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The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.
The national directory addresses the dimensions and perspectives in the formation of deacons and the model standards for the formation, ministry, and life of deacons in the United States. It is intended as a guideline for formation, ministry, and life of permanent deacons and a directive to be utilized when preparing or updating a diaconate program in formulating policies for the ministry and life of deacons. This volume also includes Basic Standards for Readiness for the formation of permanent deacons in the United States, from the bishops' Committee on the Diaconate, and the committee document Visit of Consultation Teams to Diocesan Permanent Diaconate Formation Programs.
The Book of Judith has aroused a great deal of scholarly interest in the last few decades.This volume, the first full length commentary on Judith to appear in over 25 years, includes a new translation and a detailed verse-by-verse commentary, which touches upon philological, literary, and historical questions. The extensive introduction discusses the work's date and historical background, and looks closely at the controversial question of the book's original language. Biblical influences on the book's setting, characters, plot, and language are investigated, and the heroine, Judith is viewed against the background of biblical women (and men). The influence of classical Greek writers such as Herodotus and Ctesias on the work is noted, as are the interesting differences between the Septuagint and Vulgate versions of Judith.
How did the books of the Bible come to be recognized as Holy Scripture? After nearly nineteen centuries the canon of Scripture remains an issue of debate. Adept in both Old and New Testament studies, F. F. Bruce brings the wisdom of a lifetime of reflection and biblical interpretation to bear in addressing the criteria of canonicity, the canon within the canon, and canonical criticism.
Four Meals is the extraordinary story of Zayde, his enigmatic mother Judith and her three lovers. When Judith arrives in a small, rural village in Palestine in the early 1930s, three men compete for her attention: Globerman, the cunning, coarse cattle-dealer who loves women, money and flesh; Jacob, owner of hundreds of canaries and host to the four meals which lend the book its narrative structure; and Moshe, a widowed farmer obsessed with his dead wife and his lost braid of hair which his mother cut off in childhood. During the four meals, which take place intermittently over several decades, Zayde slowly comes to understand why these three men consider him their son and why all three participate in raising him.
In the ancient Middle East a pious, wealthy young widow risks her life to save her town from a besieging army. Judith is a finalist in the 2015 International Book Awards. "The apocryphal Book of Judith is considered by some to be fiction, its actual historical truth in doubt," Publishers Weekly says. "But the chutzpah of its heroine and its message of fidelity to God arouse both admiration and inspiration. Moise (Love is the Thread: A Knitting Friendship), a folklore specialist, evokes the heroine's side of this ancient parable. Extensive research into the period when events in the story of Judith occurred, around 350-100 BCE, allows her to include abundant detail regarding the customs, clothing, and domestic arrangements of Hebrew villagers; behaviors of Assyrian warriors; and, in particular, perceptions and treatment of women. Faithful widow Judith, grieving and childless, befriends the Assyrian defector Achior, whose message from Nebuchadnezzar's general, Holofernes, to Judith's village of Bethulia is 'Surrender or die.' As Holofernes lays siege to the village, Judith receives visions from God and pleas from her friends to help save the village. In danger of rape and death, she overcomes fear through faith and ritual, with the support of her maid, Abra; Achior; and the general's slave. Her defeat of Holofernes forms the satisfying climax of this occasionally slow-moving but always well-imaged novel."
Judith clerked for the Tennessee Court of Appeals, practiced for ten years, and then was named to a judgeship with a domestic relations docket. The problems began almost immediately, with her home being shot up. And then things got worse.
Although attention to the Book of Judith and its heroine has grown in recent years, this is the first full-length study to focus on adaptations of the Bible’s Old Testament Book of Judith across a range of literary genres written in French during the early modern era. Author Kathleen Llewellyn bases her analysis on references to Judith in a number of early modern sermons as well as the ’Judith’ texts of four early modern writers. The texts include two theatrical dramas, Le Mystère de Judith et Holofernés (c. 1500), believed to have been written by Jean Molinet, and Le Miroir des vefves: Tragédie sacrée d'Holoferne & Judith by Pierre Heyns (1596), as well as two epic poems, La Judit (1574) by Guillaume de Salluste Du Bartas, and Gabrielle de Coignard’s Imitation de la victoire de Judich (1594). Llewellyn’s goal is to see Judith as she was envisioned by early modern French writers and their readers, and to understand how the sixteenth century shaped their view of the heroine. Noting aspects of that story that were emphasized by sixteenth-century authors, as well as elements that those writers altered to suit their purposes, she also examines the ways in which writers of this era made use of Judith’s story as a means to explore interests and concerns of early modern writers, readers, and spectators. Representing Judith in Early Modern French Literature provides a deeper understanding of early modern ideas regarding the role of women, the use of exemplary stories in preaching and teaching, theories of vision, and the importance of community in Renaissance France.