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His heart has been grounded for so long. But she’s about to give it wings... Captain Judd Harlow is happiest in the air. It’s only when he’s flying that he can leave his childhood memories behind. But when he and his brothers find themselves the guardians of their 12-year-old half-sister, he knows moving back to the small Montana town where he grew up is the right thing. When Savannah Casteele learns that a local pilot has agreed to fly her and her little boy to Chicago for a long-awaited surgery, she’s overcome with gratitude. A young, single mother, her first priority has always been raising her son the best way she knows how. But when she sees Judd for the first time, she’s unprepared for the affect he has on her heart: He’s stoic, guarded, and a little out of reach, reminding her that she’s not the only one who’s trying to put aside a broken past. As they begin falling for one another, brought together by the children in their lives, they start seeing family not just as something you’re given, but something you create. And that the heart, no matter how scarred, is always capable of a tender, new beginning. But are they both willing to take a leap of faith to get there?
Tanner Harlow is a talented landscape designer, quietly building a name and a solid future when he finds himself needing to be the temporary guardian to his eleven-year-old half-sister. Tanner loves her, but can’t see himself as a father figure or imagine how he’s going to build his business during his busiest season with a child in tow until his newest client—his high school crush who still makes his heart pound—has a proposition that will help them both as long as Tanner can resist the tempting lure of the girl next door. Elementary school teacher Francie Tate moved back to Marietta to be close to her ailing father. She plans to settle in and fix up her little bungalow before the school year starts, but definitely needs help with the neglected yard. She’s shocked when the landscaper she hired turns out to be a class mate. Tanner used to be shy in school, but he isn't the same kid anymore–he’s tall, sexy, and has the most striking brown eyes she's ever seen. When Francie learns of Tanner’s need for child care, she impulsively offers to watch his half-sister for the summer in return for some landscaping and renovations around the house. It seems like a win-win, but Francie didn’t bargain on falling in love.
In medieval Scotland, the illegitimate children of a notorious criminal vie to claim their birthrights, and find that love is an even greater prize... Edinburgh merchant Tavish Cameron has no choice but to pay outrageous tolls to the nobility, until fate gives him an unexpected opportunity for advancement. To claim Tower Roscraig, all he has to do is admit that he is the bastard son of a murdering baron...and evict the proud, impoverished Lady Glenna Douglas from her crumbling castle. With her father ailing and her village devastated by illness, Glenna has lost almost everything except her home. Now a ruggedly handsome stranger intends to take that too. Until the king himself arrives to determine the rightful laird, Glenna and Tavish Cameron must share Tower Roscraig—resulting in a scandalous bargain. But something deeper than passion ignites as they realize that Roscraig has been targeted by enemies. And only by uniting can they evade the traps set for them both...
Porter Cole excels at two things—running his Marietta-based dude ranch with his twin brother, Brooks, and charming women. But when the beautiful and stoic Justine Banks arrives at the ranch with a bus full of children for a field trip, everything he thought he knew about himself flies out the window. Justine has no time for romance, especially not with a sexy cowboy who has the greenest eyes she’s ever seen. But Porter has a way of making her feel alive, especially after taking in her friend’s struggling eleven-year-old grandson. When the boy takes off trying to find his long-lost rodeo cowboy father, Porter offers to help and Justine finds herself confronted with her own childhood pain. Can she trust Porter? All roads seem to lead back to the ranch. In Porter, Justine and young Tom see a man who holds the key to healing their hearts, and for the first time ever, Porter sees a chance for a family. Will they all be brave enough to forgive their own pasts and imagine a future together?
Opposites attract, and then they'll ignite Alice Bloom plays by a book of rules that’s crushing her alive. She’s resigned to her safety-first lifestyle until she meets local heartbreaker Jake Elliott. Jake is everything she’s not – smooth-talking, fearless, and inconveniently gorgeous. She has every intention of steering clear, until Jake proposes a sexy bet. And then it’s game on. Ride-like-there’s-nothing-to-lose bull rider Jake Elliott has nothing in common with the straight-laced, look-both-ways-before-crossing-the-street Alice Bloom. But when she tells him that he’s too wild, too reckless for her blood, he can’t get her out of his mind. Jake loves a challenge. And Alice might be his toughest one yet. What have they got to lose? Problem is, nobody planned on falling head-over-boots in love.
Revisit two classic tales of Lone Star love from New York Times bestselling author Diana Palmer Long, Tall Texans: Judd (originally published in 2004 as Lawless) Several years ago, Texas Ranger Judd Dunn upended Christabel Gaines’s life by jailing her criminal father—and marrying her! Now, just when Judd is about to set Chrissy free, a bloodthirsty foe targets his innocent wife. And Chrissy has grown into a smart, fearless woman with unfulfilled desires. She will do anything in the name of love, including putting her life in mortal danger for her husband… Long, Tall Texans: Jared (originally published in 2008 as Iron Cowboy) Rancher Jared Cameron is a mystery to everyone in Jacobsville, Texas…and he likes it that way. Only sweet Sara Dobbs dares to intrude on the loner’s privacy. Charmed by her audaciousness, Jared butts heads with the town’s plain Jane. But their burgeoning relationship soon thrusts Sara into Jared’s hidden world of intrigue. Now the iron cowboy has to steel himself to fight for his life…and her heart.
Historical novel between 1875-2003 based on the author's great-grandmother, grandmother, and mother. Sarah lost her mother at age eight and was hired out as a farm hand. She later birthed fourteen children. Her daughter Esther was injured by a drunk driver before Helen's birth, resulting in her right side being spastic and contractured. These women guided their families through calamities, shame, joy, and struggle, enduring unimaginable hardship. They speak with a true voice, capturing the spirit of women typical of their era. Readers will find their stories enlightening, worthy, and empowering, prompting their own long-forgotten family memories and oft-told stories. Judy Lambert's degrees were in nursing; she taught nurses, practicing in university and hospital settings in the specialty of oncology. She is married with two daughters and three grandchildren. Even when young, she realized the fortune of her resilient heritage, and recognizes the value for her daughters and grand- children to embrace this daunting legacy.
How did our ancestors die? Whereas in our own day the subject of death is usually avoided, in pre-Industrial England the rituals and processes of death were present and immediate. People not only surrounded themselves with memento mori, they also sought to keep alive memories of those who had gone before. This continual confrontation with death was enhanced by a rich culture of visual artifacts. In The Art of Death, Nigel Llewellyn explores the meanings behind an astonishing range of these artifacts, and describes the attitudes and practices which lay behind their production and use. Illustrated and explained in this book are an array of little-known objects and images such as death's head spoons, jewels and swords, mourning-rings and fans, wax effigies, church monuments, Dance of Death prints, funeral invitations and ephemera, as well as works by well-known artists, including Holbein, Hogarth and Blake.