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Maccoby returns to the sources of Christianity to show how Judas was invented by successive gospel writers, thereby ingraining in the minds of Christian Europeans a perverted image of the Jew as a malevolent betrayer. He goes on to show how this idea helped to justify 2,000 years of genocidal persecution.
'A superb work of committed scholarship . . . a work full of interest to those already familiar with the material it contains, and compelling reading for those who are not. Maccoby has done a fine job in recapturing the intellectual and social drama of the confrontations.' Jonathan Sacks, Jewish Journal of Sociology Hyam Maccoby's now classic study focuses on the major Jewish—Christian disputations of medieval Europe: those of Paris (1240), Barcelona (1263), and Tortosa (1413-14).
The biblical scholar recounts the events surrounding the discovery and handling of the Gospel of Judas, and provides an overview of its content, in which Judas is portrayed as a faithful disciple.
Christ 700 BC. One people, two kingdoms-one betrayed the other to total destruction. The Christ myth is ancient. The crucifixion account in the gospels relates to events that took place hundreds of years before the supposed time of Jesus. Such are the conclusions of this book which will revolutionise the way we see both Christianity and Judaism. The Judas War uncovers the story of a traumatic conflict in which a Judean king committed a desperate act that led to the annihilation of the sister kingdom of Israel. The surviving nation of Judah was racked by guilt, its population swelled by an enormous influx of refugees. To control a rebellious people, the king and priestly establishment centralised all religion in the Jerusalem temple. But the Judas War lived on through a dissident minority who preserved the bitter memory of the betrayal. The mainstream wrote the scriptures to deflect from their own shame. The dissidents told a very different story. The Judas War takes the reader on an epic journey to the real ancient Israel as revealed by modern archaeology as well as the original texts. It reveals a cosmos ruled by fallen angels; a religious worldview traced back to the Canaanite origins of the Jews. It shows how the unfolding tragedy on earth was explained by a tragedy in heaven: the divine king of the Jews, the Christ, had been crucified by the angelic rulers, the archons. He had been betrayed by the Jerusalem establishment who were represented by the fictional character of Judas Iscariot. After the defeat and exile of Judah, the Christ myth was expanded under a calendar of cosmic days ("the Almanac") to encompass all humanity. The Almanac set out the complete timeline of the world, past, present and future, as a symmetrical whole. It predicted that the Christ would be resurrected from the dead on "the third day" to defeat the archons and establish his new kingdom of heaven. Hundreds of years later in the first century, a female shaman announced that the time had come- Christ had appeared to her... The book reconstructs the Almanac from surviving sources and shows how it explains the gospel crucifixion account. From the strange timing of the crucifixion day to details such as the severed ear and the young man who has his sheet torn away, all come from the Almanac and the Judas War. Going further, the book uncovers a belief that Christ had come to earth three times in three different forms. And how as "the child of seven days" he revealed the shattering secret that would overturn the relationship between God and humanity. S.P. Laurie is the author of The Rock and the Tower and The Thomas Code.
Exploring the significance of Judas Iscariot for Christian theology and the difficult issues surrounding Judas, Anthony Cane shows that focusing on the tension between providential and tragic interpretations of Judas in the New Testament and in subsequent writing about Judas, is the key to understanding his significance. Building on the work of Karl Barth and Donald MacKinnon, Cane's argument sheds light not simply on the way Judas is understood, but on the way Jesus and the whole economy of salvation are understood. This book also highlights implications for the way in which issues relating to anti-Semitism and evil and suffering are most effectively explored.
In this bold, captivating and controversial book, the author combines his own intensely moving personal accounts with incisive scriptural analysis, and challenges the reader to reassess what they think they know about Judas Iscariot and suicide. Drawing on the memory of his own brother’s action in taking his own life, Aaron Saari examines Judas Iscariot as the definitive figure of God’s abhorrence for suicide and a powerful symbol of the cultural taboo originating from Christian doctrine. Instead, he argues, this ancient condemnation of Judas’ death is unfounded: Judas is instead a literary invention of the Markan community meant to undercut the authority of the Twelve, entering the Christian story c.70 CE through the Gospel of Mark. Written with passion and clarity and consistently relevant to today’s moral issues, this book is as much an ideal introduction to biblical studies for the general reader as it is essential reading for students, scholars, and anyone with an interest in Biblical studies, ancient scripture and theology.
The author presents new arguments which support the view that Paul, not Jesus, was the founder of Christianity. He argues that Jesus and also his immediate disciples James and Peter were life-long adherents of Pharisaic Judaism. Paul, however, was not, as he claimed, a native-born Jew of Pharisee upbringing, but came in fact from a Gentile background. He maintains that it was Paul alone who created a new religion by his vision of Jesus as a Divine Saviour who died to save humanity. This concept, which went far beyond the messianic claims of Jesus, was an amalgamation of ideas derived from Hellenistic religion, especially from Gnosticism and the mystery cults. Paul played a devious and adventurous political game with Jesus' followers of the so-called Jerusalem Church, who eventually disowned him. The conclusions of this historical and psychological study will come as a shock to many readers, but it is nevertheless a book which cannot be ignored by anyone concerned with the foundations of our culture and society. -- Book jacket.
For 1,600 years its message lay hidden. When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Christianity, and which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. And far from being a villain, the Judas that emerges in its pages is a hero. In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas Iscariot is presented as a role model for all those who wish to be disciples of Jesus and is the one apostle who truly understands Jesus. Discovered by farmers in the 1970s in Middle Egypt, the codex containing the gospel was bought and sold by antiquities traders, secreted away, and carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble and restore it. The Gospel of Judas has been translated from its original Coptic to clear prose, and is accompanied by commentary that explains its fascinating history in the context of the early Church, offering a whole new way of understanding the message of Jesus Christ.
Judas: Images of the Lost Discipletraces the development of the stories about the most famous traitor in the history of Western Civilization. Its purpose is not to find the Judas of history, but rather to provide readers with a map that shows the similarities and connections between generations of Judas's story. Judas has been portrayed as an effete intellectual, a jealous lover, a greedy scoundrel, a misguided patriot, a doomed hero, a man destroyed by despair, or God's special, misunderstood messenger and agent. Judas means as many different things to us as does Jesus or God. The enigma of Judas's story in the Gospels left later literature and legend with a creative challenge they richly answered, and which is presented here: to write the real story of the worst villain of all time.