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The fascinating life and work of a preeminent presidential biographer
The Emmy Award-winning producer of PBS’s Masterpiece Theatre and Mystery! reveals the secrets to Downton Abbey, Sherlock, and its other hit programs For more than twenty-five years and counting, Rebecca Eaton has presided over PBS’s Masterpiece Theatre, the longest running weekly prime time drama series in American history. From the runaway hits Upstairs, Downstairs and The Buccaneers, to the hugely popular Inspector Morse, Prime Suspect, and Poirot, Masterpiece Theatre and its sibling series Mystery! have been required viewing for fans of quality drama. Eaton interviews many of the writers, directors, producers, and other contributors and shares personal anecdotes—including photos taken with her own camera—about her decades-spanning career. She reveals what went on behind the scenes during such triumphs as Cranford and the multiple, highly-rated programs made from Jane Austen’s novels, as well as her aggressive campaign to attract younger viewers via social media and online streaming. Along the way she shares stories about actors and other luminaries such as Alistair Cooke, Maggie Smith, Diana Rigg, Benedict Cumberbatch and Daniel Radcliffe, whose first TV role was as the title character in David Copperfield. Readers will also get to know Eaton on a personal level. With a childhood steeped in theater, an affinity for nineteenth century novels and culture, and an “accidental apprenticeship” with the BBC, Eaton was practically born to lead the Masterpiece and Mystery! franchises. Making Masterpiece marks the first time the driving force behind the enduring flagship show reveals all.
"We read The Three Musketeers to experience a sense of romance and for the sheer excitement of the story," reflected Clifton Fadiman. "In these violent pages all is action, intrigue, suspense, surprise--an almost endless chain of duels, murders, love affairs, unmaskings, ambushes, hairbreadth escapes, wild rides. It is all impossible and it is all magnificent." First published in 1844, Alexandre Dumas's swashbuckling epic chronicles the adventures of D'Artagnan, a gallant young nobleman who journeys to Paris in 1625 hoping to join the ranks of musketeers guarding Louis XIII. He soon finds himself fighting alongside three heroic comrades--Athos, Porthos, and Aramis--who seek to uphold the honor of the king by foiling the wicked plots of Cardinal Richelieu and the beautiful spy "Milady." "Dumas will be read a hundred, nay, three hundred years on," wrote John Galsworthy. "His greatest creation is undoubtedly D'Artagnan, type at once of the fighting adventurer and of the trusty servant, whose wily blade is ever at the back of those whose hearts have neither his magnanimity nor his courage. Few, if any, characters in fiction inspire one with such belief in their individual existences. . . . To one who made D'Artagnan all shall be forgiven." Clifton Fadiman agreed: "Dumas enjoyed writing his stories. . . . The pleasure he must have felt in creating D'Artagnan's troubles and triumphs flashes out of these pages. . . . Dumas rampaged through the history of France, inventing, changing, distorting--doing whatever was needed to produce a tale to hold the reader breathless."
Alone Through the Roaring Forties is the story of Vito Dumas's wartime voyage from Argentina eastward around the globe in the 31-foot canoe-sterned ketch Lehg II. By any measure, it was a remarkable, unprecedented voyage over what Dumas justly called the impossible route - south of the Cape of Good Hope, south of Australia, south of Cape Horn. Leaving Buenos Aires in June 1942, he made the 20,000-mile voyage singlehanded, becoming the first to do so. He was also the first solo sailor to round Cape Horn and survive, and the first to sail around the world with only three landfalls. Dumas completed his high-latitude voyage through the great Southern Ocean, where prevailing westerly gales push huge seas unimpeded around and around the bottom of the globe. His gear and provisions were makeshift - he suffered inordinately because his tattered clothing provided no protection from the cold wind and water - but his boat, though very small, was tough and well mannered. He was awarded the Slocum Prize in 1957 to honour the extraordinary voyages made by the greatest solitary navigator in the world. Alone Through the Roaring Forties was first published in Spanish, then in French, and finall
A fun middle-grade contemporary fantasy with an all-BIPOC cast, about a social-media-loving tween who gets sent to an ultra-private witch camp Hasani’s post-seventh-grade summer to-do list is pretty simple: get a bigger following for her makeup YouTube channel and figure out how to get her parents back together. What she does NOT expect is that an emotional outburst will spark a latent magical ability in her. Or that the magic will be strong enough to attract the attention of witches. Or that before she can say #BlackGirlMagic, she’ll be shipped off on a scholarship to a fancy finishing school for talented young ladies. Les Belles Demoiselles is a literal charm school. Here, generations of young ladies from old-money witch families have learned to harness their magic, and alumnae grow to become some of the most powerful women across industries, including politicians, philanthropists, CEOs, entrepreneurs—and yes, even social media influencers. Needless to say, admission to the school is highly coveted, very exclusive . . . and Hasani sticks out like a weed in a rose bouquet. While the other girls have always known they were destined to be witches, Hasani is a Wildseed––a stray witch from a family of non-witches, with no background knowledge, no way to control her magic, and a lot to catch up on. "Wildseed" may be an insult that the other girls throw at her, but Wildseeds are more powerful than they know. And Hasani will learn that there are ways to use magic and thrive that can never be taught in a classroom.
Henry Dumas (1934–1968) was a writer who did not live to see most of his fiction and poetry in print. A son of Sweet Home, Arkansas, and Harlem, he devoted himself to the creation of a black literary cosmos, one in which black literature and culture were windows into the human condition. While he certainly should be understood in the context of the cultural and political movements of the 1960s—Black Arts, Black Power, and Civil Rights—his writing, and ultimately his life, were filled with ambiguities and contradictions. Dumas was shot and killed in 1968 in Harlem months before his thirty-fourth birthday by a white transit policeman under circumstances never fully explained. After his death he became a kind of literary legend, but one whose full story was unknown. A devoted cadre of friends and later admirers from the 1970s to the present pushed for the publication of his work. Toni Morrison championed him as “an absolute genius.” Amiri Baraka, a writer not quick to praise others, claimed that Dumas produced “actual art, real, man, and stunning.” Eugene Redmond and Quincy Troupe heralded Dumas's poetry, short stories, and work as an editor of “little” magazines. With Visible Man, Jeffrey B. Leak offers a full examination of both Dumas's life and his creative development. Given unprecedented access to the Dumas archival materials and numerous interviews with family, friends, and writers who knew him in various contexts, Leak opens the door to Dumas's rich and at times frustrating life, giving us a layered portrait of an African American writer and his coming of age during one of the most volatile and transformative decades in American history.
A major new translation of a stunning rediscovered novel by Alexandre Dumas, Georges is a classic swashbuckling adventure. Brilliantly translated by Tina A. Kover in lively, fluid prose, this is Dumas’s most daring work, in which his themes of intrigue and romance are illuminated by the issues of racial prejudice and the profound quest for identity. Georges Munier is a sensitive boy growing up in the nineteenth century on the island of Mauritius. The son of a wealthy mulatto, Pierre Munier, Georges regularly sees how his father’s courage is tempered by a sense of inferiority before whites–and Georges vows that he will be different. When Georges matures into a man committed to “moral superiority mixed with physical strength,” the stage is set for a conflict with the island’s rich and powerful plantation owner, Monsieur de Malmédie, and a forbidden romance with Sara, the beautiful woman engaged to Malmédie’s son. Swordplay, a slave rebellion, a harrowing escape, and a vow of vengeance–Georges is unmistakably the work of the master who wrote The Three Musketeers and The Count of Monte Cristo. Yet it stands apart as the only book Dumas ever wrote that confronts the subject of race–a potent topic, since Dumas was of African ancestry himself. This edition also features a captivating Introduction by Jamaica Kincaid and an eloquent Afterword and Notes by Werner Sollors, who addresses key themes such as colonialism, racism, African slavery, and interracial intimacy. Long out of print in America, Georges can now be appreciated as never before and added to the greatest works of this immortal author.
This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder. Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it. When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted the nation for years: was Hale a lunatic, or had he been telling the truth all along? The first-person narrative reveals an acerbic young atheist, newly enrolled at the University of Edinburgh to carry on the legacy of his recently deceased father. In need of cash, he takes a job ghostwriting a mysterious book for a dark stranger—but he has misgivings when the project begins to reawaken his satanophobia, a rare condition that causes him to live in terror that the Devil is after him. As he struggles to disentangle fact from fear, Grayson’s world is turned upside-down after events force him to confront his growing suspicion that he’s working for the one he has feared all this time—and that the book is only the beginning of their partnership. “A modern-day Gothic tale with claws” (Jennifer Fawcett, author of Beneath the Stairs), A History of Fear marries dread-inducing atmosphere with heart-palpitating storytelling.