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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.
The United Kingdom is weakening, and this book helps to explain why. Alvin Jackson examines the UK in the light of the experience of similar union states elsewhere, offering the first sustained comparative study across the long nineteenth century and beyond. The UK was not in fact the only self-styled 'united kingdom' of the time: Jackson argues strikingly and originally that Britain exported the idea of union through the advocacy or encouragement of other multinational united kingdoms at the beginning of the nineteenth century. The work is distinctive in its geographical breadth. Jackson draws together the histories of Ireland, Scotland, Wales, and England and explores the links between them and Sweden-Norway, the United Netherlands, Austria-Hungary and the United Canadas - and many other polities across the globe. United Kingdoms looks too at the institutions and agencies affecting the condition of union - from monarchy, aristocracy, and religion through to class, money, and violence. Jackson offers new overarching arguments about the origins, survival, and fall of all union states, and in doing so, sheds new light on the particular history, condition, and fate of the UK.