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HUMAN OFFENSIVE Though the Cerberus Rebels have battled unfathomable odds to defend mankind, victory and sovereignty remain far from assured. As enemies of otherworldly origin push the warriors' power to the limit, a very human menace emerges, eager to grind them all to dust. DOOMSDAY CONTAGION Brothers-in-arms Kane and Grant upheld the inflexible laws of Cobaltville until they finally turned their backs on its wicked regime. Now a fresh threat brings them back to the barony—a mysterious plague that kills with impunity. It soon becomes clear that this murderous pestilence isn't the result of some random mutation, but the product of a dark and twisted mind. With the disease spreading rapidly, the Cerberus warriors can only hope they're not too late—or too vulnerable—to save humanity from being snuffed out by one of its own.
Josiah Shute’s meticulous exploration of God’s intricate dance between divine justice and benevolence in the second plague of frogs upon the Egyptians is masterful. As a prominent Reformed theologian and preacher, Shute’s insights into Exodus 8:1-10 span nine compelling sermons, presenting a riveting examination of God’s interactions with his people, and their enemies. In this work, Shute reaffirms God’s righteousness, emphasizing that His judgments, while sometimes perceived as severe, always have a greater purpose. Exploring the very nature of afflictions, Shute unveils them not only as divine punishments, but instruments of God’s will, designed to address inherent pride, even within the righteous. But Shute’s discourse doesn’t end at self-reflection. He drives home the rewards of facing afflictions with a God-centered heart, echoing sentiments of biblical figures like David, emphasizing that true reconciliation and a deeper walk with God arise from rightly received trials. Josiah Shute’s “Judgment and Mercy" on Exodus 8:1-10 invites readers to a deeper understanding of God’s sovereign intentions, challenging them to see beyond the immediate pain of afflictions and embrace the divine wisdom embedded within. A theological masterpiece that promises to enrich the soul and sharpen the believer’s perspective on God’s unerring ways.
During the seventeenth century, England was beset by three epidemics of the bubonic plague, each outbreak claiming between a quarter and a third of the population of London and other urban centers. Surveying a wide range of responses to these epidemics—sermons, medical tracts, pious exhortations, satirical pamphlets, and political commentary—Plague Writing in Early Modern England brings to life the many and complex ways Londoners made sense of such unspeakable devastation. Ernest B. Gilman argues that the plague writing of the period attempted unsuccessfully to rationalize the catastrophic and that its failure to account for the plague as an instrument of divine justice fundamentally threatened the core of Christian belief. Gilman also trains his critical eye on the works of Jonson, Donne, Pepys, and Defoe, which, he posits, can be more fully understood when put into the context of this century-long project to “write out” the plague. Ultimately, Plague Writing in Early Modern England is more than a compendium of artifacts of a bygone era; it holds up a distant mirror to reflect our own condition in the age of AIDS, super viruses, multidrug resistant tuberculosis, and the hovering threat of a global flu pandemic.
The Plague Epic in Early Modern England: Heroic Measures, 1603-1721 presents together, for the first time, modernized versions of ten of the most poignant of plague poems in the English language - each composed in heroic verse and responding to the urgent need to justify the ways of God in times of social, religious, and political upheaval. Showcasing unusual combinations of passion and restraint, heart-rending lamentation and nation-building fervor, these poems function as literary memorials to the plague-time fallen. In an extended introduction, Rebecca Totaro makes the case that these poems belong to a distinct literary genre that she calls the 'plague epic.' Because the poems are formally and thematically related to Milton's great epics Paradise Lost and Paradise Regained, this volume represents a rare discovery of previously unidentified sources of great value for Milton studies and scholarly research into the epic, didactic verse, cultural studies of the seventeenth century, illness as metaphor, and interdisciplinary approaches to illness, natural disaster, trauma, and memory.
SINCE MAN FIRST ORGANIZED RELIGION, WE HAVE EXISTED. ALTHOUGH WE HAVE GONE BY MANY NAMES THROUGHOUT TIME, WE CONTROL THE MONASTERY. OUR ATTENTION NOW TURNS TO THE SEVEN CITIES, WHERE THE NATION OF VAMPIRES HAS COME TO TAKE CONTROL AND NEST. IN AN AREA KNOWN AS PARADISE CITY, A SMALL COMMUNITY OF ASIANS AND PACIFIC ISLANDERS, SHROUDED IN MYSTICISM, ARE KNOWN AS THE GUARDIANS OF THE EAST. THEY DO NOT TAKE KINDLY TO OUTSIDERS. MANKIND'S FATE IS SLIPPING INTO THE INFLUENCE OF DARKNESS AS THE BATTLE RAGES. MANKIND'S NUMBERS, AND THEIR ALLIES, HAVE FALLEN. NOW, THEY ARE ON THE VERGE OF LOSING THE CRUSADE.
Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
From the Pulitzer Prize–winning author of The Looming Tower, and the pandemic novel The End of October: an unprecedented, momentous account of Covid-19—its origins, its wide-ranging repercussions, and the ongoing global fight to contain it "A book of panoramic breadth ... managing to surprise us about even those episodes we … thought we knew well … [With] lively exchanges about spike proteins and nonpharmaceutical interventions and disease waves, Wright’s storytelling dexterity makes all this come alive.” —The New York Times Book Review From the fateful first moments of the outbreak in China to the storming of the U.S. Capitol to the extraordinary vaccine rollout, Lawrence Wright’s The Plague Year tells the story of Covid-19 in authoritative, galvanizing detail and with the full drama of events on both a global and intimate scale, illuminating the medical, economic, political, and social ramifications of the pandemic. Wright takes us inside the CDC, where a first round of faulty test kits lost America precious time . . . inside the halls of the White House, where Deputy National Security Adviser Matthew Pottinger’s early alarm about the virus was met with confounding and drastically costly skepticism . . . into a Covid ward in a Charlottesville hospital, with an idealistic young woman doctor from the town of Little Africa, South Carolina . . . into the precincts of prediction specialists at Goldman Sachs . . . into Broadway’s darkened theaters and Austin’s struggling music venues . . . inside the human body, diving deep into the science of how the virus and vaccines function—with an eye-opening detour into the history of vaccination and of the modern anti-vaccination movement. And in this full accounting, Wright makes clear that the medical professionals around the country who’ve risked their lives to fight the virus reveal and embody an America in all its vulnerability, courage, and potential. In turns steely-eyed, sympathetic, infuriated, unexpectedly comical, and always precise, Lawrence Wright is a formidable guide, slicing through the dense fog of misinformation to give us a 360-degree portrait of the catastrophe we thought we knew.