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SEVENY SEVEN Seveny-Seven was what the Disc Jockeys, slovenly, called the year of seventy seven, the year after the heat wave and the year before 'New Wave'. Nineteen Seventy Seven was the year of the Queen's Jubilee and the zenith of the Punk Rock revolution. It was time of fear and uncertainty. The oil crisis had knocked the economy off course, the cold war was at its height, there was doom and gloom all around. What did 1977 mean to adolescents? One teenager, Michael Fitzalan was keen to discover new music and celebrate his fifteenth birthday with a book published and a girl on his arm. An excruciatingly frank account of life in 1970's London that will resonate with teenagers now. This is a wonderful romp through a decade defining year.
Malcolm Batten illustrates the story of the Routemaster, instantly recognisable as the typical London bus, as it celebrates its seventy-year anniversary in 2024.
Immigrant Fictions is a groundbreaking collection that brings together studies of world literature, book history, narrative theory, and the contemporary novel to challenge methods of critical reading based on national models of literary culture. Contributors suggest that contemporary novels by immigrant writers need to be read across several geographies of production, circulation, and translation. Analyzing work by David Peace, George Lamming, Caryl Phillips, Iva Pekarkova, Yan Geling, Theresa Hak Kyung Cha, Anchee Min, and Monica Ali, these essays take up a range of critical topics, including the transnational book and the migrant writer, the comparative reception history of postcolonial fiction, transnational criticism and Asian-American literature in the U. S., mobility and feminism in translation, linguistic mediation and immigrating fictions, migration and the politics of narrative form.
A teenager and the punk revolution, a clash of hormones and The Undertones; what was it really like in London in the aftermath of the punk explosion. Looking back on the summer of Seventy six and reeling from the power of punk in the following year, Michael reveals the excruciating details of growing up in the punk period.
Your partner of ten years, and the father of your children (though not your husband, because the two of you agreed that marriage seems so...old-fashioned), receives a text message. A text message you happen to see when you're getting ready for work one day: Start living a different kind of life... P :-) xxx You don't even know anyone with the initial P, but even if you did, the smiley face and kisses would send a shiver of fear down your spine that everything you and your partner have built and which seemed so strong, might be in danger of collapse. How could you miss that? Narrated by Susie, her partner Alex, and the mysterious P, this is an achingly funny, moving and honest portrayal of modern romance, parenthood, and adultery.
In this acclaimed study of British statehood, identity and culture, Tom Nairn deftly dispels the conviction that the Royal Family is nothing more than an amusing relic of feudalism or a mere tourist attraction. Instead, he argues that the monarchy is both apex and essence of the British state, the symbol of a national backwardness. In this fully updated edition, Nairn’s powerful and bitterly comic prose lays bare Britain’s peculiar, pseudo-modern, national identity—which remains stubbornly fixated on the Crown and its constitutional framework, the “parliamentary sovereignty” of Westminster.
The Sex Pistols exploded onto the music scene in 1976, paving the way for the deluge of punk rock that would change the face of modern rock music forever. Their debut album, Never Mind the Bollocks, Here’s The Sex Pistols, proved one of the most important rock albums of all time, fusingslammed rock chords with searing vocals. The Sex Pistols simply, and seemingly effortlessly, blew awayall that had come before them, setting an entirely new bar for rock acts that followed in their wake. In Sex Pistols: The Pride of Punk, Peter Smith explores the impact the band had on launching the punk movement, beginning in 1976 with their debut single and ending in 1978 with their American tour. Despite their brief career, the Sex Pistols illustrate an important set of political and cultural elements of 1970s UK and US culture: disaffected youth, strained international relations, and rapid changes in culture. Peter Smith digs deep to collate the factors that fueled the Sex Pistols and the punk revolution.
If you thought fiction couldn't get darker than David Peace's extraordinary debut, Nineteen Seventy Four, then think again. Nineteen Seventy Seven, the second instalment of the Red Riding Quartet, is one long nightmare. Its heroes - the half decent copper Bob Fraser and the burnt-out hack Jack Whitehead - would be considered villains in most people's books. Fraser and Whitehead have one thing in common though, they're both desperate men dangerously in love with Chapeltown prostitutes. And as the summer moves remorselessly towards the bonfires of Jubilee Night, the killings accelerate and it seems as if Fraser and Whitehead are the only men who suspect or care that there may be more than one killer at large. Out of the horror of true crime, David Peace has fashioned a work of terrible beauty. Like James Ellroy before him, David Peace tells us the true and fearsome secret history of our times.
David Peace's acclaimed Red Riding Quartet continues with this exhilarating follow-up to Nineteen Seventy-Four. It's summer in Leeds and the city is anxiously awaiting the Jubilee of Queen Elizabeth's reign. Detective Bob Fraser and Jack Whitehead, a reporter at the Post, however, have other things on their minds-mainly the fact that someone is murdering prostitutes. The killer is quickly dubbed the “Yorkshire Ripper” and each man, on their own, works tirelessly to catch him. But their investigations turn grisly as they each engage in affairs with the prostitutes they are supposedly protecting. As the summer progresses, the killings accelerate and it seems as if Fraser and Whitehead are the only men who suspect or care that there may be more than one killer at large.