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From the cult favorite Buffy the Vampire Slayer, which netted four million viewers per episode, to the summer blockbuster The Avengers, which amassed a box office of $1.5 billion, Joss Whedon has made a name for himself in Hollywood for his penchant for telling meaningful, personal tales about love, death, and redemption even against the most dramatic and larger-than-life backdrops. This biography follows his development from a creative child and teenager who spent years away from his family at an elite English public school, through his early successes—which often turned into frustrating heartbreak in both television (Roseanne) and film (Buffy the Vampire Slayer)—to his breakout turn as the creator, writer, and director of the Buffy television series. Extensive, original interviews with Whedon's family, friends, collaborators, and stars—and with the man himself—offer candid, behind-the-scenes accounts of the making of groundbreaking series such as Buffy, Angel, Firefly, and Dollhouse, as well as new stories about his work with Pixar writers and animators during the creation of Toy Story. Most importantly, however, these conversations present an intimate and revealing portrait of a man whose creativity and storytelling ability have manifested themselves in comics, online media, television, and film.
No recent television creator has generated more critical, scholarly, and popular discussion or acquired as devoted a cult following as Joss Whedon (b. 1964). No fewer than thirty books concerned with his work have now been published, and ten international conferences on his work have convened in the U.K., the United States, Australia, and Turkey. Fitting then that this first volume in University Press of Mississippi's Television Conversations Series is devoted to the writer, director, and showrunner who has delivered Buffy the Vampire Slayer (The WB, 1997–2001; UPN, 2001–3), Angel (The WB, 1999–2004), Firefly (2002), Dr. Horrible's Sing-Along Blog (Webcast, 2008), and Dollhouse (FOX, 2009-10). If Whedon has shown himself to be a virtuoso screenwriter/script-doctor, director, comic book author, and librettist, he is as well a masterful conversationalist. As a DVD commentator, for example, the consistently hilarious, reliably insightful, frequently moving Whedon has few rivals. In his many interviews he likewise shines. Whether answering a hundred rapid-fire, mostly silly questions from fans on the Internet, fielding serious inquiries about his craft and career from television colleagues, or assessing his disappointments, Whedon seldom fails to provoke laughter and reflection.
THE ESSENTIAL UNOFFICIAL GUIDE TO THE WHEDONVERSE Joss Whedon's importance in contemporary pop culture can hardly be overstated, but there has never been a book providing a comprehensive survey of his career as a whole - until now. The Complete Companion covers every aspect of the Whedonverse through insightful essays and interviews, including fascinating conversations with key collaborators Jane Espenson and Tim Minear. Over 40 contributors have been brought together by PopMatters, the acclaimed international magazine of cultural criticism, to provide an irresistible mix of analysis, interpretation and sheer celebration. Whether you're a student looking for critical approaches to Buffy the Vampire Slayer, or a Browncoat who follows Nathan Fillion on Twitter (or, let's face it, both) there is plenty here to enjoy. Covers all the TV series, movies, and comic books, including: Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, Dr. Horrible's Sing-Along Blog, Fray, Astonishing X-Men, The Avengers... and more!
A comprehensive analysis of Whedon's role in shaping the twenty-first-century TV landscape, featuring unique access to drafts of scripts and other source material. The book offers both detailed assessments of individual episodes and overarching histories of production. An essential and timely contribution to TV scholarship.
With contributions from Cheryl Strayed, Mark Cuban, Ta-Nahesi Coates, Melinda Gates, Joss Whedon, James Patterson, and many more -- this fascinating collection gives us a peek into 150 personal treasures and the secret histories behind them. All of us have that one object that holds deep meaning--something that speaks to our past, that carries a remarkable story. Bestselling author Bill Shapiro collected this sweeping range of stories--he talked to everyone from renowned writers to Shark Tank hosts, from blackjack dealers to teachers, truckers, and nuns, even a reformed counterfeiter--to reveal the often hidden, always surprising lives of objects.
The ragtag crew of Serenity--mercenaries, fugitives, and one law-abiding prostitute--pursue fast cash and a little peace along the fringes of space. On a scavenger mission that promises a big payoff, they realize too late that they are being played by an old enemy with a grudge.
Joss Whedon is known for exploring philosophical questions through socially progressive narratives in his films, television shows and comics. His work critiques racial stereotypes, sometimes repudiating them, sometimes reinvesting in them (sometimes both at once). This collection of new essays explores his representations of racial power dynamics between individuals and institutions and how the Whedonverse constructs race, ethnicity and nationality relationships.
This study examines the major works of contemporary American television and film screenwriter Joss Whedon. The authors argue that these works are part of an existentialist tradition that stretches back from the French atheistic existentialist Jean-Paul Sartre, through the Danish Christian existentialist Soren Kierkegaard, to the Russian novelist and existentialist Fyodor Dostoevsky. Whedon and Dostoevsky, for example, seem preoccupied with the problem of evil and human freedom. Both argue that in each and every one of us "a demon lies hidden." Whedon personifies these demons and has them wandering about and causing havoc. Dostoevsky treats the subject only slightly more seriously. Chapters cover such topics as Russian existentialism and vampire slayage; moral choices; ethics; Faith and bad faith; constructing reality through existential choice; some limitations of science and technology; love and self-sacrifice; love, witchcraft, and vengeance; soul mates and moral responsibility; love and moral choice; forms of freedom; and Whedon as moral philosopher.
Joss Whedon once identified himself as an "angry, hard-line atheist" who is nevertheless "fascinated by the concept of devotion." While organized religion seems to hold no satisfactory answers for Whedon, his dedication to exploring the meanings of faith and belief can be seen in many of the characters he has created for such works as Buffy the Vampire Slayer, Angel, Firefly, Serenity, and Fray. This work examines a variety of Whedon's characters and discusses what can be learned from their struggles and discoveries regarding religion and belief. Part One focuses on the characters' search for purpose, revealing how Dawn, Spike, and Angel attempt to define the meaning of their lives in Buffy the Vampire Slayer and its spin-off, Angel. Part Two focuses on family, examining the unconventional family dynamic in Whedon's comic book miniseries Fray and television series Firefly. Part Three centers around the concept of redemption, using Angel's Doyle, Firefly's Malcolm Reynolds and Shepherd Book, and Buffy's Faith Lehane to examine the characters' search for salvation and their own acceptance of their past actions. Finally, Part Four focuses on the harmful potential of religious zealotry, revealing the negative aspects of absolute belief through Firefly's River and Buffy's Caleb. A primary source guide follows the main text, providing the writer, director, and air date of each television episode, along with publication data for Whedon's print works, including the in-publication "Season 8" comic books for Buffy the Vampire Slayer.
This is a collection of new essays on the religious themes in, and the implications of, the works of Joss Whedon, creator of such shows as Buffy the Vampire Slayer, Angel, and Firefly, and more recently writer and director of the box-office hit Marvel's The Avengers. The book addresses such topics as ethics, racism, feminism, politics, witchcraft, spiritual transformation, identity, community, heroism, apocalypse, and other theologically significant themes of Whedon's creative enterprises. The disciplinary approaches vary as well; history, theology, philosophy of religion, phenomenology, cultural studies, and religious studies are all employed. The various essay authors differ in that some are clearly believers in God, some are clearly not, and others leave that matter aside.