Download Free Journal Of Nepalese Literature Art And Culture Book in PDF and EPUB Free Download. You can read online Journal Of Nepalese Literature Art And Culture and write the review.

On Nepalese language, literature, art, culture, history, and society.
Anthology of poems, short stories, extract from novels, one-act plays, and essays by various authors; covers the period 19th-20th century.
Tibetan Borderlands examines modern culture and recent history of the varied lands surrounding the Tibetan plateau. These include Ladakh, Northern India, Nepal, Sikkim, Bhutan, Northern Burma, and China.
This monograph is a grammar of Thangmi, an endangered Tibeto-Burman language spoken in the districts of Dolakha and Sindhupalcok in central-eastern Nepal. The language is spoken by upwards of 30,000 people belonging to an ethnic group of the same name. The Thangmi are one of Nepal’s least documented communities. These two volumes include a grammatical description of the Dolakha dialect of Thangmi, a collection of glossed oral texts and a comprehensive lexicon with relevant examples. In addition, the reader will find an extensive ethnolinguistic introduction to the speakers and their culture. For students and scholars of anthropology and linguistics, this study is a compelling illustration of the interweaving of these disciplines in the context of Himalayan studies. With financial support of the International Institute for Asian Studies (www.iias.nl).
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
Mary Slusser's work on the history of the art and culture of Nepal is marked by a series of discoveries and critical reassessments that have advanced our comprehension of this extraordinarily rich culture and art in a revolutionary way. In The Antiquity of Nepalese Wood Carving, Dr. Slusser drastically revises our perception of the marvelous wooden sculpture of the Kathmandu Valley.--Previously considered to be no earlier than the thirteenth century, the earliest of these wooden masterpieces have now been clearly demonstrated to date from the sixth or seventh century, the time of the Licchavis, lords of Nepal from about 300 to 850. Slusser has used an important scientific tool, radiocarbon dating, to help realign -- and correct -- our overly conservative accepted perceptions of the antiquity of Nepalese wood sculpture. The book is bolstered by the meticulous and painstaking research and documentation that are among the hallmarks of Slusser's works. It is also enriched by her extraordinary photographic archive. Beautiful struts and architectural details that have long been missing from the sites where Slusser first saw them are shown once again in situ in this work, and new photographs, largely the work of Neil Greentree, reveal a wealth of previously unsuspected detail. Also included is an essay by Paul Jett that is both a brief explanation of the science of radiocarbon testing and a validation of the revised dating of Nepalese wood carving proposed in the study.--Mary Shepherd Slusser is the author of an authoritative history of the culture of the Kathmandu Valley, Nepal Mandala. --Paul Jett is director of conservation and scientific research at the Freer/Sackler Gallery, Smithsonian Institution.-
The period between 1920 and 1950 saw an epochal shift in the American cultural economy. The shocks of the 1929 market crash and the Second World War decimated much of the support for high modernist literature, and writers who had relied on wealthy benefactors were forced to find new protectors from the depredations of the free market. Private foundations, universities, and government organizations began to fund the arts, and in this environment writers were increasingly obliged to become critics, elucidating and justifying their work to an audience of elite administrators. In Poet-Critics and the Administration of Culture, Evan Kindley recognizes the major role modernist poet-critics played in the transition from aristocratic patronage to technocratic cultural administration. Poet-critics developed extensive ties to a network of bureaucratic institutions and established dual artistic and intellectual identities to appeal to the kind of audiences and entities that might support their work. Kindley focuses on Anglo-American poet-critics including T. S. Eliot, Marianne Moore, W. H. Auden, Archibald MacLeish, Sterling A. Brown, and R. P. Blackmur. These artists grappled with the task of being “village explainers” (as Gertrude Stein described Ezra Pound) and legitimizing literature for public funding and consumption. Modernism, Kindley shows, created a different form of labor for writers to perform and gave them an unprecedented say over the administration of contemporary culture. The consequences for our understanding of poetry and its place in our culture are still felt widely today.