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A prescient political and psychological thriller ripped from tomorrow's headlines, by one of Germany's most celebrated contemporary novelists A few short years from now, the world is an even more uncertain place than it is today, and politics everywhere is marching rightward: Trump is gone, but Brexit is complete, as is Frexit. There's a global financial crisis, armed conflict, and mass migration, and an ultrapopulist movement governs in Germany. With their democracy facing the wrecking ball, most well-off Germans turn inward, focusing on their own lives. Britta, a wife, mother, and successful businesswoman, ignores the daily news and concentrates on her family and her work running a clinic specializing in suicide prevention. But her legitimate business is connected to a secret and far more lucrative operation known as The Bridge, an outfit that supplies terrorist organizations looking to employ suicide bombers. Using a complex candidate-identifying algorithm designed by Babak, a brilliant programmer and Britta's only employee, The Bridge has effectively cornered the market, and terrorism never takes place without Britta's services—which is why news of a thwarted suicide attack in Leipzig comes as a shock. Then The Bridge's database is stolen, driving Britta, Babak, and their latest recruit into hiding. On their heels is a new terrorist organization called the Empty Hearts, a group unlike any Britta and Babak have encountered before. Part suspenseful thriller, part wickedly effective social satire, Empty Hearts is a novel for our times, examining urgent questions of morality, politics, and culture and presenting a startling vision of a future where empathy is a thing of the past.
This volume casts a critical light on one of Germany’s bestselling and most controversial authors. Juli Zeh’s literary work is not only widely read in Germany, but also featured on high school and college syllabi both in Germany and abroad. In recent years and in the wake of the Covid 19 lockdowns, Zeh’s output has only increased, though her most recent work, Unterleuten (2016), Über Menschen (2021), and Zwischen Welten (2023; co-written with Simon Urban), has evolved away from the literary and philosophical thought that informed her more nuanced earlier work and towards a more conservative representation of contemporary social dynamics. While her work continues to garner prestigious awards, Zeh herself, who is an honorary judge at the Brandenburg constitutional court and a seemingly omnipresent public intellectual, has taken increasingly libertarian positions in recent political debates -- whether about Germany’s public health measures in response to the pandemic, or the country’s role in the Ukraine war. This volume traces the development and broad impact of Zeh’s writing while reflecting on the responsibility of the scholars who read and teach it to confront her ambiguous and sometimes troubling politics.
Lanzarote on New Year's Day: Henning is cycling up the steep path to Femes. As he struggles against the wind and the gradient he takes stock of his life. He has a job, a wife, two children - yet hardly recognises himself anymore. Panic attacks have been pouncing on him like demons. When he finally reaches the pass in utter exhaustion, a mysterious coincidence unveils a repressed yet vivid memory, plunging him back into childhood and the traumatic event that almost cost him and his sister their lives. In this masterful novel, bestselling author Juli Zeh skillfully turns a New Year's Day bike ride into an unexpectedly dark, psychological family drama.
Max, while grieving for his criminal girlfriend Jessie, slides into a drug-induced oblivion, his personal and professional descent assured. As he probes into Jessie's past, a sinister web of conspiracy is drawn around him, with a cast of international lawyers, UNO politicans and mass murderers.
A psychological thriller in the tradition of Patricia Highsmith about two couples caught in a web of conflicting passions while deep-sea diving off the beautiful Canary Islands In the late 1990s, Sven Fiedler and his girlfriend, Antje, left Germany for the island of Lanzarote, rejecting what Sven considered a vulgar culture of materialism and judgment. The young couple set up a diving service catering to tourists eager to bask in the warm sunshine and explore the silent, gleaming marine paradise that makes this otherwise barren volcanic island such a remarkable retreat. Sven’s approach was simple: take the mechanics of diving seriously, instruct his clients clearly, and stay out of their personal business as best he can. And life on the island goes smoothly until two German tourists--Jola von der Pahlen, a daytime soap star on the verge of cinematic success, and Theo Hast, a stalled novelist--engage Sven for a high-priced, intensive two-week diving experience. Staying in a guest house on Sven and Antje's property, the two visitors and their hosts quickly become embroiled in a tangle of jealousy and suspicion. Sven is struck by Jola's beauty, her evident wealth, and her apparently volatile relationship with the much older Theo. Theo quickly leaps to the conclusion that Sven and Jola are having an affair, but, oddly, he seems to facilitate it rather than trying to intervene. Antje, looking on, grows increasingly wary of these particular clients. As the point of view shifts from one character to the next, the reader is constantly kept guessing about who knows what, and, more important, who is telling the truth. A brutal game of delusion, temptation, and manipulation plays out, pointing toward a violent end. But a quiet one, down in the underwater world beneath the waves.
The gripping international bestseller that fuses an ingenious detective tale with stunning, cinematic storytelling—and a provocative riff on quantum physics—from Germany’s foremost young literary talent. A child is kidnapped but does not know it. One man dies, two physicists fight, and a senior constable falls in love. In the end, everything is different . . . yet exactly the same.” —Prologue A rising star who has garnered some of Europe’s most important literary prizes, Juli Zeh has established herself as the new master of the philosophical thriller. With In Free Fall, she now takes us on a fast-paced ride through deadly rivalry and love’s infinite configurations. Against the backdrop of Germany and Switzerland, two physicists begin a dangerous dance of distrust. Friends since their university days, when they were aspiring Nobel Prize candidates, they now interact in an atmosphere of tension, stoked by Oskar’s belief that Sebastian fell into mediocrity by having a family. When Sebastian’s son, Liam, is apparently kidnapped, their fragile friendship is further tested. Entrusted with uncovering the truth, Detective Superintendent Schilf discerns a web of blackmail, while at the same time the reality of his personal life falls into doubt. Unfolding in a series of razor-sharp scenes, In Free Fall is a riveting novel of ideas from a major new literary voice. With the recent success of works in translation, such as Stieg Larsson’s The Girl with the Dragon Tattoo and The Girl Who Played with Fire, Zeh is poised to take off.
Mia Holl lives in a state governed by The Method, where good health is the highest duty of the citizen. Everyone must submit medical data and sleep records to the authorities on a monthly basis, and regular exercise is mandatory. Mia is young and beautiful, a successful scientist who is outwardly obedient but with an intellect that marks her as subversive. Convinced that her brother has been wrongfully convicted of a terrible crime, Mia comes up against the full force of a regime determined to control every aspect of its citizens' lives.
Sebastian and Oskar have been friends since their days studying physics at university, when both were considered future Nobel Prize candidates. But their lives took divergent paths, as did their scientific views.
Written in real time, as the Nazis consolidated their power over the winter of 1933, The Oppermanns captures the fall of Weimar Germany through the eyes of one bourgeois Jewish family, shocked and paralyzed by an ideology they cannot comprehend. In the foment of Weimar-era Berlin, the Oppermann brothers represent tradition and stability. One brother oversees the furniture chain founded by their grandfather, one is an eminent surgeon, one a respected critic. They are rich, cultured, liberal, and public spirited, proud inheritors of the German enlightenment. They don’t see Hitler as a threat. Then, to their horror, the Nazis come to power, and the Oppermanns and their children are faced with the terrible decision of whether to adapt—if they can—flee, or try to fight. Written in 1933, nearly in real time, The Oppermanns captures the day-to-day vertigo of watching a liberal democracy fall apart. As Joshua Cohen writes in his introduction to this new edition, it is “one of the last masterpieces of German-Jewish culture.” Prescient and chilling, it has lost none of its power today.
This book is a thorough study of Nietzsche’s thoughts on nihilism, the history of the concept, the different ways in which he tries to explain his ideas on nihilism, the way these ideas were received in the 20th century, and, ultimately, what these ideas should mean to us. It begins with an exploration of how we can understand the strange situation that Nietzsche, about 130 years ago, predicted that nihilism would break through one or two centuries from then, and why, despite the philosopher describing it as the greatest catastrophe that could befall humankind, we hardly seem to be aware of it, let alone be frightened by it. The book shows that most of us are still living within the old frameworks of faith, and, therefore, can hardly imagine what it would mean if the idea of God (as the summit and summary of all our epistemic, moral, and esthetic beliefs) would become unbelievable. The comfortable situation in which we live allows us to conceive of such a possibility in a rather harmless way: while distancing ourselves from explicit religiosity, we still maintain the old framework in our scientific and humanistic ideals. This book highlights that contemporary science and humanism are not alternatives to, but rather variations of the old metaphysical and Christian faith. The inconceivability of real nihilism is elaborated by showing that people either do not take it seriously enough to feel its threat, or – when it is considered properly – suffer from the threat, and by this very suffering prove to be attached to the old nihilistic structures. Because of this paradoxical situation, this text suggests that the literary imagination might bring us closer to the experience of nihilism than philosophy ever could. This is further elaborated with the help of a novel by Juli Zeh and a play by Samuel Beckett. In the final chapter of the book, Nietzsche’s life and philosophy are themselves interpreted as a kind of literary metaphorical presentation of the answer to the question of how to live in an age of nihilism.