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"Magellania - which refers to the region around the Straight of Magellan - is the home of Kaw-djer, a mysterious man of Western origin whom the indigenous people consider a demigod. A man whose motto is "Neither God nor master," he has shunned Western civilization and its hypocrises in order to live peacefully on an island claimed by no one. But when a thousand immigrants become stranded on his island in a storm and ask him to be the leader of their colony, will Kaw-djer go against everything he believes in to help them live and prosper in this foreign land at the end of the world?" "Jules Verne penned Magellania in 1897, following the death of his brother and at a time when his health was beginning to fail. Originally titled Land of Fire and At the End of the World, Magellania was a work intended to reflect Verne's deeply held religious and political beliefs; it was also a representation of a man faced with his own mortality. After Verne's death in 1905, Magellania was completely rewritten by his son, Michel, at the request of his father's publisher, Hetzel. It was published in 1909 under the title Les naufrages du Jonathan, only to disappear into obscurity." "In 1977 the great Vernian scholar Piero Gondolo della Riva discovered the original manuscript in the Hetzel family archives. In 1985, the Jules Verne Society in France published a limited edition of the work. The first English translation ever shows Magellania to be a unique, forceful novel that widens the scope of Verne's literary legacy and distinguishes itself in Verne's somber, philosophical questioning of society, religion, nature and man as he neared the end of his life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Magellania, written by Jules Verne in 1897 and published posthumously in 1909, is a gripping tale set in the remote wilderness at the southern tip of South America. Originally titled The Survivors of the "Jonathan", the story unfolds against the backdrop of the isolated Magellanic region, a harsh and unforgiving landscape where nature’s forces reign supreme. The novel follows the reclusive and enigmatic Kaw-djer, a man of mysterious origins who lives a solitary life amidst the untamed beauty of this desolate land. Revered as a wise and just figure by the local inhabitants, Kaw-djer lives by his motto, “Neither God nor master,” shunning society and its trappings. However, his quiet existence is disrupted when the ship Jonathan wrecks on the nearby shores, bringing a group of desperate survivors who look to him for leadership and guidance. As Kaw-djer reluctantly takes on the mantle of leader, he faces the daunting challenges of forging a new society in the wilderness—struggling to balance his philosophy of freedom with the practical need for order and survival. The narrative explores themes of isolation, the complexities of human nature, and the tension between individualism and communal responsibility. Amidst the harsh elements and internal conflicts, Kaw-djer must confront not only the wild landscape but also his own beliefs and humanity. Verne’s Magellania is a unique blend of adventure and philosophical reflection, offering a powerful critique of political ideologies and societal constructs. Rich with vivid descriptions of the Patagonian landscapes and infused with Verne’s trademark attention to scientific and geographical detail, the novel captures both the awe and peril of life on the edge of the world. This edition preserves Verne’s compelling prose while making the text accessible to modern readers, ensuring that Magellania continues to resonate as a profound and thought-provoking narrative of survival and self-discovery.
The Golden Volcano thrusts two Canadian cousins unexpectedly bequeathed a mining claim in the Klondike into the middle of the gold rush, where they encounter disease, disaster, extremes of weather, and human nature twisted by a passion for gold. A deathbed confidence sends the two searching for a fabulous gold-filled volcano on the shore of the Arctic Ocean. But nature, both human and physical, hasn t finished with them, and their story plays out with the nail-biting adventure of an action thriller and the moral and emotional force of high drama. Like many of the works left unpublished when Jules Verne died, The Golden Volcano was altered and edited by his son, Michel. This first translation from the original manuscript allows readers of English to rediscover the pleasures of Verne s storytelling in its original form and to enjoy a virtually unknown gem of action, adventure, and style from a master of French literature.
In 1859, three sailors arrive on an isolated island to man a new lighthouse at the wreck-prone tippy tip of South America. They soon discover a band of egregious criminals, led by dangerous evildoer Kongre, who have been tricking ships into running aground, killing the survivors and taking the loot. When two lighthouse men go to assist a ship and are killed, serious trouble ensues.
Gathered here for the first time are Miles J. Breuer s first publication, The Man with the Strange Head ; his neglected dystopian novel Paradise and Iron (appearing here in book form for the first time); stories such as Gostak and the Doshes and Mechanocracy ; and Breuer s essay The Future of Scientifiction, one of the early critical statements of the genre. Also included are some of the author s letters from the Discussions column of Amazing Stories. Much of what we know as science fiction saw the light and found its themes, styles, and modes in the science fiction magazines of the early twentieth century. It was in these magazines of the 1920s and 1930s that Breuer often led the way. Breuer himself found his inspiration in the work of H. G. Wells and in turn influenced science fiction masters from Jack Williamson to Robert A. Heinlein. The Man with the Strange Head and Other Early Science Fiction Stories collects the best work of this pioneer of the genre.
Blends fantasy, adventure, and mystery to present a fictional account of Edgar Allen Poe as seen through the eyes of Poe's legendary detective C. Auguste Dupin.
Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancée on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe. Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.
In the early 1600s, in a haunting tale titled New Atlantis, Sir Francis Bacon imagined the discovery of an uncharted island. This island was home to the descendants of the lost realm of Atlantis, who had organized themselves to seek “the knowledge of Causes, and secret motions of things; and the enlarging of the bounds of Human Empire, to the effecting of all things possible.” Bacon’s make-believe island was not an empire in the usual sense, marked by territorial control; instead, it was the center of a vast general expansion of human knowledge and power. Rosalind Williams uses Bacon’s island as a jumping-off point to explore the overarching historical event of our time: the rise and triumph of human empire, the apotheosis of the modern ambition to increase knowledge and power in order to achieve world domination. Confronting an intensely humanized world was a singular event of consciousness, which Williams explores through the lives and works of three writers of the late nineteenth century: Jules Verne, William Morris, and Robert Louis Stevenson. As the century drew to a close, these writers were unhappy with the direction in which their world seemed to be headed and worried that organized humanity would use knowledge and power for unworthy ends. In response, Williams shows, each engaged in a lifelong quest to make a home in the midst of human empire, to transcend it, and most of all to understand it. They accomplished this first by taking to the water: in life and in art, the transition from land to water offered them release from the condition of human domination. At the same time, each writer transformed his world by exploring the literary boundary between realism and romance. Williams shows how Verne, Morris, and Stevenson experimented with romance and fantasy and how these traditions allowed them to express their growing awareness of the need for a new relationship between humans and Earth. The Triumph of Human Empire shows that for these writers and their readers romance was an exceptionally powerful way of grappling with the political, technical, and environmental situations of modernity. As environmental consciousness rises in our time, along with evidence that our seeming control over nature is pathological and unpredictable, Williams’s history is one that speaks very much to the present.
Translated from the French by Benjamin Ivry, Simone Weil was one of the twentieth century's most original philosopher-critics, and as a result her legacy has been claimed by many. This memoir by Weil's niece is strong-willed and incisive and as close as we are likely to get to the real Simone Weil. Born into a freethinking Jewish family, Weil contributed many articles to Socialist and Communist journals and was active in the Spanish Civil War until her health failed. In 1940 she became strongly attracted to Roman Catholicism and the Passion of Christ. Most of her works, published posthumously, continue to inform debates in ethics, philosophy, and spirituality surrounding questions of sacrifice, asceticism, and the virtues of manual labor. Massively influential, Weil's writings were widely praised by such readers as Albert Camus, T. S. Eliot, Simone de Beauvoir, Pope John XXIII, Czeslaw Milosz, and Susan Sontag. Sylvie Weil recovers the deeply Jewish nature of Simone's thinking and details how her preoccupations with charity and justice were fully in the tradition of tzedakah, the Jewish religious obligation toward these actions. Using previously unpublished family correspondence and conversations, Sylvie Weil offers a more authentically personal portrait of her aunt than previous biographers have provided. At Home with Andr and Simone Weil illuminates Simone's relationship to her family, especially to her brother, the great Princeton mathematician Andr Weil. A clear-eyed and uncompromising memoir of her family, At Home with Andr and Simone Weil is a fresh look at the noted French philosopher, mystic, and social activist.