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A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
The author documents photographically more than eighty Romanesque and Gothic vaults from medieval churches, cathedrals, and basilicas.
A beautiful new guide featuring 100 of the most interesting and spectacular locations in France.
This book is the first devoted to the important innovations in architecture that took place in western Europe between the death of emperor Justinian in A.D. 565 and the tenth century. During this period of transition from Late Antiquity to the Middle Ages, the Early Christian basilica was transformed in both form and function.Charles B. McClendon draws on rich documentary evidence and archaeological data to show that the buildings of these three centuries, studied in isolation but rarely together, set substantial precedents for the future of medieval architecture. He looks at buildings of the so-called Dark Ages—monuments that reflected a new assimilation of seemingly antithetical “barbarian” and “classical” attitudes toward architecture and its decoration—and at the grand and innovative architecture of the Carolingian Empire. The great Romanesque and Gothic churches of subsequent centuries owe far more to the architectural achievements of the Early Middle Ages than has generally been recognized, the author argues.
Doris Schatz spent much of her adult life reading up on the occult, attending psychic development groups, and discovering her own spiritual gifts. But nothing prepared her for Gerhard Kluegl, a man she met after he saved the life of a dying friend. Gerhard is a healer -- the leading aura surgeon in Europe. Repairing the physical damage from past-life experiences, he helps patients who have gotten no relief from Western medicine. Some of the recoveries Gerhard has enabled are nothing short of miraculous: replacing ovaries that have been surgically removedrepairing heart musclesremoving tonsilsstraightening spines… and much more In Down the Ages: Journey of a Healer, Doris introduces Gerhard Kluegl to an American audience for the first time. His story sheds light on the unseen forces that so often go unacknowledged in today's society.
Authentikos Logos (NHC VI,3), also known as Authoritative Teaching,is a little studied story of a soul's descent and ascent in the Nag Hammadi library. With her book Ulla Tervahauta fills a gap in the scholarship and provide the first monograph-length study that has this writingas its primary focus. The aim is to find a place and context for Authentikos Logos within early Christianity, but Tervahauta also adds new insight into the scholarship of the Nag Hammadi Library and study of early Christianity. Contrary to the usual discussion of the Nag Hammadi writings from the viewpoint of Gnostic studies, she argues that Authentikos Logos is best approached from the context of Christian traditions of late ancient Egypt between the third and the fifth centuries.Tervahauta discusses the story of the soul's journey in light of various Christian and Platonic writings. Also, she analyses the relationship of Authentikos Logos with the Valentinian Wisdom myth and suggests that no firm evidence connects the writing closely with Valentinian traditions. And although a Platonic mind-set can be assumed, the writing combines motifs in a unique manner. For example, the four epithets used in the writing – the "invisible soul", the "pneumatic soul", the "material soul", and the "rational soul" – are not found thus combined elsewhere. Discussion of matter (hyle) is connected with Christian scriptural allusions and the focus is on ethics and the evilness of matter. The body, on the other hand, is the soul's place of contest and progress. The Pauline term "pneumatic body" (1 Cor 15:44) is used allusively and from a Platonic perspective. With this book Ulla Tervahauta makes an important contribution to the study of early Christianity in late ancient Egypt by discussing a writing thatshows knowledge and creative combination of literary traditions that circulated in late ancient Egypt.
What is Romanesque? The art and culture of Europe between 1050 and 1200 have traditionally been viewed as meager and impoverished. Now a new book takes a fresh look at this period and reveals a world of unexpected beauty. Accomplished, ornate sculpture, intricate goldwork and enamel, brilliant manuscript illumination, dazzling mosaic and glass characterize the art of the so-called "Dark Ages." Andreas Petzold examines medieval European art in the broader context of its relationship to the art of Byzantium and Islam, tracing the influences among these cultures through trade and the Crusades. He views Romanesque art in terms of the social structures that organized the medieval world -- church, princely court, peasant society -- discovering on the way the important role of women as artists and patrons, the complex relationships among religious and secular institutions, and the ways that sculpture, architecture, painting, and other art forms developed in style and technique to express a world no longer Classical but not yet Gothic. Petzold reveals a culture that is rich and varied, sophisticated and refined. Splendid illustrations of architecture, metal-work, stained glass, painting, and textiles reveal that the art of Romanesque Europe is anything but dark. Book jacket.
A comprehensive, innovative study of how medieval people envisioned heaven, hell, and purgatory - images and imaginings that endure today.