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This book is the first of its kind to significantly concentrate on trans-nation, transnationalism and its dialogue with various nationalisms in South Asia. Taking the absence of discussion on transnationalism in South Asia as a conspicuous lacuna as well as a point of intervention, this book pushes the boundaries of scholarship further by organizing a dialogue between the nation-state and many nationalisms and the emergent method of transnationalism. It opens itself up for many cross-border movements, formulating the trans-South Asian discursive exchange necessitated by contemporary, theoretical upheavals. It looks at such exchanges through the prisms of literature and cinema and traces the many modes of engagement that exist between some of the globally dominant literary and cinematic forms, trying to locate these engagements and negotiations across three geopolitical formations and locations of culture, namely region, nation and trans-nation.
This book reflects the nascent sensibilities at work in literature emanating from Northeast India. It takes into account the generic diversity in works derived from the region and discusses fiction, poetry, drama, folk narratives, film adaptations as well as early missionary narratives. It covers a wide spectrum of themes such as landscape, partition, World War, history, nationalism, violence and territoriality, memory and identity. The book looks at works in English and vernacular from Northeast India states. It contextualizes developments within intellectual history and display aspects that relate to the continuing force in the ongoing study of the relationship between literature and culture studies, within a broader framework.
This book offers a comprehensive appraisal of the relatively unexplored but highly impactful women’s association, the Assam Mahila Samiti which led one of the most remarkable women’s movements in colonial India. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901-72) who, despite being an unwed mother and belonging to a lower caste, was a celebrated writer, a polemical columnist, and a successful publicist of two vernacular magazines in the 1940s. The book traverses these individual and collective journeys from the 1920s to the 1950s, exploring their negotiations with the complex terrain of the multi-ethnic Brahmaputra valley during the highly politicised period of the anti-colonial movement. It argues that theoretical understanding of the term public sphere may be enriched through an engagement with rare archival materials of these middle class women’s associations’ hand written minutes of meetings in a local language in early twentieth-century colonial India and posits that gender may not function merely as constitutive of the public, but how women’s collectives may shape, transform and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority.
This book uses communities of women as a framework for reading women’s experience, rights and aspirations in Assam and Northeast India. It explores the varying roles played by such communities in the formation of society, the emergence of a women’s public sphere and the representation of these communities in culture. The essays in the volume study a host of women’s communities including the Mahila Samiti, Jain women’s organisations, Lekhika Sanstha, lesbian communities, religious gatherings, scientific and environmental groups, women’s collaborations through cookbooks, as well as nebulous communities of victims of persecution. They examine how women’s communities are both empowering and transformational but may paradoxically also be regressive and static. Lucid, analytical, and rich with case studies, this volume will be useful to scholars and researchers of gender studies, sociology, political science, history and cultural studies, particularly those interested in Northeast India.
How do videos, movies and documentaries dedicated to indigenous communities transform the media landscape of South Asia? Based on extensive original research, this book examines how in South Asia popular music videos, activist political clips, movies and documentaries about, by and for indigenous communities take on radically new significances. Media, Indigeneity and Nation in South Asia shows how in the portrayal of indigenous groups by both ‘insiders’ and ‘outsiders’ imaginations of indigeneity and nation become increasingly interlinked. Indigenous groups, typically marginal to the nation, are at the same time part of mainstream polities and cultures. Drawing on perspectives from media studies and visual anthropology, this book compares and contrasts the situation in South Asia with indigeneity globally. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-No Derivatives (CC-BY-ND) 4.0 license.
A Saga of the Wanchos of Arunachal Pradesh; A proud tribe of head hunters. An attack at Ninu in 1875 left many of a British Survey team dead. The British totally isolated the Wanchos until India gained independence. Today these tribals are a proud, modern and vibrant society. This is their story; a historical story never told before. A tale of beautiful Arunachal Pradesh, its evolution as a state; and of ts many tribes. Shawang is the fictitious protagonist. He and his wife, Chanyo, tell you of Wancho life and how they progressed. The people went from primitivity to prosperity; from animism to Christianity. Stories of Bamboo Flowering, Badminton, Assam Rifles, the Naga rebels and of the Stillwell Road to China add interest. These are all woven into this unique story. For better understanding, the story covers Assam’s incredible history in brief. This story is a historical treasure to understand the North East. It is invaluable for teachers, school students and historians. It will interest Army men and administrators, both in Arunachal and all over India. Do wait for the twist at the end to travel back in history.
Contributed articles focussing on the role of Assam in the Indian freedom movement from 1857-1947.
Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole. This volume’s contributors – many of them leading experts in the fields – approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Powell and Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasonal students and scholars.