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Excerpt from Journal of a Tour and Residence in Great Britain, Vol. 1: During the Years 1810 and 1811 The Journal was written in English, because the things and persons the traveller saw were best described'in thelanguage of the country, which is become familiar to, hirn by long habit. It was seen inuengland bat-a few friends, who read partsofitwith interest, and, for the first time in his life, .the idm entered his mind of writing a book! He does not mmto throw anyrespon sibility on his friends; none of them pressed him to publish; he did notyicld todacirsolicitafim. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Journal of a Tour and Residence in Great Britain, Vol. 1: During the Years 1810 and 1811 This Journal was originally written in English, nearly as it now appears; but being intended chiefly for the benefit of my countrymen, it was fully prepared for publication in French; when it was suggested to me, that, as it could not at that time have been printed on the Continent, if it had any success at all in this country, it would be translated immediately, and, in all likelihood, very wretchedly, and that I had better undertake the task myself, having, in fact, the materials ready. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A travelogue of Great Britain during 1810 and 1811, with observations and commentary on the country's art, literature, politics, and people, as seen and experienced by the author, L. Simond. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.