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This book critically examines the complex interactions between media and crime. Written with an engaging and authoritative voice, it guides you through all the key issues, ranging from news reporting of crime, media constructions of children and women, moral panics, and media and the police to ′reality′ crime shows, surveillance and social control. This third edition: Explores innovations in technology and forms of reporting, including citizen journalism. Examines the impact of new media including mobile, Internet and digital technologies, and social networking sites. Features chapters dedicated to the issues around cybercrime and crime film, along with new content on terrorism and the media. Shows you how to research media and crime. Includes discussion questions, further reading and a glossary. Now features a companion website, complete with links to journal articles, relevant websites and blogs. This is essential reading for your studies in criminology, media studies, cultural studies and sociology. The Key Approaches to Criminology series celebrates the removal of traditional barriers between disciplines and, specifically, reflects criminology’s interdisciplinary nature and focus. It brings together some of the leading scholars working at the intersections of criminology and related subjects. Each book in the series helps readers to make intellectual connections between criminology and other discourses, and to understand the importance of studying crime and criminal justice within the context of broader debates. The series is intended to have appeal across the entire range of undergraduate and postgraduate studies and beyond, comprising books which offer introductions to the fields as well as advancing ideas and knowledge in their subject areas.
Crime reporting, in one form or another, is as old as crime itself. Almost all young reporters have spent some time on this beat, and their work affects all of us. Covering Canadian Crime offers a deep and detailed look at perennial issues in crime reporting and how changes in technology, business practices, and professional ethics are affecting today’s crime coverage. Social media in the courtroom, the stigmatization of mental illness, the influence of police media units, the practice of knocking on victims’ doors, the culture of masculinity in the newsroom: these are among the topics of discussion, explored from various disciplinary perspectives and combined with poignant interviews and thought-provoking introspection from seasoned journalists such as Christie Blatchford, Timothy Appleby, Linden MacIntyre, Kim Bolan, and Peter Edwards. A critical account of the challenges involved in crime reporting in ethical, informed, and powerful ways, Covering Canadian Crime poses the questions that reporters, journalism students, and the public at large need to ask and to answer.
"This book critically examines the media to identify how crime and criminal justice are treated in the news, entertainment, and infotainment media. The book sheds light on important realities of crime and criminal justice and corrects major misconceptions created by coverage of crime and criminal justice in the media."--
A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.
Every day we watch, read, and hear stories about crime and justice. This path-breaking book reveals how policy makers, criminal justice professionals, pressure groups, and the police compete in self-promoting struggles to shape their own images and the policy agenda. In a series of case studies, the authors pose a number of important questions. Does coverage of crime statistics promote fear of crime, or is the debate about the figures really about something else? By focusing on fear of crime have we underplayed public fear of authority? Does the coverage of sexual crime encourage voyeurism? And finally, is television's growing obsession with showing us stories of real crime more about entertaining the audience than about helping the police with their enquiries? The first new study in almost two decades of how specialist crime journalists work, this book brings to a wider public an influential new approach to the sociological study of journalism.
In today's society, the public perception of crime has been skewed by how the media depicts it. People use the media for enjoyment, companionship, surveillance, and interpretation. The problem is that it becomes hard to separate fact from entertainment. This raises several questions. How are we consuming media? Are we consuming reality within the news? And are we consuming harmless pleasure from entertainment media? In Crime, Media, and Reality: Examining Mixed Messages about Crime and Justice in Popular Media, Venessa Garcia and Samantha Garcia Arkerson focus predominantly on the social constructions of crime and justice and how we absorb them. They look at the influence of crime news and true crime television series that prevent the public from understanding pure entertainment from the realities of crime and justice. They bring to light the social science knowledge missed by media "infotainment," which has blurred the line between information and entertainment. Throughout, all different forms of media are discussed, news media, crime dramas and true crime television series. In doing so, they keep all of its fascinating coverage while uncovering the reality of crime and justice. This book adds significant information to the constructs held by the general public by placing media depictions into historical, legal, and social context.
"Crime and Media Studies concisely and efficiently pulls the curtain back on the reality of crime and punishment and the role media has played in the United States becoming the world's leader in incarceration. By addressing literacy rates that have remained virtually unchanged since 1935, the stark ramifications of the communication disconnect between those who study key issues and the ordinary citizen is explored. Crime and Media Studies calls for the dismantling of ideological divides between qualitative and quantitative researchers in favor of a united multidisciplinary front to create an informed citizenry. Divided into the key parts of the criminal justice system (crime, law enforcement, courts, corrections, etc.), the text explores prominent issues (drugs, domestic violence, race, gender, etc.) facing the criminal justice system. Each section contains crime and media research articles that analyze a variety of media (print news, broadcast news, movies, court TV, crime dramas, comic books, hip-hop, etc.) using quantitative, qualitative, and mixed methodologies. In the tradition of Gregg Barak's ""News Making Criminology,"" each section contains discussion questions (designed for traditional and online classrooms), writing assignments (blog posts, press releases), literacy level exercises, brownbag sessions, and community engagement projects to help students understand the importance of being able to effectively communicate both with the press and the public. Crime and Media Studies is well suited for undergraduate and graduate courses in the social sciences that seek to address the role of media in policy and legal issues. The text, its test questions, discussion sessions, and writing assignments are designed to be used in both traditional and online classrooms. Franklin T. Wilson is an associate professor in the Department of Criminology and Criminal Justice at Indiana State University. He received his Ph.D. from the College of Criminal Justice at Sam Houston State University and has taught crime and media studies courses for over a decade. Dr. Wilson is the founding and current chair of the Annual International Crime, Media, and Popular Culture Studies Conference and is the editor of the Journal of Criminal Justice and Popular Culture. He is also a member of the Board of Directors for CRIMCAST. His research has been published in such noted journals as The Prison Journal, Journal of Criminal Justice and Popular Culture, Race & Justice, and Women & Criminal Justice. Dr. Wilson's research has also been featured in a variety of media outlets including the New York Times, Pittsburgh Post-Gazette, Houston Chronicle, and Texas Tribune. "
Through a critical, transdisciplinary approach, Journalism and Crime offers a chronological interrogation of crime journalism from its first origins in 16th century print, to a transatlantic phenomenon in the 19th century and through to the complex networked digital spheres of the current day. This is the first book to historicise the development of journalism and crime together in relation to the people on both sides of the exchange. Taking a 470-year historical sweep, it tracks the cultural, political and social significance of crime journalism and its place as the longest sustained genre of media. It emphasises how crime journalism both reflects and drives shifts in media ownership, the priorities of profit, use of new technologies and legal and political governance. Written in an accessible style, this is essential reading for courses that consider the development and nature of journalism as well as supplementary reading for broader courses within journalism, communication, media studies, criminology, sociology and history.
The rise of mobile and social media means that everyday crime news is now more immediate, more visual, and more democratically produced than ever. Offering new and innovative ways of understanding the relationship between media and crime, Media and Crime in the U.S. critically examines the influence of media coverage of crimes on culture and identity in the United States and across the globe. With comprehensive coverage of the theories, research, and key issues, acclaimed author Yvonne Jewkes and award-winning professor Travis Linnemann have come together to shed light on some of the most troubling questions surrounding media and crime today. The free open-access Student Study site at study.sagepub.com/jewkesus features web quizzes, web resources, and more. Instructors, sign in at study.sagepub.com/jewkesus for additional resources!
Crime, Justice and the Media examines and analyses the relationship between the media and crime, criminals and the criminal justice system. This expanded and fully updated second edition considers how crime and criminals have been portrayed by the media through history, applying different theoretical perspectives to the way crime, criminals and justice are reported. The second edition of Crime, Justice and the Media focuses on the media representation of a range of different areas of crime and criminal justice, including: new media technology e.g. social network sites moral panics over specific crimes and criminals e.g. youth crime, cybercrime, paedophilia media portrayal of victims of crime and criminals how the media represent criminal justice agencies e.g. the police and prison service. This book offers a clear, accessible and comprehensive analysis of theoretical thinking on the relationship between the media, crime and criminal justice and a detailed examination of how crime, criminals and others involved in the criminal justice process are portrayed by the media. With exercises, questions and further reading in every chapter, this book encourages students to engage with and respond to the material presented, thereby developing a deeper understanding of the links between the media and criminality.