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When your first attempt to re-ignite your sex life includes a 911 call… Judy Banger may be 50-something, trapped in a dead-end job, and worried her get-up-'n-go got up and went, but she wasn’t ready to throw in the towel…until her old friend’s “little blue pill epiphany” ended badly. Like harps and angels bad. When the meet-cute of your life includes a black lace bustier, fishnet stockings and a whip named Gerald… Gorgeous, sexy Judge Wilson "Wiley" Canby may project the smoldering angst of every romance hero Judy ever fantasized about. Too bad her timing is as rotten as her luck…unless the nearly retired widower needs help exploring his naughty side. “Tears, laughter, and sensuality hallmark this delightful novel as heroine Judy Banger, in fits and starts, finds unexpected happiness. I also couldn't help but applaud the fabulous judgment of Judge Wiley Canby!” LT review
Holiday party trial-by-fire? Isn’t there a law against that? Newlywed Judy Banger-Canby has a secret: she's no fan of Christmas. Her “Ho-ho-ho” is more “Ho-ho-hum.” Too bad she never had that all-important “holiday” talk with new hubby Wiley "Elf-on-the-Bench" Canby before saying, “I do.” Because when it comes to celebrating Christmas, she’s a definite: “I don’t.” It’s just a party…to prove how much he loves his new wife. Judge Wiley Canby is baffled by Judy’s lukewarm reception of his brilliant idea: throwing a giant Christmas blowout to close one chapter of his life and usher in a new beginning with the woman he loves. He gets that she's never hosted a gala and his friends didn’t exactly roll out the welcome mat for her, but it’s Christmas…the season of good will. What could possibly go wrong? "A fun story, that can give you a new lease on the holidays, just when they can seem overwhelming." ~ PatternDance
An unflinching personal memoir of a mother's journey as she discovers her spirituality and strength while watching her child endure a devastating disease called Epidermolysis Bullosa. Her journey takes her through the twists and turns of the medical world. Told with a raw frankness and candor. The love is unconditional and the stories are uncensored.
The debut of a hot new voice in lesbian erotica. In a world where so many stifle their emotions, what woman doesn't yearn for a little old-fashioned honesty -- even if it means revealing one's own secret desires? Danielle Engle's heroines do just that -- and a great deal more -- in their quest for sexual fulfillment.
Twenty Years of Dish from Flay and Fieri to Deen and DeLaurentiis... Includes a New Afterword! “I don’t want this shown. I want the tapes of this whole series destroyed.”—Martha Stewart “In those days, the main requirement to be on the Food Network was being able to get there by subway.”—Bobby Flay “She seems to suggest that you can make good food easily, in minutes, using Cheez Whiz and chopped-up Pringles and packaged chili mix.”—Anthony Bourdain This is the definitive history of The Food Network from its earliest days as a long-shot business gamble to its current status as a cable obsession for millions, home along the way to such icons as Emeril Lagasse, Rachael Ray, Mario Batali, Alton Brown, and countless other celebrity chefs. Using extensive inside access and interviews with hundreds of executives, stars, and employees, From Scratch is a tantalizing, delicious look at the intersection of business, pop culture, and food. INCLUDES PHOTOS
Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans. Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury's working life. As Bradbury's dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney's EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story "The Toynbee Convector." Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self. The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.
"...in my dream, I was right here, and by that, I mean I was sitting exactly where I'm sitting now, and I was enjoying the ale and bread that was on the table. And Craycroft was right there with what looked like a gathering of young men, and he was telling a tale; but let me tell you, it was no ordinary tale. It was of a book with men of power seeking it out; but it was eventually found by a young friar who lost everything to obtain this book. And Craycroft told us that there was one on this island who had seen this book, someone called Drachma." In Turbulence and Restoration, the third installment in the Drachma series, a riveting compilation of fantasy, magic, and medical discovery, Bob Gilsen and Judy continue in their quest in search of the only man who has all the answers to their mysterious circumstances. How did they travel through time and through the ages back to the fifteenth century? Why were they there, and would they ever go back? Who was this elder of the forest responsible for their travel back in time? Would they ever meet him? And what secrets lay written in the pages of the elusive Book of Drachma? Find out the fate of Bob, Judy, and their medieval entourage as they journey through the island of Shepperton in search for the answers that will surely only bring more questions about their fate in a history that could forever change their future.
Tampa Bay Magazine is the area's lifestyle magazine. For over 25 years it has been featuring the places, people and pleasures of Tampa Bay Florida, that includes Tampa, Clearwater and St. Petersburg. You won't know Tampa Bay until you read Tampa Bay Magazine.
Now in paperback, the scandalous international sensation: brash, candid, and utterly hilarious, Luciano Pavarotti’s longtime manager tells all. The name “Luciano Pavarotti” is as central to the world of opera as high C’s and dueling sopranos. Pavarotti has had, quite inarguably, the most successful career in the history of the operatic profession, having gone from a once-reserved but brilliant tenor to a media-stupefying superstar. In The King and I, Herbert Breslin, Pavarotti’s publicist, manager, and friend for thirty-six years, reveals, in a fashion that is witty and bitingly frank, the truth about that white-hot career in all its delicious grandeur. Full of jaw-dropping anecdotes about the most famous divas and disputes of the past three decades, The King and I even features an afterword by the famed tenor himself. A one-of-a-kind read, The King and I is the ultimate backstage book about the greatest opera star ever.
Five decades after the production and initial release of Rebel Without a Cause, this book examines both the complicated historical moment in which the film was made as well as its continuing and pervasive influence on film today. The contributors track how the film continues to speak to diverse audiences as a touchstone for imagined anxieties over adolescence and coming-of-age, traditional values of family and community, threats from abroad, and the provocations of mass or consumer society. Although the specific sources and motivations for rebellion have shifted, what has persisted is the film's singular power to represent rebellion in what could otherwise be seen as the everyday, and to move viewers to ponder its causes.