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Winner of the 2011 PEN Translation Prize A collection of autobiographical essays by one of the greatest poets to come from Palestine. Indispensable reading for anyone interested in the roots and ramifications of the Israeli and Palestinian conflict. Muhawi's own prose and meticulous footnotes are impeccable. An inspired and scholarly piece of research. —Words Without Borders “Every beautiful poem is an act of resistance,” writes Mahmoud Darwish. In these probing essays, Darwish, a voice of the Palestinian people and one of the most transcendent poets of his generation, interrogates the experience of occupation and the meaning of liberation. Calling upon myth, memory, and language, these essays delve into the poet’s experience of house arrest, his encounters with Israeli interrogators, and the periods he spent in prison. Meditative, lyrical, and rhythmic—Darwish gives absence a vital presence in these linked essays. Journal is a moving and intimate account of the loss of homeland and, for many, of life inside the porous walls of occupation—no ordinary grief.
"Darwish is the premier poetic voice of the Palestinian people . . . lyrical, imagistic, plaintive, haunting, always passionate, and elegant—and never anything less than free—what he would dream for all his people." — Naomi Shihab Nye "Catherine Cobham's translations sway delicately between mystery and clarity, giving a rendition of the master's voice that should impress both those reading Darwish's work for the first time and those who are already familiar with it." — Fady Joudah, The Guardian This remarkable collection of poems, meditations, fragments, and journal entries was Mahmoud Darwish’s last volume to come out in Arabic. River is at once lyrical and philosophical, questioning and wise—full of irony, resistance, and play. Darwish’s musings on unrest and loss dwell on love and humanity; in the pages of River, myth and dream are inseparable from truth. Throughout this personal collection, Darwish returns frequently to his ongoing (and often lighthearted) conversation with death, warning that “eternity does not visit graves and loves to joke.”
The classic guide for dealing with grief and loss. Daily reflections to find solace in our own lives, and comfort in the connection of sharing these meditations with countless others. After the focus on planning and outpouring of love from family and friends in the immediate aftermath following the loss of a loved one, we are left to enter a new version of our lives where someone important is missing. For days, months, years, the pain of the loss can crash in all at once. It is tempting to push that wave of grief back and soldier on with our new lives, but the loss will never lose its controlling power if we don’t find the courage and love to face it. Meditating on the loss, along with the rush of love that comes with it, gives us a chance to rejoice in the life that was shared, and to look forward in which memories of our loved ones continue to bless us. The short, poignant meditations given here follow the course of the year, but it is not a necessity to follow them chronologically. They will strengthen, inspire, and give comfort for as long as they are needed.
Winner of the 2012 National Translation Award “What Sinan [Antoon] has done with In the Presence of Absence is a kind of miraculous work of dedication and love. Reading this volume is sheer enjoyment and sublimity.” —Saadi Yousef “There are two maps of Palestine that politicians will never manage to forfeit: the one kept in the memories of Palestinian refugees, and that which is drawn by Darwish’s poetry.” —Anton Shammas One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish’s self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Through these lyrical meditations on love, longing, Palestine, history, friendship, family, and the ongoing conversation between life and death, the poet bids himself and his readers a poignant farewell.
Mahmoud Darwish is one of the greatest poets of our time. In his poetry Palestine becomes the map of the human soul. — Elias Khoury The book tugs at the reader’s heart page after page, poem after poem, line after line, you cannot remain apathetic for a moment… —Haaretz At once an intimate autobiography and a collective memory of the Palestinian people, Darwish’s intertwined poems are collective cries, songs, and glimpses of the human condition. Why Did You Leave the Horse Alone? is a poetry of myth and history, of exile and suspended time, of an identity bound to his displaced people and to the rich Arabic language. Darwish’s poems – specific and symbolic, simple and profound – are historical glimpses, existential queries, chants of pain and injustice of a people separated from their land.
Mahmoud Darwish (1942–2008), recipient of France’s Knight of Arts and Belles Lettres medal, the Lotus Prize, and the Lannan Foundation Prize for Cultural Freedom, is widely considered Palestine’s most eminent poet. State of Siege was written while the poet himself was under siege in Ramallah during the Israeli invasion of 2002. An eloquent and impassioned response to political extremity, the collection was published to great acclaim in the Arab world. Munir Akash’s translation, including an introduction exploring the rich mythology of these poems, presents the first book-length, bilingual edition of State of Siege to an English audience.
Winner of the PEN USA Literary Award for Translation Mahmoud Darwish was that rare literary phenomenon: a poet both acclaimed by critics as one of the most important poets in the Arab world and beloved by his readers. His language—lyrical and tender—helped to transform modern Arabic poetry into a living metaphor for the universal experiences of exile, loss, and identity. The poems in this collection, constructed from the cadence and imagery of the Palestinian struggle, shift between the most intimate individual experience and the burdens of history and collective memory. Brilliantly translated by Fady Joudah, If I Were Another—which collects the greatest epic works of Darwish's mature years—is a powerful yet elegant work by a master poet and demonstrates why Darwish was one of the most celebrated poets of his time and was hailed as the voice and conscience of an entire people.
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Foreword; Introduction; Memory for Forgetfulness.
"The most celebrated writer of verse in the Arab world." –Adam Shatz, The New York Times Poetry from former national poet of Palestine, illustrated by original drawings by John Berger Mahmoud Darwish was the Palestinian national poet. One of the greatest poets of the last half century, his work evokes the loss of his homeland and is suffused with the pain of dispossession and exile. His poems display a brilliant acuity, a passion for and openness to the world and, above all, a deep and abiding humanity. Here, his close friends John Berger and Rema Hammami present a beautiful new translation of two of Darwish’s later works. Illustrated with original drawings by John Berger, Mural is a testimony to one of the most important and powerful poets of our age.
Looking back at a tragic event that occurred during his thirteenth year, Frank Drum explores how a complicated web of secrets, adultery, and betrayal shattered his Methodist family and their small 1961 Minnesota community.