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The riotously funny Lilly, last seen in Chester's Way (Greenwillow), thinks her new baby brother, Julius, is disgusting -- if he was a number, he would be zero. But when Cousin Garland dares to criticize Julius, Lilly bullies her into loudly admiring Julius as the baby of the world.Lilly knows her baby brother is nothing but dreadful -- until she claims him for her own. "Henkes displays a deep understanding of sibling rivalry and a child's fragile self-esteem....Lilly is a superb and timely heroine." -- Publishers Weekly. "
A humorous and joyful celebration of love and sharing by the award-winning and bestselling duo, Angela Johnson and Dav Pilkey. When Maya's grandfather comes to visit from Alaska, he brings a surprise in a crate -- something, he says, to teach her "fun and sharing." Maya hopes it's a horse or a big brother. But instead, it's a huge, pink pig named Julius! Maya's parents see Julius as a slob, but Maya feels differently. She sees a playmate, a protector, and a sharer in all that's magical and wild. This brand-new edition of the classic picture book by award-winning author Angela Johnson and illustrator Dav Pilkey will teach a new generation of readers about friendship, affection, and sharing, with lots of laughs along the way.
Retells the life and death of the famous Roman ruler, using contemporary documentation to present him as a skilled general, politician, and orator.
Presents a collection of essays discussing aspects of William Shakespeare's historical tragedy of ambition, malice, and betrayal in which Caesar dies at the hands of his friends and fellow politicians.
Ben considers himself lucky. He found Gabriel early in life and he is loved. But at twenty-one, he’s beginning to question if the boat of youthful independence will soon set sail without him. Will his devotion to Gabriel prevent him from exploring with other guys? Will he ever get to experience the heart-wavering thrill of falling in love again? Vacationing on Gabriel’s family boat on the French Riviera, Ben is unprepared for the arrival of Leo, a beautiful adolescent thriving in the noontide of carefree nonchalance. Over the course of a single day, Ben battles his burgeoning lust and intensifying guilt. Will he betray Gabriel, who has done nothing but love him? Or can he resist the carnal temptation of the most beautiful boy he has ever seen?
Divus Julius
Julius Caesar is a key link between Shakespeare’s histories and his tragedies. Unlike the Caesar drawn by Plutarch in a source text, Shakespeare’s Caesar is surprisingly modern: vulnerable and imperfect, a powerful man who does not always know himself. The open-ended structure of the play insists that revealing events will continue after the play ends, making the significance of the history we have just witnessed impossible to determine in the play itself. John D. Cox’s introduction discusses issues of genre, characterization, and rhetoric, while also providing a detailed history of criticism of the play. Appendices provide excerpts from important related works by Lucretius, Plutarch, and Montaigne. A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.
He came. He saw. He conquered. Julius Caesar was a force to be reckoned with as a savvy politician, an impressive orator, and a brave soldier. Born in Rome in 100 BC, he quickly climbed the ladder of Roman politics, making allies--and enemies--along the way. His victories in battle awarded him the support of the people, but flush from power, he named himself dictator for life. The good times, however, would not last much longer. On the Ides of March, Caesar was brutally assassinated by a group of senators determined to end his tyranny, bringing his reign to an end.
"This book argues that, since transatlantic slavery, patience has been used as a tool of anti-black violence and political exclusion, but shows how during the Civil Rights Movement black artists and activists used theatre to demand "freedom now," staging a radical challenge to this deferral of black freedom and citizenship"--
Presents a biography of the Roman general and statesman whose brilliant military leadership helped make Rome the center of a vast empire.