Download Free Judith The Woman The Myth The Legend Book in PDF and EPUB Free Download. You can read online Judith The Woman The Myth The Legend and write the review.

The Old Testament story of the widow Judith--the irresistible siren who lured her people's deadly enemy Holofernes to his death, beheading him in his own bed to save Jerusalem--is an enduring cultural myth in Western society. This title investigates the periodic resurgence of the Judith legend and how the myth and history became confused. 45 illustrations.
"... impressive work of scholarship..." -- Exceptional Human Experience
You cannot put a price on your first love. David Wayne has always called Point Judith, Rhode Island home and for good reason—the small village is the jewel of the ocean state—clean beaches, shopping, restaurants, fishing, boating and, year-round ferry service to Block Island. After traveling the globe for five years on business the self-made billionaire is ready to go home. At thirty-six thousand feet in the air, David is shocked when he reads The Lighthouse Inn has been slated for demolition. Growing up, the inn was his playground, it was where he learned to swim, had his first kiss and listened to the most amazing fishing stories. In Connecticut, twenty-nine year old Grace has found everlasting love. Grace and Hudson have the perfect future planned—get married, raise four children—he will practice medicine at their home and she will continue to sell high-end real estate. Summer of 23, Grace rents a house on Salty Brine Beach. Walking along the beach Grace becomes thirsty when a stranger offers her something to drink. Grace accepts David’s generosity without realizing their connections to each other is stronger than either one of them know. Point Judith is a tale of loving with all your heart and standing up for what you believe in.
A much-needed analysis of the development of feminist theatre in different cultures and on several continents in the past quarter-century.
In these folklore stories, the women of the U.S. typify the strength, bravery, and humor of many regions and cultures
Many are familiar with Joseph Campbell's theory of the hero's journey, the idea that every man from Moses to Hercules grows to adulthood while battling his alter-ego. This book explores the universal heroine's journey as she quests through world myth. Numerous stories from cultures as varied as Chile and Vietnam reveal heroines who battle for safety and identity, thereby upsetting popular notions of the passive, gentle heroine. Only after she has defeated her dark side and reintegrated can the heroine become the bestower of wisdom, the protecting queen and arch-crone. Instructors considering this book for use in a course may request an examination copy here.
From the contents: Laurie KAPLAN: How funny I must look with my breeches pulled down to my knees: nurses' memoirs and autobiographies from the Great war. - Peter BUITENHUIS: The perversion of motherhood: the trope of the son at the front. - Renate PETERS: The metamorphoses of Judith in literature and art: war by other means. - Lorrie GOLDENSOHN: Towards a non-combatant war poetry: Jarrell, Moore, Bishop.
Woman as gorgon, woman as temptress: the classical and biblical mythology which has dominated Western thinking defines women in a variety of patriarchally encoded roles. This study addresses the surprising persistence of mythical influence in contemporary fiction. Opening with the question 'what is myth?', the first section provides a wide-ranging review of mythography. It traces how myths have been perceived and interpreted by such commentators as Sigmund Freud, Carl Jung, Bruno Bettelheim, Roland Barthes, Jack Zipes and Marina Warner. This leads to an examination of the role that mythic narrative plays in social and self formation, drawing on the literary, feminist and psychoanalytic theories of Julia Kristeva, Luce Irigaray, Helene Cixous and Judith Butler to delineate the ways in which women's mythos can transcend the limitations of logos and give rise to potent new models for individual and cultural regeneration. In this light, Susan Sellers offers challenging new readings of a wide range of contemporary women's fiction, including works by A. S. Byatt, Angela Carter, Anne Rice, Michele Roberts, Emma Tennant and Fay Weldon. Topics explored include fairy tale as erotic fiction, new religious writing, vampires and gender-bending, mythic mothers, genre fiction, the still-persuasive paradigm of feminine beauty, and the radical potential of comedy.
This work is of importance to anyone with an interest in whether women, especially Jewish Ashkenazic women, had a Renaissance. It details the participation in the Querelle des Femmes and Power of Women topos as expressed in this hagiographic work on the lives of biblical women including the apocryphal Judith. The Power of Women topos is discussed in the context of the reception of the Amazon myth in Jewish literature and the domestication of powerful female figures. In the Querelle our author pleads with husbands for generosity and respect for their wives’ piety. Whether women living in the Renaissance experienced a renaissance is a debate raging since Joan Kelly raised the possibility that this historic phenomenon essentially did not affect women. The question is raised with reference to the women depicted in Many Pious Women. These topics find their expression in a richly annotated translation with extensive introductory essays of a unique 16th–century manuscript in Western Yiddish (Judeo–German) written in Italy. The text will also be useful to scholars of the history of Yiddish and theorists of its development. Women everywhere, gender and Renaissance scholars, Yiddishists and linguists will all welcome this work now available for the very first time in the original text with an English translation.
In these four artfully crafted essays, Patrick Geary explores the way ancient and medieval authors wrote about women. Geary describes the often marginal role women played in origin legends from antiquity until the twelfth century. Not confining himself to one religious tradition or region, he probes the tensions between women in biblical, classical, and medieval myths (such as Eve, Mary, Amazons, princesses, and countesses), and actual women in ancient and medieval societies. Using these legends as a lens through which to study patriarchal societies, Geary chooses moments and texts that illustrate how ancient authors (all of whom were male) confronted the place of women in their society. Unlike other books on the subject, Women at the Beginning attempts to understand not only the place of women in these legends, but also the ideologies of the men who wrote about them. The book concludes that the authors of these stories were themselves struggling with ambivalence about women in their own worlds and that this struggle manifested itself in their writings.