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Joyce Cary was a well-known British novelist born in Ireland.
The narrator, Evelyn, recalls the series of experiences during childhood summers at Donegal, which led to his perception of the world as an adult.
The bibliography is divided into two sections, covering primary and secondary material. The primary material is divided according to the literary form of the work, and within those division by the date of publication. The secondary material begins with biographical material and general studies of Cary's writing, followed by studies of literary characteristics and elements, and studies of individual works or groups of works, according to literary form. Annotation copyrighted by Book News, Inc., Portland, OR
Joyce Cary (1888-1957) Is A Forerunner Of Post-Colonial Thinking, Yet Remains A Critically Marginalised Political Writer In British Literature.This Book Focuses On Cary'S Representation Of The Complexity In Cultural Politics. Using Frantz Fanon'S Exposé Of The Mechanics Of Colonialism As A Tool, It Seeks To Establish Cary'S Credibility As A Political Writer.The Book Also Reiterates The Necessity For Rehistoricizing Cary'S Political Position By Examining His Novels Set In Africa, Ireland As Well As In England, Highlighting His Subtle Understanding Of The Dialectics Of Power And British Liberalism. The Expertise, With Which He Has Translated The Liberal Dilemma Into The Novel Form Cast In A Dialogic Manner, Is Also Of Equal Interest In The Post-Modern Context. What Distinguishes This Work From Many Others That Apply Theoretical Positions Mechanically Is The Disciplined Manner In Which Theoretical Premises Are Tested And Measured Against Cary'S Own Political And Social Attitudes.
"By far the most detailed and useful volume yet published on Cary."--Choice. The study of an important author, widely regarded at the time of his death in 1957 as one of the major novelists of this century. Cary is known for his humor and skill as a stor
This book observes images of Montenegro in Anglo-American creative writing and films from the late eighteenth century until 2016. Like the Balkans as a whole, Montenegro usually reappeared in the West’s consciousness with the outbreak of wars, but remained marginalized on the larger Balkan map because of its peripheral political influence and, therefore, remained little known. In the past, Montenegro was experienced as almost unapproachable, barren, and wild. Its people, like their mountains, were seen as massive and fierce, while their primitivism equally delighted and repulsed visitors. Even today, when one searches the Internet for “Montenegro,” one finds titles mostly containing modifiers circling around “undiscovered,” “magical,” and “mysterious.” The book follows these vignettes chronologically to point out how the rhetoric they share dangerously builds a caricature of the country. However, they also provide a very lively mosaic of landscapes, history, people, their costumes, houses, and everyday life, which are sometimes distorted. No one can claim that these descriptions were not influenced by the ideologies the travellers inherited at home and were not filtered through their own cultural grids, but, significantly, they evoke places that are now forever lost – destroyed in wars, by earthquakes, faulty development planning, or, simply, by time.
Joyce Cary (1888-1957) read law at Oxford University, worked with the Red Cross the Balkan Wars, and served in Nigeria and Cameroon during World War I. In 1920, Cary moved to Oxford, where he began writing short stories and novels. His first four novels, set in Africa, drew heavily from his experiences in Nigeria. Mister Johnson, published in 1939, is generally regarded as his greatest novel. Charley Is My Darling (1940), about displaced young people at the start of World War II, found a wide readership, and A House of Children (1941) won the James Tait Black Memorial Prize for best novel. Cary also wrote a trilogy about an artist named Gulley Jimson; Herself Surprised (1941), To Be a Pilgrim (1942) and The Horse's Mouth (1944), and, in the 1950s, a second trilogy: Prisoner of Grace, Except the Lord, and Not Honour More.
Iris Murdoch was the author of twenty-six bestselling novels. Her many love affairs, her war-work with UNRRA, her move from early communism to Thatcherism, her later life as a secular saint, her sad decline from Alzheimer's - all these events are detailed in this accessible chronological account of a world-famous and much loved British writer.