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Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This volume includes sources relating to a range of social and cultural contexts, including the proliferation of natural history crazes (ferns, aquaria, orchids, etc); debates about the social and environmental impacts of changing land use in town and country; debates about demographics, population, and resources inspired by Thomas Malthus; attempts to preserve landscapes (e.g., The Commons Preservation Society), debates about hunger, poverty, and disease in the countryside, particularly during the ‘Hungry Forties’, and relating to the Captain Swing and Chartist disturbances; the rise of land Utopianism and rural Utopian community projects; the rise of new forms of rural leisure; aesthetic engagements with rural enviroments and new world travel; and debates about pollution (especially water pollution). The volume will also turn to a range of literary sources from the period prior to 1858 to illustrate the ways in which changing attitudes to environments emerged in fiction. These include extracts from Dickens’s early works, the hunting novels of R. S. Surtees, the social novels of Harriet Martineau, Charlotte Tonna, Charles Kingsley and Margaret Oliphant, John Ruskin’s environmental fairytale, ‘The King of the Golden River’, chartist fiction, Victorian children’s fiction, and adventure novels.
What does the love between British imperialists and their Asian male partners reveal about orientalism's social origins? To answer this question, Humberto Garcia focuses on westward-bound Central and South Asian travel writers who have long been forgotten or dismissed by scholars. This bias has obscured how Joseph Emin, Sake Dean Mahomet, Shaykh I'tesamuddin, Abu Talib Khan, Abul Hassan Khan, Yusuf Khan Kambalposh, and Lutfullah Khan found in their conviviality with Englishwomen and men a strategy for inhabiting a critical agency that appropriated various media to make Europe commensurate with Asia. Drama, dance, masquerades, visual art, museum exhibits, music, postal letters, and newsprint inspired these genteel men to recalibrate Persianate ways of behaving and knowing. Their cosmopolitanisms offer a unique window on an enchanted third space between empires in which Europe was peripheral to Islamic Indo-Eurasia. Encrypted in their mediated homosocial intimacies is a queer history of orientalist mimic men under the spell of a powerful Persian manhood.