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The later diaries of Eliza Frances Andrews, an upper-class Southern woman whose earlier diaries have already been published as The Wartime Journal of a Georgia Girl: 1864-1865. Covering the period 1870-1872, the diaries cover her trip to New Jersey to visit Northern relatives and the beginnings of her first novel, ending with her mother's death. Annotation copyrighted by Book News, Inc., Portland, OR
This first of two volumes extends from the founding of the colony of Georgia in 1733 up to the Progressive era. From the beginning, Georgia women were instrumental in shaping the state, yet most histories minimize their contributions. The essays in this volume include women of many ethnicities and classes who played an important role in Georgia’s history. Though sources for understanding the lives of women in Georgia during the colonial period are scarce, the early essays profile Mary Musgrove, an important player in the relations between the Creek nation and the British Crown, and the loyalist Elizabeth Johnston, who left Georgia for Nova Scotia in 1806. Another essay examines the near-mythical quality of the American Revolution-era accounts of "Georgia's War Woman," Nancy Hart. The later essays are multifaceted in their examination of the way different women experienced Georgia's antebellum social and political life, the tumult of the Civil War, and the lingering consequences of both the conflict itself and Emancipation. After the war, both necessity and opportunity changed women's lives, as educated white women like Eliza Andrews established or taught in schools and as African American women like Lucy Craft Laney, who later founded the Haines Institute, attended school for the first time. Georgia Women also profiles reform-minded women like Mary Latimer McLendon, Rebecca Latimer Felton, Mildred Rutherford, Nellie Peters Black, and Martha Berry, who worked tirelessly for causes ranging from temperance to suffrage to education. The stories of the women portrayed in this volume provide valuable glimpses into the lives and experiences of all Georgia women during the first century and a half of the state's existence. Historical figures include: Mary Musgrove Nancy Hart Elizabeth Lichtenstein Johnston Ellen Craft Fanny Kemble Frances Butler Leigh Susie King Taylor Eliza Frances Andrews Amanda America Dickson Mary Ann Harris Gay Rebecca Latimer Felton Mary Latimer McLendon Mildred Lewis Rutherford Nellie Peters Black Lucy Craft Laney Martha Berry Corra Harris Juliette Gordon Low
This impressively researched book tells the important but little-known story of elite southern white women's successful quest for a measure of self-reliance and independence between antebellum strictures and the restored patriarchy of Jim Crow. Profusely illustrated with the experiences of fascinating women in Virginia and North Carolina, it presents a compelling new chapter in the history of American women and of the South. As were many ideas, notions of the ideal woman were in flux after the Civil War. While poverty added a harder edge to the search for a good marriage among some "southern belles," other privileged white women forged identities that challenged the belle model altogether. Their private and public writings from the 1870s and 1880s suggest a widespread ethic of autonomy. Sometimes that meant increased domestic skills born of the new reality of fewer servants. But women also owned and transmitted property, worked for pay, and even pursued long-term careers. Many found a voice in a plethora of new voluntary organizations, and some southern women attained national celebrity in the literary world, creating strong and capable heroines and mirroring an evolving view toward northern society. Yet even as elite southern women experimented with their roles, external forces and contradictions within their position were making their unprecedented attitudes and achievements socially untenable. During the 1890s, however, virulent racism and pressures to re-create a mythic South left these women caught between the revived image of the southern belle and the emerging emancipated woman. Just as the memoirs of southern white women have been key to understanding life during the Civil War, the writings of such women unlock the years of dramatic change that followed. Informed by myriad primary documents, Jane Turner Censer immerses us in the world of postwar southern women as they rethought and rebuilt themselves, their families, and their region during a brief but important period of relative freedom.
This four-volume reference is intended for high school students and above, as well as the general public. The first volume opens with introductory essays on the history of feminism; on women in various eras (from early America through World War II and postwar eras); and on women's history in terms of political participation and social activism, race and ethnicity, and cultural representation. These essays are signed and include references. Following are alphabetically arranged state articles, each opening with a literary quote (by a woman) and comprising a narrative history supplemented with boxed features spotlighting events, people, and trends; a timeline; a biographical section on prominent women; a description of relevant sites; resources; a state map; primary document excerpts; and a chart of key statistical information. Appendices include a chronology, primary documents, statistical tables, and an extensive general bibliography. Numerous scholars contributed, working under the editorial leadership of Weatherford (U. of South Florida). Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).
For years, Bella's never felt like she quite belonged in her family. Her Mother and Step-Daddy love her like nothing else, yet still, she cannot pin-point a source or explanation for her feelings. A sordid, accidental encounter with her Step-Daddy kick-starts a series of events that explain who Bella really is, and exactly why she feels the way she does. A desperate plea from her Mommy pushes the whole family closer together in unimaginable ways as each gives way to temptation, lust and love as they strive to stick together in spite of Bella's shocking realization. Warning: This 6,000+ word story contains explicit scenes of psuedo-incest, a hot Mommy-Daddy-Daughter threesome and steamy depictions of breeding. A story you won't soon forget. Strictly Adults Only. -Read An Excerpt- "Can I see it again, Daddy?" I asked, sat on the edge of the bed, hands on my knees, braced to sample the view once more and unable to contain my excitement. He opened his towel at the back and stretched it across his midriff, teasing me and enjoying it too by the looks of it. I was so excited I was almost wriggling as he pulled the towel taut to his waist, running it left and right across the outline of his fat cock and watching my face fill with glee. Then slowly he dragged it down himself, revealing his short pubic hair and then the beginnings of his thick shaft, looking wider now and strained downwards. I swallowed nervously as his cock sprang free, hungry for it and salivating as I watched him grip it in his hand whilst the towel dropped to the floor, pumping slowly along his length. I opened my legs and continued where I'd left off, circling my finger over my stiff clit and gazing at my Step-Daddy's big cock. We stayed a little away from each other at first, as if silently confirming that this was as risqué as we were going to get. I'd watch my Daddy's stiff cock as he worked it and he'd stare as I coaxed the juices out of my pussy and that would be that. Pretty soon though, we both realized mutual masturbation would not quench our thirst for each other. It simply wasn't enough. It was like staring at a dessert: After a while, you begin to wonder what it tastes like. My Daddy approached me as I sat on the bed, pumping his cock as he walked purposefully towards me. When he was close enough, I took my hand from my moist groove and wrapped it around his length, feeling the hot flesh in my midst for the first time and marveling at it as I held it close to my face.
From the award-winning author of Dressing Up, a riveting and diverse history of women’s hair that reestablishes the cultural power of hairdressing in nineteenth-century America. In the nineteenth century, the complex cultural meaning of hair was not only significant, but it could also impact one’s place in society. After the Civil War, hairdressing was also a growing profession and the hair industry a mainstay of local, national, and international commerce. In Beyond Vanity, Elizabeth Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the hair industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. As Block clarifies, hairdressing was anything but frivolous. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair acted. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation places of parties, fairs, stages, and workplaces. Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles like the pompadour and Gibson Girl bouffant. Block’s ground-breaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of the cultural power of hair in the period.
Representing the work of more than 100 scholars, this book treats in depth all aspects of the previously untold story of women in the Civil War.
Originally published as: Reminiscences of an old Georgia lawyer. Atlanta, Ga.: Franklin Steam Print. House, 1870. With new introd.