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A new English translation, the first to be based on the definitive French Pléiade edition.
A novel in which Rousseau reconceptualized the relationship of the individual to the collective and articulated a new moral paradigm
Romanticism and Civilization examines romantic alternatives to modern life in Rousseau’s foundational novel Julie. It argues that Julie is a response to the ills of modern civilization, and that Rousseau saw that the Enlightenment’s combination of science and of democracy degraded human life by making it bourgeois. The bourgeois is man uprooted by science and attached to nothing but himself. He lives a commercial life and his materialism and calculations penetrate all aspects of his existence. He is neither citizen, nor family man, nor lover in any serious sense: his life is meaningless. Rousseau’s romanticism in Julie is an attempt to find connectedness through the sentiments of private life and wholeness through love, marriage, and family.
Cambridge paperback library. First published 1969. Includes bibliographical references. 5.
The acclaimed series The Collected Writings of Jean-Jacques Rousseau concludes with a volume centering on Emile (1762), which Rousseau called his “greatest and best book.” Here Rousseau enters into critical engagement with thinkers such as Locke and Plato, giving his most comprehensive account of the relation between happiness and citizenship, teachers and students, and men and women. In this volume Christopher Kelly presents Allan Bloom’s translation, newly edited and cross-referenced to match the series. The volume also contains the first-ever translation of the first draft of Emile, the “Favre Manuscript,” and a new translation of Emile and Sophie, or the Solitaries. The Collected Writings of Rousseau Roger D. Masters and Christopher Kelly, series editors 1. Rousseau, Judge of Jean-Jacques: Dialogues 2. Discourse on the Sciences and Arts (First Discourse) and Polemics 3. Discourse on the Origins of Inequality (Second Discourse) Polemics, and Political Economy 4. Social Contract, Discourse on the Virtue Most Necessary for a Hero, Political Fragments, and Geneva Manuscript 5. The Confessions and Correspondence, Including the Letters to Malesherbes 6. Julie, or the New Heloise: Letters of Two Lovers Who Live in a Small Town at the Foot of the Alps 7. Essay on the Origin of Languages and Writings Related to Music 8. The Reveries of the Solitary Walker, Botanical Writings, and Letter to Franquières 9. Letter to Beaumont, Letters Written from the Mountain 10. Letter to D’Alembert and Writings for the Theater 11. The Plan for Perpetual Peace, On the Government of Poland, and Other Writings on History and Politics 12. Autobiographical, Scientific, Religious, Moral, and Literary Writings 13. Emile or On Education (Includes Emile and Sophie; or The Solitaries)
This “fresh new rendition of Rousseau’s major political writings is a boon for scholars and students alike”—with a critical introduction by the translator (Richard Boyd, Georgetown University). Individualist and communitarian. Anarchist and totalitarian. Progressive and reactionary. Since the eighteenth century, Jean-Jacques Rousseau has been called all of these things. Few philosophers have been the subject of such intense debate, yet almost everyone agrees that Rousseau is among the most important political thinkers in history. Renowned Rousseau scholar John T. Scott highlights his enduring influence with this superb new edition of his major political writings. This volume includes authoritative and lucid new translations of the Discourse on the Sciences and Arts, the Discourse on the Origin and Foundations of Inequality Among Men, and On the Social Contract. The two Discourses show Rousseau developing his well-known conception of the natural goodness of man and the problems posed by life in society. With the Social Contract, Rousseau became the first major thinker to argue that democracy is the only legitimate form of political organization. Scott’s extensive introduction enhances our understanding of these foundational writings, providing background information, social and historical context, and guidance for interpreting the works. Throughout, translation and editorial notes clarify ideas and terms that might not be immediately familiar to most readers.
An exceptional anthology designed for courses on Rousseau, the history of philosophy, and women's studies
[orig Fr: Projet Concernant de Nouveaux Signes pour la Musique, 1742]Rousseau, one of the most influential thinkers of 18th-century France, marked his arrival in Paris by reading to the Académie des Sciences a paper in which he presented a new system of musical notation. His proposals were to form the basis of the 19th-century method of teaching music devised by Pierre Galin and his associates. Rousseau's own publication, here reprinted, is in an elegant and lucid prose whose style is admirably captured in Bernarr Rainbow's page by page parallel translation.