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Joyce and Jung offers a provocatively original chapter-by-chapter analysis of Stephen Dedalus' psychosexual growth in A Portrait of the Artist as a Young Man. The author frames this within the Jungian soul-portrait gallery known as the «four stages of eroticism» in which Eve, Helen, Mary, and Sophia are the soul-portraits of Western civilization, drawing the collective eros into the psychic field to be witnessed as universal spectacle. In James Joyce's twentieth-century classic, Stephen's soul-portraits are the mother, the prostitute, the Virgin Mary, and the Bird-Girl.
«Hiromi Yoshida's innovative approach to 'A Portrait of the Artist as a Young Man' demonstrates how Joyce's Stephen Dedalus reaches a heightened state of creativity through his gradual integration of feminine elements into his psyche. This illuminating and stunning analysis presents a valuable contribution to psychoanalytic feminist theory as well as to Joyce studies.» (Nancy Bombaci, Assistant Professor of Writing and Literature, Mitchell College, New London, Connecticut).
Chronicles the life of Carl Gustav Jung, discussing his childhood, teaching, contributions to the field of psychology, work with Sigmund Freud, personal beliefs, personal relationships, and other related topics.
Come along on an engaging journey to explore the spiritual psychology of Carl Gustav Jung, whose insight into the nature of the psyche is one of the great legacies of our time. His work has profoundly influenced our concept of ourselves, the renewal of interest in world mythologies, and the inception of the twelve-step program---one of the most widespread spiritual practices of today. Jung believed our primary purpose is to fulfill our deep, innate potential, just as the acorn becomes the oak, or the caterpillar, the butterfly. Only in this way can we become a true individual and contribute meaningfully to the world. In his study of Christianity, Hinduism, Buddhism, Taoism, and other traditions, Jung saw this transformative journey at the heart of all religions; that is, in meeting our innermost being, we also meet the Divine. This lively, entertaining text beckons the reader with simple explanations of Jung's major concepts and lighthearted exercises for self-discovery.
The nature of the psyche.
This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.
The result of this confrontation, Kimball argues as a central tenet in her unique reading of Ulysses, is the gradual development of a relationship between the two protagonists that parallels C. G.
The 17th Triannual Congress of the International Association for Analytical Psychology took place in Cape Town, South Africa, in August 2007. The plenary presentations are printed in this volume. A CD with all the congress presentations and a selection of images is also included. Listed here are just a few of the many presentations: Journeys- Encounters Clinical, Communal, Cultural, by Joe Cambray; How Does One Speak of Social Psychology in a Nation in Transition?, by Mamphela Ramphele; Trauma, Forgiveness and the Witnessing Dance: Making Public Spaces Intimate, by Pumla Gobodo-Madikizela; Shifting Shadows: Shaping Dynamics in the Cultural Unconscious, by Catherine Kaplinsky; Journey to the Center: Images of Wilderness and the Origins of the Southern African Association of Jungian Analysts, by Graham S. Saayman; Panel: Prehistoric Rock Art: The Biped Surprised, by Christian Gaillard; and Harnessing the Brain: Vision and Shamanism in Upper Paleolithic Western Europe, by J.D. Lewis-Williams.
Ulysses is in many ways an occult text, in that it deliberately hides meanings and significances from sight, and compels the reader to unveil its secrets by reading it backwards, from deceiving surfaces to underlying truths. To discuss the occult in Joyce is to analyse “the hidden” in the text. Ulysses is a “human” book. Its most profound meanings are encrypted beneath the surface of its “body.” To discover what’s concealed behind it implies an effort of anthropological archaeology. Accordingly, readers become really interpreters of the occult. Only by following the traces and signs left on the textual surface will they eventually dig out what lies dormant beneath. Joyce was extremely well-read in the occult. The variety of texts on the subject he possessed shows that his position was very eclectic, as if the occult were a kind of amalgam of different traditions, all marked by the signature of secrecy. In his own view, theosophy, mysticism, magic, spiritism, and the so-called occult science blend together to form a cluster of obscure erudition where he finds provocative ideas, helpful in building up his own cryptic system. To read Ulysses hermetically is also a way to show that the act of reading itself is always an experiment. The good thing about readings is that they are always provisional. Reading as a creative process implies the awareness that one will always be quite uncertain as to what lies hidden behind those concatenations of syllables and words we call texts. Interpretation is in fact a mark of our freedom, and all original readings are always subversive and provocative. Criticism to some extent implies often some kind of a subversive attitude, and the game of literature is a useful working ground for attempting to change its possible worlds. To see through surface inanity, in Ulysses, helps us understand that to read is often an act of revolt and resistance to past authoritative interpretations. Excavating the occult in Joyce’s masterpiece is a way to face more canonical readings that preferred not to acknowledge fully the author’s fondness for, and deep knowledge of, the subject. "This is a book which has the gift of explanation rather than simplification - and it will help to move Joyce Studies into new and exciting areas of investigation." Prof. Declan Kiberd, UCD Dublin School of English and Drama "Dr. Terrinoni's work is a very well researched and penetrating study of the occult and hidden in 'Ulysses' finding connections and meanings ignored or misunderstood by other scholars. It is a real contribution to Joyce Studies." Prof. Clive Bloom, Middlesex University
This ground-breaking exploration of the influential aura of James Joyce's Finnegans Wake initially appeared as a special issue of TriQuarterly (No. 38, Winter 1977). Available now in a permanent format, if offers both students and scholars an excellent introduction to major contemporary figures writing within the Joycean tradition.