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An eighteen-year-old Marine records in his journal his experiences in Vietnam during the siege of Khe Sanh, 1967-1968. Includes a history of Vietnam, war timeline, glossary, and related military information.
An eighteen-year-old Marine records in his journal his experiences in Vietnam during the siege of Khe Sanh, 1967-1968, in a story that includes a history of Vietnam and related military information.
In 1968 Massachusetts, after her brother Patrick goes to fight in Vietnam, fifteen-year-old Molly records in her diary how she misses her brother, volunteers at a Veterans' Administration Hospital, and tries to make sense of the war in Vietnam and the tumultuous events in the United States. Includes historical notes.
A fierce, honest, elegant and often hilarious debunking of the great fallacies that drive modern medicine. By the award-winning author of The Way We Die Now. Seamus O'Mahony writes about the illusion of progress, the notion that more and more diseases can be 'conquered' ad infinitum. He punctures the idiocy of consumerism, the idea that healthcare can be endlessly adapted to the wishes of individuals. He excoriates the claims of Big Science, the spending of vast sums on research follies like the Human Genome Project. And he highlights one of the most dangerous errors of industrialized medicine: an over-reliance on metrics, and a neglect of things that can't easily be measured, like compassion. 'A deeply fascinating and rousing book' Mail on Sunday. 'What makes this book a delightful, if unsettling read, is not just O'Mahony's scholarly and witty prose, but also his brutal honesty' The Times.
Seamus is short, and from where he is standing, the world appears to be made for tall people. Seamus would give anything to be taller! One day, while playing dress-up in his mother’s closet, he finds a way to reach new heights. With his mother’s high-heeled shoes on, Seamus can suddenly reach everything that was once too high: the top-floor elevator button, the chocolate milk in the fridge, the TV remote and that horrid picture of him as a baby. But when Seamus encounters problems that can’t be solved from a great height, he has to admit that sometimes being small just isn’t so bad. Acclaimed picture book author Heather Hartt-Sussman brings a light touch to this nuanced story about acceptance, resourcefulness and love, complemented by the humor and beauty in Milan Pavlović’s colorful paintings of Seamus’s world — where there are times to be tall and times to be small. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.6 With prompting and support, name the author and illustrator of a story and define the role of each in telling the story. CCSS.ELA-LITERACY.RL.K.7 With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts). CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.4.2 Determine a theme of a story, drama, or poem from details in the text; summarize the text.
A masterpiece from one of the greatest poets of the century In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years--the golden bough, Charon's barge, the quest to meet the shade of the father." In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless--stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem."
The Vietnam War journal of Patrick Seamus Flaherty is now available in paperback, with an exciting repackaging!Determined to do his duty for his country, Patrick Seamus Flaherty joins the Marines right after graduation to fight in the Vietnam War. But Southeast Asia is a far cry from Patrick's hometown of Boston, and as soon as he arrives, he realizes that he's made a terrible mistake.Confronted with oppressive heat, dense jungles, and an enemy that is everywhere, Patrick is overwhelmed by life on the battlefield. With the help of his comrades, Patrick slowly starts to find a way to deal with the harsh realities he faces. But under constant assault by the North Vietnamese, Patrick isn't sure he'll ever make it home again, and as the months drag on, he and his unit question whether they're actually making a difference. Writing in the journal his father gave him before shipping out, Patrick brings Khe Sanh to vivid life through the smells, tastes, sounds, horrors, loneliness, and the friendships that are so much of the chaos called war.
A vivid and original account of one of Ireland’s greatest poets by an acclaimed Irish historian and literary biographer The most important Irish poet of the postwar era, Seamus Heaney rose to prominence as his native Northern Ireland descended into sectarian violence. A national figure at a time when nationality was deeply contested, Heaney also won international acclaim, culminating in the Nobel Prize for Literature in 1995. In On Seamus Heaney, leading Irish historian and literary critic R. F. Foster gives an incisive and eloquent account of the poet and his work against the background of a changing Ireland. Drawing on unpublished drafts and correspondence, Foster provides illuminating and personal interpretations of Heaney’s work. Though a deeply charismatic figure, Heaney refused to don the mantle of public spokesperson, and Foster identifies a deliberate evasiveness and creative ambiguity in his poetry. In this, and in Heaney’s evocation of a disappearing rural Ireland haunted by political violence, Foster finds parallels with the other towering figure of Irish poetry, W. B. Yeats. Foster also discusses Heaney’s cosmopolitanism, his support for dissident poets abroad, and his increasing focus in his later work on death and spiritual transcendence. Above all, Foster examines how Heaney created an extraordinary connection with an exceptionally wide readership, giving him an authority and power unique among contemporary writers. Combining a vivid account of Heaney’s life and a compelling reading of his entire oeuvre, On Seamus Heaney extends our understanding of the man as it enriches our appreciation of his poetry.
We have lost the ability to deal with death. Most of our friends and beloved relations will die in a busy hospital in the care of strangers, doctors and nurses they have known at best for a couple of weeks. They may not even know they are dying, victims of the kindly lie that there is still hope. They are unlikely to see even their family doctor in their final hours, robbed of their dignity and fed through a tube after a long series of excessive and hopeless medical interventions. This is the starting point of Seamus O'Mahoney's thoughtful, moving and unforgettable book on the western way of death. Dying has never been more public, with celebrities writing detailed memoirs of their illness, but in private we have done our best to banish all thought of dying and made a good death increasingly difficult to achieve.