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Reprint of the original, first published in 1874.
The author of On the Other Side of Sorrow gives a detailed account of the causes and effects of the Scottish potato famine that began in 1846. When Scotland’s 1846 potato crop was wiped out by blight, the country was plunged into crisis. In the Hebrides and the West Highlands, a huge relief effort came too late to prevent starvation and death. Farther east, meanwhile, towns and villages from Aberdeen to Wick and Thurso protested the cost of the oatmeal that replaced potatoes as the people’s basic foodstuff. Oatmeal’s soaring price was blamed on the export of grain by farmers and landlords cashing in on even higher prices elsewhere. As a bitter winter gripped and families feared a repeat of the calamitous famine then ravaging Ireland, grain carts were seized, ships boarded, harbors blockaded, a jail forced open, and the military confronted. The army fired on one set of rioters. Savage sentences were imposed on others. But crowds of thousands also gained key concessions. Above all they won cheaper food. Those dramatic events have long been ignored or forgotten. Now, in James Hunter, they have their historian. The story he tells is, by turns, moving, anger-making, and inspiring. In an era of food banks and growing poverty, it is also very timely. Praise for Insurrection “Hunter never forgets that history is first of all narrative—and this book is rich in stories—or that is subject is the experience of individual men and women, creatures of flesh and blood, not abstractions. Insurrection is fascinating reading, both painful and uplifting.” —Allan Massie, the Scotsman (UK)
Robert Burns in Global Culture is a collection which breaks new ground in treating Burns' poetry and influence in an international context. Widely recognized as poet of global significance in the nineteenth century, Burns' reputation has suffered from the critical turns in Romanticism since 1945 and is only now beginning to be seen in its proper context. Following on from the celebrations across the world to mark Burns' 250th anniversary in 2009, this collection asks questions concerning the nature of Burns' global influence in the United States, Europe and the Commonwealth, examines the extraordinary ways in which his writing combines a distinctively progressive agenda with deceptively traditional styles, and emplaces his reputation at the heart of questions of American exceptionalism, European democracy, British imperial identities, Italian politics, French literary history, questions of desire and sexuality, the Burns Supper and the extraordinary cult of Burns statues. 'Robert Burns in Global Culture' combines literary criticism, history, cultural theory and comparative literature to create a set of powerful, new and unique directions in the study of this major Romantic poet.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
In late 1804, William Blackwood established a small publishing and bookselling firm in Edinburgh. Over the next 175 years, William Blackwood & Sons became one of the leading publishers in Britain, enjoying both local and international success. Early on it championed the works of Scottish writers, and later gained acclaim as the publisher of G.W. Steevens, George Eliot, Charles Whibley, and Joseph Conrad. Its political influence was also widespread; in 1817 it founded the monthly Blackwood's Magazine, which featured literary, critical, political, and journalistic commentary and analysis, and was a powerful force in British conservative politics. Two hundred years after the founding of this significant influence on British literary, political, and social history, this collection of essays reappraises the place of the Blackwood firm and its magazine in literary and print culture history. Editor David Finkelstein brings together an array of eminent scholars and critics from the US, Canada, Scandinavia, and the UK to examine Blackwoods from a variety of interdisciplinary perspectives. The resulting collection covers an impressive range of subject areas, including Romantic and Victorian literature, print culture, media history, and New Journalism.
First published in 1982, A History of the Highland Clearances looks at the forcible clearance of tenants from land they had farmed for centuries by landlords in the Highlands of Scotland in the early nineteenth century. It examines the general context of historical change, provides a full narrative of the clearances and offers a critical evaluation of the documentary sources upon which the entire story depends. By placing his subject in its historical perspective and into the context of the rest of Britain and Europe, Eric Richards vividly illustrates the realities of the Highland experience in the age of the clearances.