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Local history in Britain can trace its origins back to the sixteenth century and before, but it was given inspiration and a new sense of direction in the 1950s and 60s by the work of W.G. Hoskins. This book marks the fiftieth anniversary of the publication of his Local history in England which was designed to help people researching the history of their own villages and towns. It is the result of a collaboration between academic historians in the Centre for English Local History at the University of Leicester, which Hoskins founded, and the British Association for Local History, an organisation that brings together the thousands of people who are not professional academics but who practise local history. Taking the work of Hoskins as a starting point, the contributors show how local history is being researched and written today. Fifteen historians write about a variety of local history subjects which are significant in their own right but which also point to current trends in the subject. They show how local historians use their sources systematically, from the non-verbal evidence of buildings to various types of electronic resources. All periods between the middle ages and the early twenty-first century are explored, as are many different parts of the country from Skye to the Kent coast. There are examples of local historians working on ethnic minorities, gender and the working class. Those who study localities use a variety of approaches, including those of social, economic, religious, legal, intellectual and cultural history, all of which are employed here. They are aware of the roots of their subject and examine the history of local history itself. Together, the editors and authors raise the various dilemmas which stimulate debates among local historians about the nature of the subject, its present health and the directions it will take in the next half century.
This ground-breaking volume brings together contributions from scholars across a range of disciplines (including literary studies, history, geography and archaeology) to investigate questions of space, place and identity in the medieval city. Using Chester as a case study – with attention to its location on the border between England and Wales, its rich multi-lingual culture and surviving material fabric – the essays seek to recover the experience and understanding of the urban space by individuals and groups within the medieval city, and to offer new readings from the vantage-point of twenty-first century disciplinary and theoretical perspectives. The volume includes new interpretations of well-known sources and features such as the Chester Whistun Plays and the city’s Rows and walls, but also includes discussions of less-studied material such as Lucian’s In Praise of Chester – one of the earliest examples of urban encomium from England and an important text for understanding the medieval city – and the wealth of medieval Welsh poetry relating to Chester. Certain key themes emerge across the essays within this volume, including relations between the Welsh and English, formulations of centre and periphery, nation and region, different kinds of ‘mapping’ and the visual and textual representation of place, borders and boundaries, uses of the past in the production of identity, and the connections between discourses of gender and space. The volume seeks to generate conversation and debate amongst scholars of different disciplines, working across different locations and periods, and to open up directions for future work on space, place and identity in the medieval city.
The dissolution of the monasteries in England during the 1530s began a turbulent period of religious restructuring. Focusing on the counties of Wiltshire and Cheshire, Guinn-Chipman looks at the changing nature of religion over the next two centuries.
A study of Sir Gawain and the Green Knight from the perspective of the poetry, landscape, and politics of late thirteenth- and fourteenth-century Wales and the Welsh March.
The first systematic study of the financing and management of parish church construction in England in the Middle Ages.
This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship complement and support the work of the well-known Records of Early English Drama project and help to further illuminate contemporary fifteenth and early sixteenth-century theatre performance practice.