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Sheriff Fletcher Adams has no intention of taking a wife, but when mail-order bride Julia Benson is stranded at the train station after her intended husband rejects her, it starts to seem like a good idea. Too bad she doesn't agree. This book is part of the American Mail-Order Brides series. For a full listing of the other titles, go to http://www.newwesternromance.com/ Callie Hutton has written more than 25 books. For a complete listing, go to www.calliehutton.com/books Keywords: mail order bride, western romance, historical romance, frontier, pioneer, arranged marriage, marriage of convenience
First published in 1992.
"A sure-footed ode to the strength of family, the depth of loss, and the power of forgiveness."--Amazon
Read the 3rd installment in tyhe New York Times bestselling series about Miss Julia, the proper lady of a certain age with a backbone of iron and perfect Steel Magnolia poise, not to mention the sharpest tongue south of the Mason-Dixon Line. And don't miss Ann Ross's newest, Miss Julia Raises the Roof, coming April 2018 from Viking. In Miss Julia Throws a Wedding, we find her feeling a little wistful when Hazel Marie, once her late husband's paramour and now her best friend, prepares to move out and live in sin with that marriage-shy Mr. Pickens. Suddenly, to Miss Julia's delight, a wedding is in the offing: Handsome Deputy Coleman Bates and attorney Binkie Enloe announce their plans to run down to the courthouse and tie the knot. But Miss Julia insists they have a real wedding ceremony and vows to make it happen. When a missing preacher, a crowd of uninvited guests, and a queasy bride threaten the happy event, Miss Julia is there to restore order, confirming her undying motto: if you want something done right, you have to do it yourself!
Lady Honoria Carlow, leading Diamond of the Ton, is in disgrace. Her spirited nature has led her too far this time and she is, in reputation at least, ruined. Indifferent to polite London society, Captain Gabriel Hawksworth is a gentleman in bandit's clothing. On the storm-tossed coast of Cornwall, this smuggler is reckless, sexy and sinfully tempting…. Gabriel is luring Honoria right back to what she's escaping—trouble! Only this time her impropriety won't be quite so innocent…
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In (Not that You Asked), Steve Almond documents a life spent brawling with the idiot kings of modern culture. He squares off against Sean Hannity on national TV, takes on Oprah Winfrey, nearly gets kidnapped by a reality TV crew, and winds up in Boston, where he quickly enrages the entire population of Red Sox Nation. Amid the carnage, he finds time to celebrate his literary hero, the late Kurt Vonnegut. These are essays the Los Angeles Times has called “rich, fearless [and] cutting.” Praise for (Not that You Asked) “Refreshingly irreverent . . . absurdly funny.” –The Boston Globe “[Almond] scores big in every chapter of this must-have collection. Biting humor, honesty, smarts and heart: Vonnegut himself would have been proud.” –Kirkus Reviews (starred review) “Taunting, revealing, irreverent, and earnest.” –The New York Times “Steve Almond has created a distinctive voice and literary persona. Pleasure-obsessed, self-deprecating, horny, hilarious and always dedicated to parsing the messy terrain of the human heart.” –Forward.com
Excerpt from Julia Bride She walked with her friend to the top of the wide steps of the Museum, those that descended from the galleries of painting, and then, after the young man had left her, smiling, looking back, waving all gayly and expressively his hat and stick, had watched him, smiling too, but with a different intensity - had kept him in sight till he passed out of the great door. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.