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What is the modern in Southeast Asia's architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia's modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power. Challenging Eurocentric ideas and architectural nomenclature, the authors examine the development of modern architecture in Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam, with a focus on selective translation and strategic appropriation of imported ideas and practices by local architects and builders. The book transforms our understandings of the region's modern architecture by moving beyond a consideration of architecture as an aesthetic artifact and instead examining its entanglement with different dynamics of power.
British artists and commentators in the late 18th and early 19th century encoded the twin aspirations of progress and power in images and descriptions of Southeast Asia’s ruined Hindu and Buddhist candi, pagodas, wats and monuments. To the British eye, images of the remains of past civilisations allowed, indeed stimulated, philosophical meditations on the rise and decline of entire empires. Ruins were witnesses to the fall, humbling and disturbingly prophetic prompts to speculation on imperial failure, and the remains of the Buddhist and Hindu monuments scattered across Southeast Asia proved no exception. This important study of a highly appealing but relatively neglected body of work adds multiple dimensions to the history of art and image production in Britain of the period, showing how the anxieties of empire were encoded in the genre of landscape paintings and prints.
Does Architecture Shape the City or Vice Versa? Architecture is a visual object that most strongly shape the face of any city. And in this 3 volume, Archinesia trying to discusses cities in their relation to architecture with seven urban experts to give an answer about the architecture of Jakarta. Completed with written interview with Syed Sobri Zubir (associate professor at Universiti Teknologi MARA (UTM) Malaysia, to gain a clearer perspective of this edition’s main topic “Does Architecture Shape the City or Vice Versa?”; Current Project From Southest Asia : Andra Matin DCM Jakarta Indra Tata Adilaras Wilkinson Eyre Architects DP Architects Ong & Ong Singapore Bangkok Project Company Limited Openbox / Thailand Vo Trong Nghia / Vietnam a21 Studio / Vietnam Moh Hack & Partner / Brunai
This book deals with the technical, artistic and architectural aspects of the Hindu and Buddhist monuments from the beginning until today in Southeast Asia.
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
The Living House is a pioneering work by respected anthropologist Roxana Waterson that has become a classic in its field. It is first book of its kind to present a detailed picture of houses within the complex social and symbolic fabric of indigenous South-East Asian peoples. The main focus of the book is on Indonesia, but in tracing historical links between architectural forms across the region, it reveals a much wider field of inquiry--covering all of the Austronesian peoples and cultures extending as far afield as Madagascar, Japan and the Pacific islands to New Zealand and Hawaii. As it probes the centrally significant role of houses within South-East Asian social systems, The Living House reveals new insights into the kinship systems, gender symbolism and cosmological principles of the peoples who build them, ultimately uncovering fundamental themes concerning the concepts of life force and life processes inherent in all of these cultures. A vivid picture is produced of how people shape buildings and buildings shape people--how rules about layout and spatial usage impact social relationships. The book concludes with a consideration of present-day changes affecting the fates of indigenous cultures and architectures throughout the region. This book will be of tremendous interest to architects and historians, and anyone interested in the indigenous art and cultures of South-East Asia.
This book lies at the crossroads of areal typology, language contact and genetic affiliation. Concerned with mainland Southeast Asia in particular, the various grammatical sketches lay emphasis on characteristics shared by unrelated languages.
Mainland Southeast Asia is one of the most fascinating and complex cultural and linguistic areas in the world. This book provides a rich and comprehensive survey of the history and core systems and subsystems of the languages of this fascinating region. Drawing on his depth of expertise in mainland Southeast Asia, Enfield includes more than a thousand data examples from over a hundred languages from Cambodia, China, Laos, Malaysia, Myanmar, Thailand, and Vietnam, bringing together a wealth of data and analysis that has not previously been available in one place. Chapters cover the many ways in which these languages both resemble each other, and differ from each other, and the diversity of the area's languages is highlighted, with a special emphasis on minority languages, which outnumber the national languages by nearly a hundred to one. The result is an authoritative treatment of a fascinating and important linguistic area.