticated techniques such as a studied choice of vocabulary, rearrangement of events, use of indirect speech, and more. Each of the three books of the work is examined independently to set out the gradual transformation of Caesar's literary persona, in step with his ascent in the 'real' world. By analysing the work from Caesar's viewpoint the author argues that by adroit presentation and manipulation of historical circumstances Caesar creates in his narrative a different reality, one in which his conduct is justified. The question of the res publica is also a key point of the volume, as it is in the Bellum Civile, and the author argues that Caesar purposely does not present himself as a Republican, contrary to commonly held views. Employing detailed philological analyses of Caesar's three books on the Civil War, this work significantly advances our understanding of Caesar as author and politician.
In his Commentarii de Bello Civili Julius Caesar sought to re-invent his image and appear before his present and future readers in a way which he could control and at times manipulate. Offering a new interpretation of the Bellum Civile this book reveals the intricate literary world that Caesar creates using sophisticated techniques such as a studied choice of vocabulary, rearrangement of events, use of indirect speech, and more. Each of the three books of the work is examined independently to set out the gradual transformation of Caesar's literary persona, in step with his ascent in the 'real' world. By analysing the work from Caesar's viewpoint the author argues that by adroit presentation and manipulation of historical circumstances Caesar creates in his narrative a different reality, one in which his conduct is justified. The question of the res publica is also a key point of the volume, as it is in the Bellum Civile, and the author argues that Caesar purposely does not present himself as a Republican, contrary to commonly held views. Employing detailed philological analyses of Caesar's three books on the Civil War, this work significantly advances our understanding of Caesar as author and politician.
Julius Caesar was no aspiring autocrat seeking to realize the imperial future but an unusually successful republican leader who was measured against the Republic's traditions and its greatest heroes of the past. Catastrophe befell Rome not because Caesar (or anyone else) turned against the Republic, its norms and institutions, but because Caesar's extraordinary success mobilized a determined opposition which ultimately preferred to precipitate civil war rather than accept its political defeat. Based on painstaking re-analysis of the ancient sources in the light of recent advances in our understanding of the participatory role of the People in the republican political system, a strong emphasis on agents' choices rather than structural causation, and profound scepticism toward the facile determinism that often substitutes for historical explanation, this book offers a radical reinterpretation of a figure of profound historical importance who stands at the turning point of Roman history from Republic to Empire.
Despite defeating his opponent Pompeius Magnus at Pharsalus, and the latter’s subsequent murder, Caesar still faced a determined opposition in the Civil War that had engulfed the late Roman Republic. Having become entangled in the intrigues and wars of the East, Caesar gave his opponents time to regroup under the lead of Metellus Scipio and Cato the Younger, scions of two of the Republic’s greatest families. Under their leadership Caesar’s dominance of the Republic was seriously challenged, culminating in a decisive battle at Thapsus in what is now Tunisia. Gareth Sampson describes the campaigns that set the context for the battle, including the role played by the various regional powers drawn into the Roman Civil War. He then recounts the battle itself in detail, analysing the relative strengths of the armies involved, their organization, equipment and tactics. He assesses the opposing commanders and the strategies on the day which led to another victory for Caesar. He concludes with a discussion of the bloody aftermath of the battle and the myths that developed around the deaths of Caesar’s opponents.
In 49 BC the Roman Republic collapsed once more into bloody civil war. At the heart of this war lay the two greatest living Roman commanders, and former allies, Pompey the Great and Julius Caesar, each having built their own factions within the Roman oligarchy and refusing to compromise. The subsequent civil war would be fought for control of the Republic with each man determined to restore peace and stability to Rome, under their leadership. Yet despite this clash it was eighteen months before the two men met in Battle at Dyrrhachium in Albania. Gareth Sampson outlines the strategic background, describing the early campaigns of the civil war and the factions of Caesar and Pompey that fought for control of the vast resources of the Republic. The Battle of Dyrrhachium itself is analysed to determine the strengths and weakness of both armies and their various commanders as well as the tactics used in the phases of the battle which culminated in victory for Pompey. Focus is also given to the aftermath of the battle that saw Caesar defeated and Pompey in the ascendancy.
The First World War did not end in Central Europe in November 1918. The armistices marked the creation of the Second Polish Republic and the first shot of the Central European Civil War which raged from 1918 to 1921. The fallen German, Russian, and Austrian Empires left in their wake lands with peoples of mixed nationalities and ethnicities. These lands soon became battle grounds and the ethno-political violence that ensued forced those living within them to decide on their national identity. Civil War in Central Europe seeks to challenge previous notions that such conflicts which occurred between the First and Second World Wars were isolated incidents and argues that they should be considered as part of a European war; a war which transformed Poland into a nation.
The Historiography of Late Republican Civil War is part of a burgeoning new trend that focuses on the great impact of stasis and civil war on Roman society. This volume specifically concentrates on the Late Republic, a transformative period marked by social and political violence, stasis, factional strife, and civil war. Its constitutive chapters closely study developments and discussions concerning the concept of civil war in the late republican and early imperial historiography of the late Republic, from L. Cornelius Sulla Felix to the Severan dynasty.
In Caesar's Civil War: Historical Reality and Fabrication, Westall combines literary analysis of Caesar’s Bellum Civile with a concern for the socio-economic history of the Roman empire. The Bellum Gallicum and the Shakespearean play are better known, but Caesar’s partisan account of the Roman civil war culminating in the battle of Pharsalus offers a historical text of perennial interest and relevance. Two introductory chapters contextualize this book and offer a traditional narrative of political and military history for 49-48 BCE. There follow seven chapters that are dedicated to each of the geographical theatres of civil war. These chapters show how Caesar’s testimony sheds important light upon the nature of Roman rule in the Mediterranean, but also explore the problems to be encountered in using potentially tendentious testimony.
This book explores the significance of Julius Caesar to differentperiods, societies and people from the 50s BC through to thetwenty-first century. This interdisciplinary volume explores the significance ofJulius Caesar to different periods, societies and people. Ranges over the fields of religious, military, and politicalhistory, archaeology, architecture and urban planning, the visualarts, and literary, film, theatre and cultural studies. Examines representations of Caesar in Italy, France, Germany,Britain, and the United States in particular. Objects of analysis range from Caesar’s own commentarieson the Gallic wars, through Shakespeare’s Julius Caesar, andimages of Caesar in Italian fascist popular culture, tocontemporary cinema and current debates about Americanempire. Edited by a leading expert on the reception of ancientRome. Includes original contributions by international experts onCaesar and his reception.
Reinterprets Julius Caesar not as an autocrat seeking to overthrow the Roman Republic, but as an unusually successful political leader.