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Joy Rides through the Tunnel of Grief is a fresh and ferocious memoir-in-essays that maps the boundaries of love, language, and creative urgency. When Nelson’s father dies from an accident caused by complications from alcoholism, she knows immediately she has inherited his love—that it left his body, traveled through the air, and entered her own. And so, she needs a place to put it. She needs to know what to do with it, how not to waste it, how to make something with it, how to honor it and put language to it. So, she places it with her brother, Eric, whose opioid addiction makes his death feel always imminent. With her partner, Jack, together for fifteen years. With her exhausted, grieving mother, her best friend Jessie, women at the gym she’s never had the courage to speak to, but loves completely. But mostly, she places it with her future child, the one she does not yet have but deeply wants. The child who is both the question of love—and the answer to it. So, when Jack suddenly confesses that he does not want to have children—not with her, not ever—the someday vessel for her boundless and insatiable love hunger swiftly disappears, taking with it a fundamental promise of her life: motherhood. Joy Rides through the Tunnel of Grief catalyzes from this place. Fluidly navigating through past, present, and future, Nelson asks: Where does her desire to have a child come from? How does wonder charge and change a life? Are the imperatives to make art and to make a child born from the same searching place? Are they both masked and misguided attempts to thwart death? Nelson investigates the tremulous makings and unmakings of our most intense and fragile bonds—family, friends, lovers—with searing insight, humor, and tenderness.
"Joy Rides through the Tunnel of Grief is a compelling memoir in essays by Jessica Hendry Nelson. When Nelson's father died from an accident caused by complications of alcoholism, she knew immediately she had inherited his love-that it left his body, traveled through the air, and entered her own. And so, she needed a place to put it. She needed to know what to do with it, how not to waste it, how to make something with it, how to honor it and put language to it. So, she placed it with her brother, Eric, whose opioid addiction made his death feel always imminent. With her partner, Nick, together for thirteen years. With her exhausted, nicotine-addicted mother, her best friend Jessie, women at the gym she never met but loved completely. But mostly with her future child, the one she does not yet have but deeply wants. The child who is both the question of love-and the answer to it. So, when Nick suddenly confesses that he does not want to have children-not with her, not ever-the someday vessel for her boundless and insatiable love hunger swiftly disappears, taking with it a fundamental promise of her life: motherhood. Joy Rides through the Tunnel of Grief catalyzes from this place. Fluidly navigating through past, present, and future, Nelson asks: Where does her desire to have a child come from? Are the imperatives to make art and to make a child born from the same searching place? Are they both masked and misguided attempts to thwart death? Nelson investigates the tremulous makings and unmakings of our most intense and fragile bonds-family, friends, lovers-with searing insight, humor, and tenderness"--
If Only You People Could Follow Directions is a spellbinding debut by Jessica Hendry Nelson. In linked autobiographical essays, Nelson has reimagined the memoir with her thoroughly original voice, fearless writing, and hypnotic storytelling. At its center, the book is the story of three people: Nelson's mother Susan, her brother Eric, and Jessica herself. These three characters are deeply bound to one another, not just by the usual ties of blood and family, but also by a mother's drive to keep her children safe in the midst of chaos. The book begins with Nelson's childhood in the suburbs of Philadelphia and chronicles her father's addiction and death, her brother's battle with drugs and mental illness, her own efforts to find and maintain stability, and her mother's exquisite power, grief, and self–destruction in the face of such a complicated family dynamic. Each chapter in the book contends with a different relationship—friends, lovers, and strangers are all play—but at its heart the book is about family, the ties that bind and enrich and betray us, and how one young woman sought to survive and rise above her surroundings.
Uprooting ourselves and putting down roots elsewhere has become second nature. Americans are among the most mobile people on the planet, moving house an average of nine times in adulthood. Mobile Home explores one family’s extreme and often international version of this common experience. Inspired by Megan Harlan’s globe-wandering childhood—during which she lived in seventeen homes across four continents, ranging in location from the Alaskan tundra to a Colombian jungle, a posh flat in London to a doublewide trailer near the Arabian Gulf—Mobile Home maps the emotional structures and metaphysical geographies of home. In ten interconnected essays, Harlan examines cultural histories that include Bedouin nomadic traditions and modern life in wheeled mobile homes, the psychology of motels and suburban tract housing, and the lived meanings within the built landscapes of Manhattan, Stonehenge, and the Winchester Mystery House. More personally, she traces the family histories that drove her parents to seek so many new horizons—and how those places shaped her upbringing. Her mother viewed houses as a kind of large-scale plastic art ever in need of renovating, while her father was a natural adventurer and loved nothing more than to travel, choosing a life of flight that also helped to mask his addiction to alcohol. These familial experiences color Harlan’s current journey as a mother attempting to shape a flourishing, rooted world for her son. Her memoir in essays skillfully explores the flexible, continually inventive natures of place, family, and home.
How do we come to know a place, and in seeking to know it do we make it foreign from ourselves? Do we tackle it from other perspectives--the excavator, the traveler, the observant witness? Can we know a place without the blur of our identity, or does the attempt to extricate ourselves from the external lead only deeper? Brian Lennon seeks such knowledge in this rare and revolutionary work that blends poetry with narrative, ethnography with autobiography, and philosophy with literature. City: An Essay begins and ends with meditations on place, the first an unusual and intriguing excavation of the underground depths and history of New York City and the conclusion a travelogue of Italy that reads like snapshots. But place comes to reside somewhere within the landscape of the imagination. Though classified as creative nonfiction, City is an open genre piece that reads with the rhythm and beauty of poetry. Despite its sometimes philosophical core, occasionally pausing to ponder Kierkegaardian dilemmas, it maintains linguistic grace and self-reflexivity. City is a unique and unmatched experimental work by an emerging and sophisticated writer who is paving exciting new aesthetic and theoretical roads.
Advanced Creative Nonfiction: A Writers' Guide and Anthology offers expert instruction on writing creative nonfiction in any form-including memoir, lyric essay, travel writing, and more-while taking an expansive approach to fit a rapidly evolving literary art form. From a history of creative nonfiction, related ethical concerns, and new approaches to revision and publishing, this book offers innovative strategies and ideas beyond what's traditionally covered. Advanced Creative Nonfiction: A Writers' Guide and Anthology also includes: · An anthology of contemporary creative nonfiction by some of today's most inventive and celebrated writers · Advanced explorations into the craft of creative nonfiction across forms · In-depth discussion of truth, ethics, and memory · Practical advice on revision, editing, research, and publishing · Writing prompts and exercises throughout the textbook A companion website is also available for the book at http://www.bloomsburyonlineresources.com/advanced-creative-nonfiction
Increase is Lia Purpura’s chronicle of her pregnancy, the birth of her son, Joseph, and the first year of his life. She recounts her journey with the heightened awareness of a mother-to-be and through the eyes of a poet, from the moment she confirms her pregnancy as “A blue X slowly crosses itself, first one arm, then the other in the small white window of the test,” through “the X of his crossed feet in sleep” as her child’s world begins. Purpura’s sensibility transcends the facts of personal experience to enfold the dramatically changing shape of a larger, complex world. These closely knit essays portray the rhythms of a new mother’s life as it is challenged and transformed in nearly every aspect, from the emotions of wildness, loss, need, and desire to the outward progress--and interruption--of her work and activities. Increase offers us motherhood at an extraordinary pitch, recording, absorbing, and revisiting experiences from a multitude of angles. Purpura presents her story of discovery with unequaled eloquence, grace, and power.
Constantly surprising, these personal essays explore the attractions and dangers of intimacy and the violence that often arises in close relationships. Deulen’s artful storytelling and dialogue also draw the reader into complicated questions about class, race, and gender. In “Aperture,” she considers how she has contributed to her autistic brother’s isolation from family and from the world. “Theft” investigates her mother’s romantic stories about conquistadors in the context of the Mexican heritage of her biracial family. Throughout the collection Deulen experiments formally, alternating traditional narrative with “still life” essays and collages that characterize a particular time, place, and sensibility. Deulen is remarkable in her ability to present her own confusion and culpability, and she also writes with compassion for others, such as her own suicidal and unpredictable father or a boy in her class who sets the teacher’s hair on fire. In part because she herself so poorly fits the identities she might be assigned—white in appearance, she is in fact half Latina; raised in a poor neighborhood, she has acquired an education associated with the middle class—Deulen sees “otherness” as a useless category and the enemy of intimacy, which she embraces despite its risks. The Riots seeks to create what Frost called “a momentary stay against confusion,” and Deulen investigates her own act of creation even as she uses the craft of writing to put parentheses around the chaos of continuous living.
A memoir of growing up poor and hungry in 1970s western New York: “Like an American version of Angela’s Ashes.”—Kathleen Norris, New York Times-bestselling author of The Cloister Walk When you eat soup every night, thoughts of bread get you through. One of seven children brought up by a single mother, Sonja Livingston was raised in areas of western New York that remain relatively hidden from the rest of America. From an old farming town to an Indian reservation to a dead-end urban neighborhood, Livingston and her siblings follow their nonconformist mother from one ramshackle house to another on the perpetual search for something better. Along the way, the young Sonja observes the harsh realities her family encounters, as well as small moments of transcendent beauty that somehow keep them going. While struggling to make sense of her world, Livingston perceives the stresses and patterns that keep children—girls in particular—trapped in the cycle of poverty. Informed by cultural experiences such as Livington’s love for Wonder Woman and Nancy Drew and her experiences with the Girl Scouts and Roman Catholicism, this lyrical memoir firmly eschews sentimentality, offering instead a meditation on what it means to hunger and showing that poverty can strengthen the spirit just as surely as it can grind it down. “[A]n absolutely astonishing debut…harrowing and hilarious.”—Caroline Leavitt, New York Times-bestselling author of With or Without You “Livingston reveals the daily challenges poverty-stricken young children face.”—Booklist “Weaves together a child’s experience of not belonging, the perilous ease of slipping into failure, and the deep love that can flow from even a highly troubled parent.”—Dinty W. Moore, author of The Accidental Buddhist
For a year in the early 1990s, Peter Chilson traveled across Niger by automobile to experience West African road culture. In this compelling story, he uses the road not to reinforce Africa's worn image of decay and corruption but to reveal how people endure political and economic chaos, poverty, and disease.