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Throughout Europe, medieval forces were either engaged in conflict or preparing for it through training. Arising from the need to keep the skills of warriors sharp and battle-ready, medieval jousting for knights on horseback became a widespread pastime. This book details how the culture of medieval tournaments arose around jousting and other games of combat, including both for the mounted cavalry (knights) and foot soldiers (in events such as melees) and became a central aspect of medieval court life. Readers will be further drawn in by the visual pageantry and artifacts depicted in the book's historical imagery.
Fresh insights into the development of the tournament as an opportunity for social display.
A history of the war experience of 13th and 14th century England. With anecdotes and illustrations, it explores how English medieval armies fought, how men were recruited, how the troops were fed, supplied and deployed, the development of weapons, and the structure of military command.
Explains the origin of tournaments and jousts, who participated and why they were so popular.
Kaye's father is in danger! The young Knight, Kaye, and his friends Reggie, and Beau enter Eldridge in search of the only man who can save his father. During their journey, they encounter and make a powerful enemy of Baron Thomas--the self-proclaimed heir to the throne of Eldridge--who also has his sights set on ruling the country of Knox. Together, the boys dodge the baron's henchmen and race against time to stop an assassination that would plunge the two kingdoms into war in this exciting conclusion to the series.
Waugh examines the strains on English life in the remarkable era of Edward III.
This is the first book to trace the history & significance of the tournament in all its aspects in the Tudor & Jacobean periods. In its original medieval form, the tournament was a cross between sport & warfare, often an event involving two large opposing groups of knights who fought each other across a wide area of country. Loss of life or limb was common. These brutal events were a far cry from the carefully controlled & staged affairs that tournaments had become by Tudor times, a development that mirrors a profound change in role. As a vehicle for training in warfare, the Tudor & Jacobean tournament was largely anachronistic, but it played a crucial part in the political & cultural life of the country. These events were a major instrument of political propaganda, a public spectacle which the monarch could use in the profoundly serious business of displaying his or her magnificence. They were frequently staged & lavishly financed, with the provision of rich & costly trappings for participants & key spectators alike. Tournaments were also of considerable importance in keeping alive the ideals of chivalry, & all that these implied about service to king & country. Unlike later court entertainments, tournaments were spectacles at which even the meanest citizen could bask in the display of royal magnificence. Drawing on much original research, Professor Young fully explores all aspects of the tournament & its significance, including the construction of tiltyards, the tournament as theatre, & tournament literature, some of which was contributed by such great figures as Philip Sidney & Ben Jonson. But above all Young makes clear that the tournament was never mere entertainment, extravagant fantasy, or the archaic exercise of obsolete military skills. In fact, Tudor & Jacobean tournaments helped to keep alive values & ideals which perhaps contributed to the English Civil War, the American Civil War & even World War I.
The Middle Ages are commonly divided into three periods--early, high or central, and late. Each period was marked by its own crises and wars, and the weapons and fighters reflected the technological and other advancements being made. This book is a richly illustrated history of warfare in Western Europe during those years. Part One, the early Middle Ages, covers the late Romans, the Germanic invaders and Byzantines, the Franks, the Vikings and Hungarians, and the Anglo-Saxons and Normans in England. Part Two, the high or central Middle Ages, considers the feudal system, knights and chivalry, knights at war, infantrymen, land warfare, siege and naval warfare, crusades in Palestine, templars and hospitalers, the Reconquista in Spain, and the Teutonic knights. Part Three, the late Middle Ages, discusses the evolution of new types of armor and weapons, the Hundred Years' War, mercenaries, and firearms.
The first dictionary of medieval terms intended for the non-specialist with an interest in the medieval world.
Renowned scholar Thomas Asbridge brings to life medieval England’s most celebrated knight, William Marshal—providing an unprecedented and intimate view of this age and the legendary warrior class that shaped it. Caught on the wrong side of an English civil war and condemned by his father to the gallows at age five, William Marshal defied all odds to become one of England’s most celebrated knights. Thomas Asbridge’s rousing narrative chronicles William’s rise, using his life as a prism to view the origins, experiences, and influence of the knight in British history. In William’s day, the brutish realities of war and politics collided with romanticized myths about an Arthurian “golden age,” giving rise to a new chivalric ideal. Asbridge details the training rituals, weaponry, and battle tactics of knighthood, and explores the codes of chivalry and courtliness that shaped their daily lives. These skills were essential to survive one of the most turbulent periods in English history—an era of striking transformation, as the West emerged from the Dark Ages. A leading retainer of five English kings, Marshal served the great figures of this age, from Queen Eleanor of Aquitaine to Richard the Lionheart and his infamous brother John, and was involved in some of the most critical phases of medieval history, from the Magna Carta to the survival of the Angevin/Plantagenet dynasty. Asbridge introduces this storied knight to modern readers and places him firmly in the context of the majesty, passion, and bloody intrigue of the Middle Ages. The Greatest Knight features 16 pages of black-and-white and color illustrations.