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Journey to Horseshoe Bend was first published in 1969 and has been out of print for almost forty years. An Australian literary classic, it was written by TGH (Ted) Strehlow, author of the monumental Songs of Central Australia. It describes the final days of his father, Pastor Carl Strehlow, head of the Lutheran mission at Hermannsburg, as they travel, with Aboriginal companions, in extreme heat, along the dry riverbed of the Finke River, to the nearest railhead in search of medical assistance. They never reach help: the journey ends at Horseshoe Bend, with Pastor Strehlow’s death. Ted Strehlow grew up with Aborigines on the mission, and his knowledge of their customs and stories was unique. The book combines this knowledge, with a detailed awareness of the landscape and its sacred places, the battles that have been fought there, the lonely outposts of white settlement, and of the Biblical resonances of their own journey through this desert setting.
Storytracking is a work of theory and application. It is both a study of history and culture and the academic issues accompanying the interpretation and observation of other peoples. Sam Gill writes about Central Australia, but, more importantly, he writes about the business of trying to live responsibly and decisively in a postmodern world faced with irreconcilable diversity and complexity, with undeniable ambiguity and uncertainty. Storytracking includes engaging accounts of many of the colorful figures involved in the nineteenth-century development of Central Australia, and it is an argument for a multiperspectival theory of history. It presents descriptions of an important aboriginal culture--the Arrernte--and it critically examines ethnography. It exposes the colonialist underbelly of all modern academic culture study, yet it embraces the situation as one of creative potential outlining an interactivist epistemology with which to negotiate the classical alternatives of objectivism and subjectivism. Gill presents an examination of the emergent academic study of religion focused on two exemplary scholars--Mircea Eliade and Jonathan Smith--offering a play theory of religion as the basis for innovative critical discussions of text, comparison, interpretation, the definition of religion, academic writing style, and the role of "the other." Based on painstakingly detailed research, Gill exposes disturbing and confounding dimensions of the modern world, particularly academia. Yet, beyond the pessimism that often characterizes postmodernity, he charts an optimistic and creative course framed in the terms of play.
Journey to Horseshoe Bend was first published in 1969 and has been out of print for almost forty years. An Australian literary classic, it was written by TGH (Ted) Strehlow, author of the monumental Songs of Central Australia. It describes the final days of his father, Pastor Carl Strehlow, head of the Lutheran mission at Hermannsburg, as they travel, with Aboriginal companions, in extreme heat, along the dry riverbed of the Finke River, to the nearest railhead in search of medical assistance. They never reach help: the journey ends at Horseshoe Bend, with Pastor Strehlow's death. Ted Strehlow grew up with Aborigines on the mission, and his knowledge of their customs and stories was unique. The book combines this knowledge, with a detailed awareness of the landscape and its sacred places, the battles that have been fought there, the lonely outposts of white settlement, and of the Biblical resonances of their own journey through this desert setting.
The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices. This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.
The Strehlow Archive is one of Australia's most important collections of film, sound, archival records and museum objects relating to the ceremonial life of Aboriginal people. The aim of this book is to provide a significant study of the relationship of archives to contemporary forms of digital mediation. The volume introduces a specific archive, the Strehlow Collection, and tracks the ways in which its materials and research dissemination practices are influenced by media forms we now identify with the emergence of digital technology.
Writing Home explores the literary representation of Australian places by those who have walked them. In particular, it examines how Aboriginal and settler narratives of walking have shaped portrayals of Australia’s Red Centre and consequently ideas of nation and belonging. Central Australia has long been characterised as a frontier, the supposed divide between black and white, ancient and modern. But persistently representing it in this way is preventing Australians from re-imagining this internationally significant region as home. Writing Home argues that the frontier no longer adequately describes Central Australia, and that the Aboriginal songlines make a significant but under-acknowledged contribution to Australian discourses of hybridity, belonging and home. Drawing on anthropology, cultural theory, journalism, politics and philosophy, the book traces shifting perceptions of Australian place and space since precolonial times, through six recounted walking journeys of the Red Centre.
Arizona Bucket List Adventure Guide & Journal takes you on a quest to discover 50 must-see natural wonders in the Grand Canyon State. For each of the 50 places, there's a page that tells you the best time to go, how to get there and how to get permits or passes, if needed. On the opposite page, you check it off your bucket list and journal about your experience. Organized by region: Tourist magnets like Grand Canyon, Antelope Canyon, Horseshoe Bend, and Monument Valley are in the North Region. In North Central, you'll find tips for amazing sites near Sedona like West Fork Oak Creek, Devil's Bridge, and the vortexes. Other regions include the Superstition Mountains, Lower Salt River, Lake Havasu, Ringbolt (Arizona) Hot Springs, Saguaro National Park, Sabino Canyon, and more.