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Reading other peoples' love letters brings out the voyeur in most of us. These deeply personal communications have the power to make us blush or, at the very least, to let us observe a tender moment in the lives of others. With Love: Artists' Letters and Illustrated Notes, a selection of more than forty affectionate communiqués and rare photographs from the Smithsonian's Archives of American Art, provides a glimpse into the private affairs of some of our greatest creative minds, celebrating romantic and familial love, as well as friendship. This beautifully designed book is a treasury of love letters, illustrated poetry, collages, and drawings in various media from renowned talent such as Frida Kahlo, Ee ro Saarinen, Lee Krasner, and Gio Ponti. A separate section containing complete transcriptions of all the supplementary materials further enriches this fascinating, visually rich, and collectible volume.
From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists of supplies to get, lists of places to see, and lists of people who are "in." At times introspective, humorous, and resolute, but always revealing and engaging, Lists is a unique firsthand account of American cultural history that augments the personal biographies of some of the most celebrated and revered artists of thelast two centuries. Many of the lists are historically important, throwing a flood of light on a moment, movement, or event; others are private, providing an intimate view of an artist's personal life: Pablo Picasso itemized his recommendations for the Armory Show in 1912; architect Eero Saarinen enumerated the good qualities of the then New York Times art editor and critic Aline Bernstein, his second wife; sculptor Alexander Calder's address book reveals the whos who of the Parisian avant-garde in the early twentieth century. In the hands of their creators, these artifacts become works of art in and of themselves. Lists includes rarely seen specimens by Vito Acconci, Leo Castelli, Joseph Cornell, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, H. L. Mencken, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Clyfford Still, and Andrew Wyeth.
Robert Smithson (1938-1973), one of the most important artists of his generation, produced sculpture, drawings, photographs, films, and paintings in addition to the writings collected here.
"The exhibition is organized by the National Gallery of Art, Washington"--Colophon.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Asian American Art: A History, 1850-1970 is a first-ever survey exploring the lives and artistic production of artists of Asian Ancestry active in the United States before 1970, and features ten essays by leading scholars, biographies of more than 150 artists, and more than 400 reproductions of artwork and photographs of artists, together creating compelling narratives of this heretofore forgotten American art history.
Published in conjunction with the Smithsonian's Archives of American Art, this book provides insight to the work of American artists and their unique studio spaces. Over 100 photographs with letters and other primary source materials (notes, sketchbook pages, invitations, etc.) offer an intimate perspective on the work and studios of over 100 significant American artists from the late 19th century to the 1970s. ARTISTS IN THEIR STUDIOS shows the evolution of studio spaces and by extension the public/private personae of the artists. It also informs the public about the holdings of the Smithsonian's Archives and creates an awareness of the value of these primary sources as historical evidence.