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Biography of Julia Morgan one of the first women to graduate in civil engineering from the University of California, Berkeley, and the first women to earn a certificate in architecture from Ecole de Beaux-Arts in Paris
Julia Morgan, America’s first truly independent female architect, left a legacy of more than 700 buildings, many of which are now designated landmarks, in cities throughout California, as well as in Hawaii, Utah, and Illinois. Her work spanned five decades, and the total of her commissions was greater than any other major American architect, including Frank Lloyd Wright. This book tells the remarkable story of this architectural pioneer, and features text, drawings, and photographs of the many buildings that still exist.
Julia Morgan was born into a world that doubted the ability of women, but her mother and grandmother taught her not to listen. Not only did she graduate college as the only woman in her class getting a degree in civil engineering, she went on to attend Beaux-Arts in Paris. As the best architecture school in the world, many were surprised when she passed the entrance exams, and even more so when she finished the five-year program in three years! After becoming the first woman to receive an architecture license in California, she opened her own business and was quickly singled out by William Hearst, who admired her imaginative style and unique projects. With his funding, she built Hearst Castle, one of the most famous buildings in California. It was her largest and most complex project, but by no means her last. She went on to build and advocate for the YWCA and Mills College, which both worked to advance women's opportunities.
How Julia Morgan came to design the Berkeley City Club in 1930, why the clubhouse is an architectural masterpiece, and what uses it has seen over the past 85 years.
Illustrated here are the Castle's Spanish ceilings and other architectural fragments, medieval tapestries, Renissance furniture, nineteenth-century sculpture, and wide-ranging examples of European decorative arts, including ceramics, metalworks, textiles, and more."--BOOK JACKET.
This new biography—featuring over 150 archival images and full-color photographs printed throughout—introduces Julia Morgan as both a pioneering architect and a captivating individual. Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the École des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty years constructing this opulent estate on the California coast for the newspaper magnate William Randolph Hearst—forging a lifelong friendship and creative partnership with him. Together, they built a spectacular and unequalled residence that once hosted the biggest stars of Hollywood's golden age, and that now welcomes hundreds of thousands of visitors each year. This compelling biography draws on interviews, letters, and Morgan's diaries, including never-before-seen reflections on faith, art, and her life experiences. Morgan's friendship with Hearst, her passion for California's landscape, her struggles with familial dementia, and her devotion to architecture reveal her to have been a singularly brilliant and determined artist. PREVIOUSLY UNPUBLISHED CONTENT: Victoria Kastner has spent years compiling photographs, interviews, letters, drawings, and diaries—including material never published before—to create the first truly comprehensive portrait of this amazing woman. OVER 150 PHOTOGRAPHS: This book features over 150 photographs, printed throughout the text. These include both fascinating archival images and beautiful, full-color contemporary shots of Morgan's buildings. INSPIRING STORY: By exploring both Morgan's work and her life, Kastner weaves a captivating tale about courage, vision, and resilience. Julia Morgan forged a path for herself against the odds, and her story will inspire contemporary women and creatives. ARCHITECTURAL ICON: Julia Morgan created 700 buildings during her career, from hotels to churches to private homes. Born in San Francisco and trained in Paris, she developed a distinctive aesthetic that now defines certain regions of California. But only in the last twenty years has her contribution to architecture been fully recognized and celebrated. In 2014, the American Institute of Architects' posthumously awarded her its Gold Medal; she was the first female recipient. Perfect for: • History buffs • Students, enthusiasts, and professional architects • Aspiring creatives in all fields • Feminists seeking role models • Visitors to Hearst Castle and Morgan's other buildings • Californians and visitors to California
Recounts the life of the architect whose projects included designing the Hearst Castle at San Simeon, California.
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the “Black Legend,” which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt—California, the American Southwest, Texas, and Florida—there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain’s political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.
Berkeley is as much a concept as a city, resonating powerfully with those on all sides of the political spectrum. But insiders know it as one of the most exciting cities in the country, where eclectic neighborhoods, a sparkling waterfront, and world-class festivals coexist happily with radicals, hippies, and political correctness. This sumptuous photographic tour with text shows exactly what makes the city special, offering dazzling images of the city's vibrant street life, gorgeous natural attractions, emerging arts district, lovely Rose Garden, legendary Claremont Hotel spa, and much more.
William Randolph Hearst was a figure of Shakespearean proportions, a man of huge ambition, inflexible will, and inexhaustible energy. He revolutionized the newspaper industry in America, becoming the most powerful media mogul the world had ever seen, and in the process earned himself the title of "most hated man in America" on four different occasions. Now in the second volume of this sweeping biography, Ben Procter gives readers a vivid portrait of the final 40 years of Hearst's life. Drawing on previously unavailable letters and manuscripts, and quoting generously from Hearst's own editorials, Procter covers all aspects of Hearst's career: his journalistic innovations, his impassioned patriotism, his fierce belief in "Government by Newspaper," his frustrated political aspirations, profligate spending and voracious art collecting, the building of his castle at San Simeon, and his tumultuous Hollywood years. The book offers new insight into Hearst's bitter and highly public quarrels with Al Smith (who referred to Hearst papers as "Mudgutter Gazettes") and FDR (whose New Deal Hearst dubbed the "Raw Deal"); his 30-year affair with the actress Marion Davies (and her own affairs with others); his political evolution from a progressive trust-buster and "America first" isolationist to an increasingly conservative and at times hysterical anti-communist. Procter also explores Hearst's ill-considered meeting with Hitler, his attempts to suppress "Citizen Kane," and his relationships with Joseph Kennedy, Charles Lindbergh, Louis B. Meyer, and many other major figures of his time. As Life magazine noted, Hearst newspapers were a "one-man fireworks display"--sensational, controversial, informative, and always entertaining. In Ben Procter's fascinating biography, Hearst shines forth in all his eccentric and egocentric glory.