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Explore the unique art of African-American preaching, in which storytelling is a pivotal element. In addition to an astute overview, Stewart includes many captivating sermons.
The Motif of Hope in African American Preaching during Slavery and the Post-Civil War Era: There's a Bright Side Somewhere explores the use of the motif of hope within African American preaching during slavery (1803–1865) and the post-Civil War era (1865–1896). It discusses the presentation of the motif of hope in African American preaching from an historical perspective and how this motif changed while in some instances remained the same with the changing of its historical context. Furthermore, this discussion illuminates a reality that hope has been a theme of importance throughout the history of African American preaching.
Both experienced and novice preachers need a new approach for sermon development skill-building. A Sermon Workbook offers a unique and flexible resource that is instantly accessible and useful for anyone tasked with the proclamation of the Word. The workbook format can be used in a linear fashion, beginning to end. Or readers can pick and choose the chapters to tailor-fit their own needs. In either case, readers build skill upon skill, working through inventive and engaging exercises first developed and taught at Yale Divinity School. The book addresses the skills and arts that are essential for effective preaching in our multi-tasking, multi-ethnic, sound-bite society. It offers theological clarity about why we preach, and what matters most. The creative, collaborative, and charming authors present the principles as they do in their classroom: in two voices—one male and one female--with the two complementing and supporting one another.
This book captures over three decades of Dr. Smith Sr’s prayers, pastor pens and sermon outlines. First, he demonstrates that the Bible is a lasting and sure foundation for powerful preaching. Secondly, Pastor Smith demonstrates that relevant preaching does not seek to hide God in techniques of popularity and hunger for quick success. Thirdly, Dr. Smith Sr., demonstrates that we cannot lead people to God with godless preaching and teaching. A commitment to the Gospel of Jesus Christ does not require us to despise, demean and disrespect other faith traditions. When Jesus healed he did not ask for birth certificates, nationality oaths ethnic or racial loyalty oaths. Jesus is an inclusive Redeemer and Liberator. This book is a must read for pastors, professors, parents, students and others who desire to grow in the knowledge of preaching, praying and applying God’s words to the deeper human rights struggle. The section on prayers reflect petitions to God for varying occasions; congregational prayers, public events, church anniversaries baby dedications, bereavements, sickness, intercessory prayers, weddings, funerals and a host of others. Using ordinary words, they reflect sincerity, simplicity and selflessness. Lastly, in the tradition of keeping in touch with the congregation, the Pastor Pen is a weekly bulletin Sunday writing that varies from current events, biblical subjects, and others challenges the church may be experiencing including financial appeals and a reminder that giving is a part of worshiping.
LaRue provides important insights on why black preaching is strong and active, and connects with the real-life experiences of listeners. (Christian)
Preaching the Manifold Grace of God is a two-volume work describing theologies of preaching from the historical and contemporary periods. Volume 1 focuses on historical theological families: Orthodox, Roman Catholic, Lutheran, Reformed, Anabaptist, Anglican/Episcopal, Wesleyan, Baptist, African American, Stone-Campbell, Friends, and Pentecostal. Volume 2 focuses on families that are evangelical, liberal, neo-orthodox, postliberal, existential, radical orthodox, deconstructionist, Black liberation, womanist, Latinx liberation, Mujerista, Asian American, Asian American feminist, LGBTQAI, Indigenous, postcolonial, and process. In each case, the author describes the circumstances in which the theological family emerged and describes the purposes and characteristics of preaching from that perspective.
What can preachers do to help congregants navigate everyday life with the courage, imagination, and savvy it takes to testify in action and word to God’s mercy and justice? Christianity's witness depends on credible Christian lives carried out in ordinary settings of everyday life. Sunday’s Sermon for Monday’s World helps preachers design sermons that equip believers to act with improvisational, creative courage in the ordinary settings of their Monday-to-Saturday lives. How can we who preach inspire the “ordinary prophets” of our time—those who, in Christ’s name, will act in great or small ways as agents of redemptive interruption? Sally A. Brown, with her extensive experience both in parish ministry and training others for ministry, shares preaching strategies that equip these ordinary prophets to take daring action. Brown begins by reconsidering the power and limits of the missional model of Christian witness and argues that Christian witness today must be adaptive, and therefore imaginative and improvisational. She then turns to the connection between the sermons our listeners hear on Sunday and their capacity to timely, inventive action in everyday situations. Sunday’s Sermon for Monday’s World will inspire both preachers and those who listen to them to move from sanctuary to street, week after week, eager to discern and participate in the ongoing, redemptive work of God already under way amid the ordinary scenes and settings of their Monday-to-Saturday lives.
Doing justice to the complexity of the preaching task and the questions that underlie it, Wilson organizes both the preparation and the content of the sermon around its "four pages." Each "page" addresses a different theological and creative component of what happens in any sermon. Page One presents the trouble or conflict that takes place in or that underscores the biblical text itself. Page Two looks at similar conflict--sin or brokenness--in our own time. Page Three returns to the Bible to identify where God is at work in or behind the text--in other words, to discover the good news. Page Four points to God at work in our world, particularly in relation to the situations described in Page Two.
Doing justice to the complexity of the preaching task and the questions that underlie it, author Paul Scott Wilson organizes both the preparation and the content of the sermon around its "four pages." Each "page" addresses a different theological and creative component of what happens in any sermon. Page One presents the trouble or conflict that takes place in or that underscores the biblical text itself. Page Two looks at similar conflict--sin or brokenness--in our own time. Page Three returns to the Bible to identify where God is at work in or behind the text--in other words, to discover the good news. Page Four points to God at work in our world, particularly in relation to the situations described in Page Two. This approach is about preaching the gospel in nearly any sermonic form. Wilson teaches the ‘what’, ‘why’, and ‘how’ of sermon construction, all rooted in a theology of the Word. This completely revised edition guides readers through the sermon process step by step, with the aim of composing sermons that challenge and provide hope, by focusing on God more closely than on humans. It has been largely rewritten to include an assessment of where preaching is today in light of propositional preaching, the New Homiletic, African American preaching, the effect of the internet, and use of technology. A chapter on exegesis has been added, plus new focus on the importance of preaching to a felt need, the need for proclamation in addition to teaching, and developing tools to ensure sermon excellence. New sermon examples have been added along with a section that responds to critics and looks to the future.
The art of preaching is one of the most important acts of ministry. The sermon serves as a transformative force—imparting knowledge, challenging beliefs, and convicting hearts. Recognizing the importance of this sacred task, Handbook of Contemporary Preaching, 2nd Edition equips pastors with invaluable tools and insights, enabling them to prepare and deliver sermons that resonate deeply with their congregations. In a single volume, editor Michael Duduit compiles the insight, methods, and experience of over fifty celebrated preachers, including R. Albert Mohler, Hershael York, Robert Smith Jr., Bryan Chappell, Jim Shaddix, Tony Merida, Ed Stetzer, and many others. This handbook covers every aspect of contemporary preaching: The roots of contemporary preaching ​Contemporary preaching methods, including expository, topical, doctrinal, narrative, and alternative preaching models Sermon preparation and presentation Preaching and the biblical text Preaching as a part of ministry Preaching to the needs of people in contemporary contexts With its expansive bibliography and topical format, Handbook of Contemporary Preaching, 2nd Edition is designed to be a timeless resource in every pastor’s library. In this book, pastors, teachers, and seminarians will find invaluable insight and comprehensive guidance for the art of preaching. Contributors: R. Albert Mohler, Nathan Finn, Chuck Fuller, Tyshawn Gardner, Scott Gibson, Chris Rappazini, Robert Smith, Jr., Calvin Miller, Bryan Chapell, Frank Pollard, David S. Dockery, Scott Pace, Hershael York, Lloyd John Ogilvie, Stuart Briscoe, Jeffery Campbell, Ralph Douglas West, Eric Johnson, David Allen, Simon Vibert, Stephen Rummage, Daniel Block, Ken Mathews, Paul House, C. Hassell Bullock, Heath Thomas, Robert Sloan, Sidney Greidanus, Channing Crisler, Scott Hafemann, Richaed Melick, Al Fasol, Jim Shaddix, Don Sunukijian, Michael Quicke, Tony Merida, Jesse Nelson, Clayborn Lea, Mike Glenn, Micah Fries, Ed Stetzer, Kris Barnett, Bryan Carter, James Emery White, Tim McKnight, Charlie Dates, Mike Milton, Rick Blackwood, James Noble, Maurice Watson, Vic Anderson, Timothy Mann, Ben Brammer, Clayton King, and Dennis Phelps