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A union list of serials commencing publication after Dec. 31, 1949.
Study of the administration of John Briggs, 1785-1875, collector and political agent in Khandesh.
For at least 1500 years, temple design, construction and worship have followed the canon of the āgama-s. Shouldn't temple management also follow the āgama-s? Steeped in a history of more than two millennia, the real bequest of India's ancient temples is that they are still living sacred spaces. The gods that were invoked in these temples more than a thousand years ago, continue to reside in the sanctums and gaze benevolently upon their devotees. The bells ring for morning service as they did a thousand years ago. The ācārya waves the ārati just as another ācārya did a thousand years ago. No other organization in the world can boast of such amazing continuity. The secret to this longevity lies in the āgama-s. Āgama-s are the traditional canon believed to be as old as the Vedas, with detailed manuals on temple-building, consecration and ritual worship. While the world outside the temples - a world of kings and kingdoms - has changed, temples continue to follow the āgama-s in letter and spirit in their everyday religious function, notwithstanding the many changes in administrative formats. By studying the activities of the temple, material and manpower required, qualifications and roles prescribed for the temple professionals, this thesis attempts to reconstruct an āgamic temple management framework, using the Kāmikāgama as primary text with other āgama-s, secondary literature and inscriptional evidence as required.
Motilal Banarsidass, Delhi motilalbanarsidass.com, [email protected] The Matamata is a Vastusastra, i.e. a treatise on dwelling, and as such, it deals with all the facets of gods' and men's dwellings, from the choice of the site to the iconography of the temple walls. It contains numerous and precise descriptions of villages and towns as well as of temples, houses, mansions and palaces. It gives indications for the selection of proper orientation, correct dimensions, and appropriate materials. It intends to be a manual for the architect and a guidebook for the layman. Well thought of by traditional architects (sthapati-s) of South India, the treatise is of great interest at a time when technical traditions, in all fields, are being scrutinized for their possible modern application. The present bilingual edition prepared by Dr Bruno Dagens contains critically edited Sanskrit text which is an improvement over the earlier edition by the same scholar and published as No.40 of Publications de L'Institut Francaisd' Indologie, Pondicherry. The English translation, also published earlier, has now been revised with copious notes. The usefulness of the edition has been further enhanced by adding an analytical table of contents and a comprehensive glossary. In the series of Kalamulasastra early texts on music, namely, Matralaksanam, Dattilam and Brhaddest, have been published. The medieval texts on music, especially, the Sribastamuktavali (No.3 in the series) and the Nartananirnaya (No.17 in the series), bring us up to the 15th and 16th centuries. In the case of architecture, despite the IGNCA's endeavour to publish portions of the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana, first, this has not been possible. Instead, our scholars were able to complete work first on a late but important text, namely, Silparatnakosa. We hope that the sections on architecture in the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana which predate the medieval texts, will be published soon, along with revised and re-edited texts of Manasollasa and Aparajitaprccha. The Mayamatam is the fourteenth and fifteenth volume in the Kalamulasastra series of the Indira Gandhi National Centre for the Arts (IGNCA).