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Everyone knows Mrs Danvers as a byword for menace in Hitchcock's Rebecca and as a poster girl for lesbians in the movies. But only dedicated fans know her brilliant creator. This book tells Judith Anderson's life story for the first time. It recovers her career as one of the great stars of stage and television and an important character actress in film. Born in Adelaide, Australia, in 1897, brought up by a determined single mother, she parlayed her rich, velvety voice and ability to give reality to strong emotional roles into stardom on Broadway in the 1920s. Not a conventional beauty, she was alluring, with her beautiful body, perfect dress sense, and striking, volatile personality. After playing glamorous roles, she was recognised as a Leading Lady of the American Stage under the direction of Guthrie McClintic in Hamlet and co-starring with Laurence Olivier and Maurice Evans in Macbeth. Her reputation as a great actress was confirmed by her landmark performance in 1947 in the ancient Greek Medea, adapted for her by her friend, poet Robinson Jeffers. In a long career, she appeared in Medea again in 1982 at the age of 85, playing the Nurse to fellow-Australian Zoe Caldwell's Medea. Ambitious and driven, Anderson toured extensively, made numerous highly praised appearances on television, and, after her unforgettable role as Mrs Danvers, was a sought-after character actress in film, playing her last role as Vulcan High Priestess in Star Trek III at the age of 87. She won many awards and was made a Dame Commander of the British Empire in 1960 and Companion of the Order of Australia just before her death in 1992. She had a stormy private life and two short marriages, which, she remarked, were 'much too long.'
This unique combination of local, cultural and family history explores the lives of the men and women who worked in the baking trade in the regional Queensland town of Warwick during the century after the town's establishment in 1861. What emerges is a microcosm of Australia as it was until the rapid technological changes and societal shifts that began in the 1960s. Printed in colour and enriched by anecdotes and scores of photographs, advertisements, and newspaper clippings, the book is both a record and an affectionate reflection on an era characterised by hard work, enterprise, resilience and optimism, and provides a rare glimpse into traditional bakeries where magicians in aprons and baker's caps turned flour, yeast, salt and water into the wonder of bread. Beginning with background about Australia's and Queensland's early bakeries and flour mills, it tells the stories of some of Warwick's remarkable baking pioneers. It also traces the history of Warwick's flour mills and the successive owners of the large bakehouses known to have existed. Woven into these stories are broader events that affected all of Australia (immigration, two world wars, and the Great Depression) and the theme of hope of building a bright and prosperous future through hard work and enterprise. The book includes a list of some 160 owners, bakers, pastrycooks and carters identified as having worked in the trade in Warwick over the century concerned, as well as sections dealing with bread distribution, the bread-making process, ovens and other essential equipment, the role of various baking associations, and the importance of institutions such as the Bread Research Institute in contributing the science that turned baking into the bread manufacturing industry. Useful sources of further information about Warwick's history are also included and some concluding reflections.
Filled with hundreds of the most popular recipes ever created, this is a cookbook of real food for real people from companies like Kellogg's, Oscar Mayer, Pepperidge Farm, Lipton, and Campbell. Peppered throughout are short histories of foods and major brand-name products, such as the high-protein concoction a doctor created for his elderly patients--peanut butter. 25 line drawings.
Applies critical terrorism studies to fiction by Eliot, Trollope, and others to argue that Victorians ushered in our modern definition of torture as a tool of the state.
"Death, light, figuration and, especially, analogical expressions of figuration, are the primary subjects of this book. They generate associated interests: the relation of literature and science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation. Creativity, optics, rhetoric, and language are focal as well"--
Australia's first female prime minister. The country's first female judge. The first woman to win the Archibald Prize for portraiture. Australia's first female chief diplomat. The nation's first female winemaker. These women were all trailblazers, but they have something else in common - every one of them was South Australian. And they are just a handful of the 100 remarkable women whose stories are told in this beautiful book, illustrated with hundreds of photographs. Written by historian Carolyn Collins and journalist Roy Eccleston, Trailblazers shines a light on the lives of these extraordinary women whose feats inspired their state, nation and, often enough, the world. Now they can inspire a whole new generation.
(back cover) How do raindrops change as they fall from the clouds and then seem to disappear before appearing as clouds again? It's one of nature's miracles! This book tells you the life story of a raindrop through the eyes of two busy children and their dad. There are notes for parents, as well as suggestions for learning activities that will reinforce the information in the book.
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Go Figure addresses theories of the figure and practices of figuration ranging from classical rhetoric and biblical exegesis to semiotics, psychoanalysis, and socio-politics. Situating theory in history, the essays in this volume focus on verbal and visual texts from the sixteenth to the eighteenth centuries, and they explore science, sacramental poetics, romance and lyric narrative, and the natural world in still lifes, prayer, parasites, and politics. They engage the work of poets, painters, storytellers, and playwrights. While the theories that inform them are many and various, they share a point of reference in the work of Jean-François Lyotard, who theorizes the co-presence in language of the figure and discourse: Lyotard's figure relates to discourse as image emerges in description, as sense accompanies signification, and as energies shape texts from within. The original essays invited for the volume show how figural energies and forms inhabit both texts and the practices that produce them--how figures are fundamentally in play in the making of subjects, societies, traditions, and institutions.