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A young girl maneuvers through the court system to foster home placement where she finds safety and peace in homes where she is surrounded by kids like her, kids with parents who hurt them, kids with no parents, all depending on the kindness of strangers who have opened their homes to be foster parents. She thrives in her new homes, new schools with new friends, she will even meet her future husband while in foster care.
Examines the events, trends, personalities, and politics in Guyana and in California that enabled Jim Jones and his Peoples Temple to flourish and to enact a bizarre mass death.
When tragedy strikes we want to know: Why did this happen? How could it have happened? Where is life's justice and fairness? When tragedy strikes we need to know: What still makes sense. What paths lead to healing. How to deal with the timeless questions. When Rabbi Richard Agler's twenty-six-year-old daughter Talia was struck and killed by a motor vehicle, his understanding of tragedy failed him. This book is an account of a journey, one he had no choice but to take, leading from unimaginable grief to (at least partial) recovery. In clear and compelling language, with references to both ancient and modern sources of wisdom, Rabbi Agler offers insight for everyone who has, or who one day might, experience painful loss. The Tragedy Test may give you enhanced clarity on some of humanity's most profound questions. It may lead you to reimagine the nature of our universe. It may fundamentally challenge your understanding of the God you thought you knew. It will not leave you unmoved or unchanged.
Will it happen again, Mama? After the Ant Hill School is destroyed, a little boy ant is afraid to go back to school. His mom caringly explains to him that sometimes things happen in life over which we have no control, but we have to find a way to keep living and growing. To do that, "We breathe in and breathe out, and hold onto each other. We shed a lot of tears, and we love one another. We all come together as a strong team of ONE, and then we rebuild, and get things done!" The Ant Hill Disaster thoughtfully addresses fears associated with both natural and man-caused disasters. It models effective parenting and teaching responses. This book can help assure children that through love, empathetic understanding, preparation, and effective communication, they can stand strong, even in the midst of uncontrollable events.
Tragedy to Triumph-The Story of Tom's Heart provides an up-close and personal look at the journeys of two individuals facing death as they present their individual perspectives as the donor family and the recipient. There are very few stories in life that grip you like the loss of a child. When that story hits home, it can feel like your very heart is being ripped out. This story is about life and death. When a family member or friend suffers end-stage organ failure, the pain is different but very real. Loved ones watch as you wither away before their eyes dying, waiting, and hoping for the ultimate gift, the gift of life, so they can go on living. Tragedy to Triumph-The Story of Tom's Heart is the harrowing and heart-wrenching tragedy that struck him and his family. At the worst moment any family should ever have to deal with, the parents said 'yes' to organ, eye, and tissue donation so the lives of others could be saved and enhanced. For Tom's mother, it offered hope in the midst of despair, a purpose in the midst of tragedy, and light in the midst of the darkest night of her life. By saying yes to donation, another mother and family did not have to wonder, wait, or face the death of their son, brother, or friend. Pete Radigan, who was in end-stage heart failure at Columbia Hospital, unsure if he would live or die, received Tom's heart-the gift of life. This is their story...
“Jon Dorenbos is a magical person. Life Is Magic shows how we can all choose happiness in the face of overwhelming odds.” —Ellen DeGeneres An extraordinary and empowering story of resilience, forgiveness, and living a life of purpose in the face of unfathomable obstacles. You may know him as an NFL All-Pro or as a world-class magician who made the finals of America’s Got Talent, but Jon Dorenbos says that what he does is not who he is. He is someone who coached himself, at the most tender of ages, to turn tragedy to triumph. One morning in August 1992, when Jon was twelve years old and living a seemingly idyllic childhood in suburban Seattle, he woke up for baseball camp. His dad waved goodbye. Later that day, Jon heard the news: his father had murdered his mother in the family’s three-car garage. In an instant, his life had shattered. He’d essentially been orphaned. Thrust into foster care while his father stood trial for murder, Jon struggled. Left to himself, he discovered an unlikely escape performing magic tricks. If you found a way to alter your reality, after your dad—your hero—killed your mom, wouldn’t you cling to it too? Then came football, which provided a release for all of his pent-up anger. Together, magic and football saved him, leading to fourteen NFL seasons on the gridiron and raucous sleight of hand performances to packed houses across the globe. In 2017, he was diagnosed with a life-threatening heart condition leaving him with a choice. To either break down or—as he’d by now long taught himself—bounce back. “Life Is Magic shows how we can all choose happiness in the face of overwhelming odds” (Ellen DeGeneres) and provides a roadmap for overcoming even the darkest of times. Jon’s story is poignant and powerful, told by a charismatic and optimistic man who has overcome life-or-death challenges with grace, persistence, a childlike sense of wonder…and jaw-dropping card tricks.
The harrowing story of five men who were sent into a dark, airless, miles-long tunnel, hundreds of feet below the ocean, to do a nearly impossible job—with deadly results A quarter-century ago, Boston had the dirtiest harbor in America. The city had been dumping sewage into it for generations, coating the seafloor with a layer of “black mayonnaise.” Fisheries collapsed, wildlife fled, and locals referred to floating tampon applicators as “beach whistles.” In the 1990s, work began on a state-of-the-art treatment plant and a 10-mile-long tunnel—its endpoint stretching farther from civilization than the earth’s deepest ocean trench—to carry waste out of the harbor. With this impressive feat of engineering, Boston was poised to show the country how to rebound from environmental ruin. But when bad decisions and clashing corporations endangered the project, a team of commercial divers was sent on a perilous mission to rescue the stymied cleanup effort. Five divers went in; not all of them came out alive. Drawing on hundreds of interviews and thousands of documents collected over five years of reporting, award-winning writer Neil Swidey takes us deep into the lives of the divers, engineers, politicians, lawyers, and investigators involved in the tragedy and its aftermath, creating a taut, action-packed narrative. The climax comes just after the hard-partying DJ Gillis and his friend Billy Juse trade assignments as they head into the tunnel, sentencing one of them to death. An intimate portrait of the wreckage left in the wake of lives lost, the book—which Dennis Lehane calls "extraordinary" and compares with The Perfect Storm—is also a morality tale. What is the true cost of these large-scale construction projects, as designers and builders, emboldened by new technology and pressured to address a growing population’s rapacious needs, push the limits of the possible? This is a story about human risk—how it is calculated, discounted, and transferred—and the institutional failures that can lead to catastrophe. Suspenseful yet humane, Trapped Under the Sea reminds us that behind every bridge, tower, and tunnel—behind the infrastructure that makes modern life possible—lies unsung bravery and extraordinary sacrifice.
Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements. Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.” Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.
I wrote this book for anyone who has fallen from grace that you can rise again. I know everyone has a story no matter how big or small your story is, its your story. No matter what type of hand you have been dealt in life, you have to play your hand. I knew my hand was a bad hand it went something like this I had a 2 of hearts 9 of spade 6 of diamond and a 4 of diamond and king of clubs and I was told to sit at the table of life and play that hand and win. Anyone that knows about poker knows I was dealt an abominable hand, but I knew I still had 47 more cards to play. I did not like my hand, I knew I was dealt an abominable life hand but something deep in my soul told me to throw that hand back in the deck and get another hand and make it work. I knew it was going to be hard but I was going to make it work. I stood up and brushed myself off and tried again even harder. Its not how you start the race; its about how you go through the race and finish the race.
Marina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.