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"Introduction -- Identity and ideology -- The early novels: Das Spinnennetz, Hotel Savoy, Die Rebellion -- Radetzkymarsch as historical novel -- Die Kapuzinergruft and the confrontation with history -- Conclusion -- Selected works by Joseph Roth -- Works cited -- Index.
The author’s masterpiece, an epic saga of a family and an empire in decline, is “full of psychological penetration and tragic force” (The New Yorker). The Radetzky March, Joseph Roth’s classic novel of the Austro-Hungarian Empire, follows three generations of the privileged von Trotta family as Europe advances inexorably toward World War I. With a breadth and richness that draws comparison to Tolstoy, it encompasses the entire social fabric of Austro-Hungarian society. Shot through with dark humor and tragic irony, The Radetzky March is an unparalleled portrait of a civilization in decline, and as such a universal story for our times. “A masterpiece . . . The totality of Joseph Roth’s work is no less than a tragédie humaine achieved in the techniques of modern fiction. No other contemporary writer, not excepting Thomas Mann, has come close to achieving the wholeness . . . that Lukács cites as our impossible aim.” —Nadine Gordimer
The tumultuous life of the Austrian writer best known for "The Radetzky March" is described through letters that recall his father's and wife's mental illnesses, numerous mistresses, and travel to Paris.
Joseph Roth, best known as the author of the novel The Radetzky March and the nonfiction work The Wandering Jews, was one of the most seductive, disturbing, and enigmatic writers of the twentieth century. Born in 1894 in the Habsburg Empire in what is now Ukraine and dying in Paris in 1939, he was a perpetually displaced person, a traveler, a prophet, a compulsive liar, and a man who covered his tracks. Throughout the eastern borderlands of Europe, Dennis Marks explores the spiritual geography of a still-neglected master and uncovers the truth about Roth’s lost world.
"[Joseph Roth] is now recognized as one of the twentieth century's great writers." --Anthony Heilbut, Los Angeles Times Book Review
Rosenfeld suggests that more than any other component of Roth's varied fiction, his skillful portrayals of uprootedness and the search for home explain his international appeal, which has grown in recent decades with the translation of his novels into English."--BOOK JACKET.
The hotel that I love like a fatherland is situated in one of the great port cities of Europe, and the heavy gold Antiqua letters in which its banal name is spelled out shining across the roofs of the gently banked houses are in my eye metal flags, metal bannerets that instead of fluttering shine out their greeting. In the 1920s and 30s, Joseph Roth travelled extensively in Europe, leading a peripatetic life living in hotels and writing about the towns through which he passed. Incisive, nostalgic, curious and sharply observed - and collected together here for the first time - his pieces paint a picture of a continent racked by change yet clinging to tradition. From the 'compulsive' exercise regime of the Albanian army, the rickety industry of the new oil capital of Galicia, and 'split and scalped' houses of Tirana forced into modernity, to the individual and idiosyncratic characters that Roth encounters in his hotel stays, these tender and quietly dazzling vignettes form a series of literary postcards written from a bygone world, creeping towards world war.
A powerful collection written on the eve of the destruction of Europe by the Second World War, by the great Joseph Roth Having fled to Paris in January 1933, on the very day Hitler seized power in Germany, Joseph Roth wrote a series of articles in that 'hour before the end of the world', that he foresaw was coming and which would see the full horror of Hitler's barbarism, the Second World War and most crucially for Roth, the final irreversible destruction of a pan European consciousness. Incisive and ironic, the writing evokes Roth's bitterness, frustration and morbid despair at the coming annihilation of the free world while displaying his great nostalgia for the Hapsburg Empire into which he was born and his ingrained fear of nationalism in any form.
The Quest for Redemption: Central European Jewish Thought in Joseph Roth's Works by Rares Piloiu fills an important gap in Roth scholarship, placing Roth's major works of fiction for the first time in the context of a generational interest in religious redemption among the Jewish intellectuals of Central Europe. In it, Piloiu argues that Roth's challenging, often contradictory and ambivalent literary output is the result of an attempt to recast moral, political, and historical realities of an empirically observable world in a new, religiously transfigured reality through the medium of literature. This diegetic recasting of phenomenological encounters with the real is an expression of Roth's belief that, since the self and the world are in a continuing state of crisis, issuing from their separation in modernity, a restoration of their unity is necessary to redeem the historical existence of individuals and communities alike. Piloiu notes, however, that Roth's enterprise in this is not unique to his work, but rather is shared by an entire generation of Central European Jewish intellectuals. This generation, disillusioned by modernity's excessive secularism, rationalism, and nationalism, sought a radical solution in the revival of mystical religious traditions-above all, in the Judaic idea of messianic redemption. Their use of the Chasidic notion of redemption was highly original in that it stripped the notion of its original theological meaning and applied it to the secular experience of reality. As a result, Roth's quest for redemption is a quest for a salvation of the individual not outside, but within, history.
In The Grace of Misery. Joseph Roth and the Politics of Exile 1919–1939 Ilse Josepha Lazaroms offers an account of the life and intellectual legacy of Joseph Roth, one of interwar Europe's most critical and modern writers.