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Excerpt from Journal of the Common Council of the City of Philadelphia, for 1841-42: Beginning October 15th, 1841, and Ending September 29th, 1842; With an Appendix Assembled according to law, in the City Hall, at 11 o'clock, in the forenoon of this day, and then called Samuel Breck, Esq. To the Chair. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book begins the comparative study of U.S. urban development during the first half of the 19th century. Breathtaking in its comprehensiveness, its survey and comparisons of early urban politics is without parallel. The study is based on a thorough examination of fifteen cities—Albany, Baltimore, Boston, Brooklyn, Buffalo, Charleston, Cincinnati, Louisville, New Orleans, New York, Philadelphia, Pittsburgh, Providence, St. Louis, and Washington. This group of cities—the fifteen largest in 1850—provides a good mix of northern and southern, eastern and western, old and new, and fast- and slow-growing urban centers. This volume deals with the city as a corporate entity and contains chapters on urban governmental structures, government finance, politics and elections, urban political leadership, the city plan and city planning, intergovernmental relations, and urban mercantilism.
This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR