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'Your world is about to be rocked.' Elena Armas, author of The Spanish Love Deception 'Hopelessly, brilliantly, wonderfully romantic. I loved it even more than The Love Hypothesis, and I didn't think that was possible' Cressida McLaughlin From the New York Times bestselling author of The Love Hypothesis comes a new STEMinist rom-com in which a scientist is forced to work on a project with her nemesis - with explosive results. Bee Königswasser lives by a simple code: What would Marie Curie do? If NASA offered her the lead on a neuroengineering project - a literal dream come true - Marie would accept without hesitation. Duh. But the mother of modern physics never had to co-lead with Levi Ward. Sure, Levi is attractive in a tall, dark, and piercing-eyes kind of way. But Levi made his feelings toward Bee very clear in grad school - archenemies work best employed in their own galaxies far, far away. But when her equipment starts to go missing and the staff ignore her, Bee could swear she sees Levi softening into an ally, backing her plays, seconding her ideas... devouring her with those eyes. The possibilities have all her neurons firing. But when it comes time to actually make a move and put her heart on the line, there's only one question that matters: What will Bee Königswasser do? 'Ali Hazelwood proves that science is sexy as hell, and that love can 'STEM' from the most unlikely places. She's my newest must-buy author.' Jodi Picoult 'I cannot get enough of her brand of brainy romance! Writing with an emotionally brilliant and witty pen, Hazelwood is an absolute romance powerhouse.' Christina Lauren, author of The Unhoneymooners 'Gloriously nerdy and sexy, with on-point commentary about women in STEM.' Helen Hoang, author of The Heart Principle 'Proves that STEM can be sexy!' Red What the five star reviews are saying about The Love Hypothesis: 'Did I read this in 24 hours? Yes.' 'Funny. Snarky. Intelligent. Real.' 'If you're even slightly thinking about getting this book to read, just go a head and do it' 'Adam is just *swoon*' 'Ali Hazelwood has made herself an auto-buy author' 'It was just... perfect.' 'A heroine you will instantly fall in love with'
As a SEAL sniper and combat veteran, Webb was tapped to revamp the U.S. Naval Special Warfare (SEAL) Scout/Sniper School, incorporating the latest advances in technology and ballistics software to create an entirely new course that continues to test the skills and even the best warriors. In this revealing new book, Webb takes readers through every aspect of this training, describing how Spec Ops snipers are taught each dimension of their art. Trainees learn to utilize every edge possible to make their shot--from studying crosswinds, barometric pressure, latitude, and even the rotation of the Earth to becoming ballistic experts. But marksmanship is only one aspect of the training. Each SEAL's endurance, stealth and mental and physical stamina are tested and pushed to the breaking point. Webb also shows how this training plays out in combat, using real-life exploits of the world's top snipers, including Jason Delgado, who led a Marine platoon in the Battle of Husaybah and made some of the most remarkable kill shots in the Iraq War; Nicholas Irving, the U.S. Army Ranger credited with thirty-three kills in a single three-month tour in Afghanistan; and Rob Furlong, who during Operation Anaconda delivered the then-longest kill shot in history. During Webb's sniper school tenure, the course graduated some of the deadliest and most skilled snipers of this generation, including Marcus Luttrell (Lone Survivor), Adam Brown (Fearless), and Chris Kyle (American Sniper). From recon and stalk, to complex last minute adjustments, and finally the moment of taking the shot, The Killing School demonstrates how today's sniper is trained to function as an entire military operation rolled into a single individual--an army of one.
Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it. In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party—projectionist, local talent, accompanist or backstage crew—and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the twentieth century shaped performances on and beside the screen.
“I believe I can just see you on the streets of that bright city.” Gran’s gone now, but her words live on with Nicholas Dray, almost twelve, as he makes his way from the hot cotton fields to that Queen of Cities: San Francisco. Nick’s on his own for the first time, with nowhere to turn. Then he meets jaunty, talkative Pat Patterson, owner of the most beautiful store–and the friendliest golden dog–in all the city. And for the first time in months, Nick feels safe. Safe in San Francisco. But the year is 1906, the month is April, and early one morning the walls begin to shake. The floor begins to buckle. And the earth opens up. A devastating earthquake and then raging firestorms ravage the city, and Nick is right in the middle of it all. But for a young boy who’s got few ties and nothing to lose, what’s the right choice: escape to safety or stay–at deadly risk–to help others? From acclaimed author Deborah Hopkinson comes a suspenseful and carefully researched novel of the Great 1906 San Francisco Earthquake and Fire and of one boy’s heroic fight to survive it.
Includes various departmental reports and reports of commissions. Cf. Gregory. Serial publications of foreign governments, 1815-1931.