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The peoples of Sri Lanka have participated in far-flung trading networks, religious formations, and Asian and European empires for millennia. This interdisciplinary volume sets out to draw Sri Lanka into the field of Asian and Global History by showing how the latest wave of scholarship has explored the island as a ‘crossroads’, a place defined by its openness to movement across the Indian Ocean.Experts in the history, archaeology, literature and art of the island from c.500 BCE to c.1850 CE use Lankan material to explore a number of pressing scholarly debates. They address these matters from their varied disciplinary perspectives and diverse array of sources, critically assessing concepts such as ethnicity, cosmopolitanism and localisation, and elucidating the subtle ways in which the foreign may be resisted and embraced at the same time. The individual chapters, and the volume as a whole, are a welcome addition to the history and historiography of Sri Lanka, as well as studies of the Indian Ocean region, kingship, colonialism, imperialism, and early modernity.
The book, in the words of the author, is his attempt to fulfill a long felt want of a complete, yet concise, account of the Dutch occupation of Ceylon 1640 to 1796. It is essentially a history of the Dutch people who came to the island, among which are included Joris van Spilbergan, Sebald de Weerd, Coster, Boreel, Francois Caron Maatzuyketo, Thysz, Kittensteyn, Van der Meiden, Hulft, etc. Through out the book valuable information is given about the political conditions and about the Dutch interactions with the Singhalese. Details of treaties and skirmishes are provided. The Dutch engagements with the Portuguese are also noticed. The book has a map of Ceylon and 12 other illustrations that portray key fingers and events.The book is a reprint of the 1929 edition.
James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or "story" is written in a lively and accessible style and draws on a range of contemporary performance theories.
From the intense and brooding Magellan and the glamorous and dashing Sir Francis Drake; to Thomas Cavendish, who set off to plunder Spain’s American gold and the Dutch circumnavigators, whose numbers included pirates as well as explorers and merchants, Robert Silverberg captures the adventures and seafaring exploits of a bygone era. Over the course of a century, European circumnavigators in small ships charted the coast of the New World and explored the Pacific Ocean. Characterized by fierce nationalism, competitiveness, and bloodshed, The Longest Voyage: Circumnavigators in the Age of Discovery captures the drama, danger, and personalities in the colorful story of the first voyages around the world. These accounts begin with Magellan’s unprecedented 1519–22 circumnavigation, providing an immediate, exciting, and intimate glimpse into that historic venture. The story includes frequent threats of mutiny; the nearly unendurable extremes of heat, cold, hunger, thirst, and fatigue; the fear, tedium, and moments of despair; the discoveries of exotic new peoples and strange new lands; and, finally, Magellan’s own dramatic death during a fanatical attempt to convert native Philippine islanders to Christianity. Capturing the total context of political climate and historical change that made the Age of Discovery one of excitement and drama, Silverberg brings a motley crew of early ocean explorers vividly to life.