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The funniest debut novel since Tom Sharpe's Riotous Assembly, only it's set in Tasmania!
Is the meaning of life to find the meaning of life? Meet Sherry Cracker: loner, obsessive note-taker and lover of tartan trousers. She works for thrifty, straight-talking Mr. Chin who runs a business buying used gold from dentists. One Friday afternoon, Mr. Chin informs Sherry that she,s abnormal.
If you were charmed by The Curious Incident, laughed with Eleanor Oliphant and cried over A Man Called Ove, you will love Ricky Bird. No one loved making forts more than Ricky. A fort was a place of safety and possibility. It shut out the world and enclosed her and Ollie within any story she wanted to tell ... Ricky Bird loves making up stories for her brother Ollie almost as much as she loves him. The imaginary worlds she creates are wild and whimsical places full of unlimited possibilities. Real life is another story. Ricky's father has abandoned them and the family has moved to a bleak new neighbourhood. Worse still, her mother's new boyfriend, Dan, has come with the furniture. But Ricky Bird is a force to be reckoned with. As the mastermind of so many outlandish adventures, her imagination is her best weapon. As her father used to say, if you can spin a good yarn you can get on in life. The trouble is that in the best stories characters sometimes take on a life of their own and no one, not even Ricky, is able to imagine the consequences. Beautifully written, heartbreakingly funny and deeply moving, this book has already been compared to The Curious Incident of the Dog in the Night-time, Lost and Found, Shuggie Bain, Eleanor Oliphant is Completely Fine and A Monster Calls. But Ricky's story is all her own - and it will stay with you long after the last page. 'Fierce and wonderful and utterly singular, Ricky embodies the sheer joy and transformative power of storytelling.' Kate Mildenhall, author of The Mother Fault and Skylarking 'A wise, tender but unflinching portrait of an ordinary family and the unordinary girl at its heart. Ricky - fragile, tough, endearing and funny - is a fabulous creation. She'll walk around in my world all year, and more.' Kristina Olsson, award-winning author of Shell and Boy, Lost Review: 'A wise, tender but unflinching portrait of an ordinary family and the unordinary girl at its heart. Ricky - fragile, tough, endearing and funny - is a fabulous creation. She'll walk around in my world all year, and more.' - Kristina Olsson, award-winning author of Shell and Boy, Lost 'Fierce and wonderful and utterly singular, Ricky embodies the sheer joy and transformative power of storytelling' - Kate Mildenhall âe¢ The Mother Fault and Skylarking âe¢ 'Connell has created a rich, complex, multi-layered character in Ricky Bird' âe¢ The AU Review âe¢ '[Ricky's] vivid narration buoys a novel through dark and desperate undercurrents ... The Improbable Life of Ricky Bird has been compared to Curious Incident and Shuggie Bain, and it's true that Diane Connell lends a unique voice to a child struggling to make sense of an adult world.' âe¢ Sydney Morning Herald âe¢ 'Heart-warming, life-affirming, happy and sad ... I absolutely loved Ricky Bird and her witty, insouciant, funny, critical, quick and loving personality.' - Cass Moriarty, author of The Promise Seed 'Compared to best-selling titles like Elinor Oliphant Is Completely Fine and The Curious Incident of the Dog in the Night-time, Diane Connell's The Improbable Life of Ricky Bird had a lot to live up to from the beginning. But it holds its own in a brand new lane. While Ricky Bird has a similarly unreliable narrator and is just as cleverly written, this book has the potential to take readers on an even more explosive rollercoaster of emotions ...' âe¢ Glam Adelaide âe¢ 'Gritty and raw, tender and heartbreaking, this is a beautifully written tale of an ordinary family and the fierce girl at its heart who will stay with you long after the last page is turned and the last tear has dried.' âe¢ Daily Telegraph âe¢ 'A heart-churning, sob-inducing novel with equal shades of dark and light in the vein of Eleanor Oliphant is Completely Fine; you will race through the pages, just itching to jump in and befriend (and protect) the most singular Ricky Bird.' âe¢ Angela Bennetts, COAST Magazine âe¢
Prose writers have had it their own way for too long. At last, here is an anthology of poetry from New Zealand that captures the essence of science fiction: aliens, space travel, time travel, the end of the world - as well - as concepts you may not previously have thought of as science fiction. Fasten your seatbelts as editors Mark Pirie and Jim Jones present some of New Zealand's best poets - past and present - shining the flashlight of science fiction on our universe, and relishing the strange images that result. Bristling with insight, sections like Back to the Future, Apocalypse Now, Altered States, ET, When Worlds Collide and The Final Frontier will have you speculating right along with the poets.
The Filson Club History Quarterly, first published in 1926, has long enjoyed a reputation as one of the nation's finest regional historical journals. Over the years it has published excellent essays on virtually every aspect of Kentucky history. Gathered together here for the first time are twenty-eight selections, chosen from the first fifty years of the journal's publication. These essays span the range of Kentucky history and culture from frontier criminals to best sellers by Kentucky women writers, and from Indian place names to twentieth century bank failures. Included among the essayists are Thomas D. Clark, J. Winston Coleman, Jr., Robert E. McDowell, Lowell Harrison, Hambleton Tapp, Julia Neal, Allan M. Trout, and many other well-known authorities on Kentucky history. The editors have arranged these essays into five chronological periods, which include the pioneer era, the antebellum years, the Civil War, the late nineteenth century, and the twentieth century. They have carefully chosen essays that provide a topical diversity within each category. Included in this volume are two brief introductory essays sketching the history of The Filson Club and The Filson Club History Quarterly.
This chilling and disturbing memoir tells the story of one of Glasgow's most notorious criminals. In his own words, William Lobban tells how he was born in Exeter Prison to a violent, schizophrenic mother. His upbringing in the East End of Glasgow was just as bleak, and he ended up in care, destined for a life of violence and insecurity. Aged only 15 he masterminded a daring break-in to a Glasgow pub, and many years of armed robberies, dealing class A drugs and gang fights followed. When he wasn't causing mayhem on the streets, Lobban was serving terms in various young offenders' institutions and prisons, where he was involved in some of the most serious prison riots of recent years. In the course of his criminal career Lobban became closely associated with the infamous Paul Ferris, who was later to incriminate him as the murderer of fellow gangster Arthur Thompson Jr. Police also believed that Lobban was the man behind the brutal double killing of Bobby Glover and Joe 'Bananas' Hanlon, but none of these charges was made to stick. Finally released from prison in 1998, Lobban decided to walk away from a life of crime, but at first it proved impossible for him to break the way of life that had moulded him, and only in recent years has he found a measure of peace and stability. In this searing expose of the Glasgow underworld he reveals the true facts behind those crimes which he really committed, and those of which he is falsely accused.
Kate and Harriet are best friends, growing up together on an isolated Australian cape in the 1880s. As daughters of the lighthouse keepers, the two girls share everything, until a fisherman, McPhail, arrives in their small community. When Kate witnesses the desire that flares between him and Harriet, she is torn by her feelings of envy and longing. But one moment in McPhail’s hut will change the course of their lives forever. Inspired by a true story, Skylarking is a stunning debut novel about friendship, love and loss, one that questions what it is to remember and how tempting it can be to forget. Longlisted for the 2017 Indie Book Awards and the 2017 Voss Literary Prize ‘[Mildenhall’s] research of life on a remote cape in a young colony manifests in lovingly drawn descriptions of the natural landscape ... the novel's strength lies with following Kate's and Harriet's stumbles and skylarking from childhood to womanhood; and their close, sometimes stifling, friendship.’ —Thuy On, Sydney Morning Herald ‘It's no surprise to learn that debut author Kate Mildenhall counts Geraldine Brooks and Hannah Kent among her favourite writers. Inspired by a true story, Skylarking recreates a particular time and place as evocatively as they do...this is a beautifully written book, with lyrical descriptions of the desolate yet beautiful landscape.’ —AFR Magazine ‘It’s testament to Kate Mildenhall’s skill that you become so immersed in the lives of best friends Kate and Harriet you feel the dread, but hope it will not be so ... fans of Emily Bitto’s The Strays and Favel Parrett’s Past the Shallows will find much to admire here.’ —Herald Sun ‘Mildenhall is at her best when she is exploring the complex relationship between these two young women as their burgeoning sexuality begins to cause problems within their tiny community.’ —Books+Publishing ‘Kate Mildenhall’s impressive debut novel takes an historical case and re-imagines it with such sensitivity and insight that we feel this must be how it truly happened.’ —Emily Bitto ‘It is hard to believe that Skylarking is Kate Mildenhall’s debut novel, as her ability to create both character and atmosphere is impressive.’ —Annie Condon, Readings Monthly ‘The storm-lashed coastline of the Great Southern Land is the setting for this poetic, slow-moving tale of the friendship ... an evocative yarn.’ —Australian Women's Weekly ‘Skylarking is a strikingly real and deeply moving meditation on adolescent friendship in all its complexities—a heart-wrenching work.’ —Olga Lorenzo ‘A brave, beautiful and richly textured book that delicately explores the fault lines in love and friendship.’ —Lucy Treloar ‘Author Kate Mildenhall evocatively brings to the mind’s eye the lives of two young girls in Victorian-era Australia.’ —Better Reading ‘Sensory and visceral’ —Joy Lawn, The Australian
A powerful family memoir from the award-winning author of The China Garden Kristina OlssonOCOs mother lost her infant son, Peter, when he was snatched from her arms as she boarded a train in the hot summer of 1950. She was young and frightened, trying to escape a brutal marriage, but despite the violence and cruelty sheOCOd endured, she was not prepared for this final blow, this breathtaking punishment. Yvonne would not see her son again for nearly 40 years. Kristina was the first child of her motherOCOs subsequent, much gentler marriage and, like her siblings, grew up unaware of the reasons behind her motherOCOs sorrow, though PeterOCOs absence resounded through the family, marking each one. Yvonne dreamt of her son by day and by night, while Peter grew up a thousand miles and a lifetime away, dreaming of his missing mother. Boy, Lost tells how their lives proceeded from that shattering moment, the grief and shame that stalked them, what they lost and what they salvaged. But it is also the story of a family, the cascade of grief and guilt through generations, and the endurance of memory and faith."
Set in post-war Hungary between 1944 and 1956, the story follows the lives of two young men and in particular their careers in a travelling basketball team. They spend most of their time in the avoidance of work and army service and in the pursuit of sex.