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Ralph Waldo Emerson's decision to quit the ministry, arrived at painfully during the summer and fall of 1832, was accompanied by illness so severe that he was forced to give up any immediate thought of a new career. Instead, in December, he embarked on a tour of Europe that was to take him to Italy, France, Scotland, and England. Within a year after his return in the fall in 1833, his health largely restored, he went to live in the town of Concord, his home from then on. The record of Emerson's ten months in Europe which makes up a large part of this book is unusually detailed and personal, actually a diary recording what Emerson saw and did as well as what he thought. He describes cities, scenes, and buildings that he found striking in one way or another and he gives impressions of the people he met. During his travels he made the acquaintance of Landor, of Lafayette, and of Carlyle, Wordsworth, and Coleridge, all of whom stimulated him. In Paris he was so much stirred by a visit to the Jardin des Plantes that he determined "to become a naturalist." On his return to America, still without a profession, he reverted in his journals to the more impersonal form they had taken in his days as a minister, focusing on his inner experiences rather than on external events. Notes start dotting the pages once again, this time not so much for future sermons--although for years he did a certain amount of occasional preaching as for the addresses of the public lecturer he would soon become. Through the thirty-four months covered by this volume, the journals continue to he the advancing record of Emerson's mind, demonstrating a growing maturity and firmness of style by compression and aphorism.
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
One notebook contains Emerson's translations of Goethe; another is devoted to his brother Charles and includes excerpts from Charles's letters to his fiancée. A third contains an interview with a survivor of the battle of Concord and household accounts from just after Emerson's marriage to Lydia Jackson.
This book establishes surprise as a key Emersonian affect, and demonstrates its significance for transatlantic modernism and the philosophy of pragmatism.
The twelfth volume makes available nine of Emerson's lecture notebooks, covering a span of twenty-seven years, from 1835 to 1862, from apprenticeship to fame. These notebooks contain materials Emerson collected for the composition of his lectures, articles, and essays during those years.
In his study of Romantic naturalists and early environmentalists, Dewey W. Hall asserts that William Wordsworth and Ralph Waldo Emerson were transatlantic literary figures who were both influenced by the English naturalist Gilbert White. In Part 1, Hall examines evidence that as Romantic naturalists interested in meteorology, Wordsworth and Emerson engaged in proto-environmental activity that drew attention to the potential consequences of the locomotive's incursion into Windermere and Concord. In Part 2, Hall suggests that Wordsworth and Emerson shaped the early environmental movement through their work as poets-turned-naturalists, arguing that Wordsworth influenced Octavia Hill’s contribution to the founding of the United Kingdom’s National Trust in 1895, while Emerson inspired John Muir to spearhead the United States’ National Parks movement in 1890. Hall’s book traces the connection from White as a naturalist-turned-poet to Muir as the quintessential early environmental activist who camped in Yosemite with President Theodore Roosevelt. Throughout, Hall raises concerns about the growth of industrialization to make a persuasive case for literature's importance to the rise of environmentalism.
The Oregon Trail is the gripping account of Francis Parkman's journey west across North America in 1846. After crossing the Allegheny Mountains by coach and continuing by boat and wagon to Westport, Missouri, he set out with three companions on a horseback journey that would ultimately take him over two thousand miles. Map.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
The title Ciphers of Transcendence reflects the philosophical interests of Patrick Masterson, Emeritus Professor of Philosophy of Religion, University College Dublin. Transcendence is a millefeuille term conveying layered and diverse nuances, from the first openness of human awareness towards the outside world, to the ultimate affirmation of and commitment to a loving and infinite Transcendent. Patrick Masterson has devoted his philosophical career to reflection upon the unfathomable nature of the latter, seeking to decipher instances and images of transcendence within the realm of limited human experience. Through teaching and writing he has shared with students and readers his deeply personal reflections on questions of primal importance. Patrick Masterson’s colleagues and students – all devoted friends – here offer, in return, their diverse perspectives. The essays deal in one way or another with transcendence, examined in dialogue with a roll call of thinkers across the ages, from ancient authors to medieval masters, modern giants to recent luminaries. The volume is enhanced by the inclusion of an essay by leading contemporary thinker Alasdair MacIntyre, and a poem from Seamus Heaney that evokes across the silence of solitude the tender presence of transcendence.