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"At the turn of the twentieth century East European Jews underwent a radical cultural transformation, which turned a traditional religious community into a modern nation, struggling to find its place in the world. An important figure in this 'Jewish Renaissance' was the American-Yiddish writer and activist Joseph Opatoshu (1886-1954). Born into a Hassidic family, he spent his early childhood in a forest in Central Poland, was educated in Russia and studied engineering in France and America. In New York, where he emigrated in 1907, he joined the revitalizing modernist group Di yunge - The Young. His early novels painted a vivid picture of social turmoil and inner psychological conflict, using modernist devices of multiple voices and mixed linguistic idioms. He acquired international fame by his historical novels about the Polish uprising of 1863 and the expulsion of Jews from Regensburg in 1519. Though he was translated into several languages, Yiddish writing always fostered his ideas and ideals of Jewish identity. Although he occupied a key position in the transnational Jewish culture during his lifetime, Opatoshu has until recently been neglected by scholars. This volume brings together literary specialists and historians working in Jewish and Slavic Studies, who analyse Opatoshu's quest for modern Jewish identity from different perspectives. The contributors are Shlomo Berger (Amsterdam), Marc Caplan (Baltimore, MD), Gennady Estraikh (New York), Roland Gruschka (Heidelberg), Ellie Kellman (Boston), Sabine Koller (Regensburg), Mikhail Krutikov (Ann Arbor, MI), Joshua Lambert (Amherst, MA), Harriet Murav (Urbana-Champaign, IL), Avrom Novershtern (Jerusalem), Dan Opatoshu (Los Angeles), Eugenia Prokop-Janiec (Krakow), Jan Schwarz (Lund), Astrid Starck (Basel/Mulhouse), Karolina Szymaniak (Krakow) and Evita Wiecki (Munich)."
The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting--the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic--the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost. In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.
CONTENTS.- Continuity; a memory of my father.- A day in Regensburg.- Ciechanow melody.- A Bratzlaver Chasid.- A rabbi.- Rationalists.- Simchat Torah.- Meyer Balaban.- Four hundred years.- Miracles.- The mute hungarian.- Pedigree.- The Chumash lad.- The eternal wedding dress.- In the Jewish district of Vienna.- A Sabbath afternoon.- Almost there.- Ben Sira's grandson.- Father, father.- In a slaurhterhouse.- Midnight vigil.- Lampshade king.
YIVO, founded in 1925 in Wilno (Vilnius), is a center for scholarship on East European Jewish history, language, and culture. During the 1920s and early 1930s a network of YIVO affiliates was established across Europe and the Americas including one in New York, which became the institute's new home when YIVO was reestablished in 1940 by members of its board who had escaped from Nazi-occupied Europe. This is the first repository-level finding aid to the archives (over 1,400 collections) of the YIVO Institute for Jewish Research in New York. It includes a brief history of the institute and archives, descriptive entries on each collection, a detailed index of key words and subject headings, and information on the archive's basic services.
Rabbi Menahem Mendel of Kotsk (1787-1859) was one of the most interesting and challenging figures of Hasidism in the nineteenth century. His search for truth and battles against falsehood and spiritual compromise are the subject of many legends, hagiographical stories, and anecdotes. Though he was irascible and demanding, he inspired the loyalty of disciples who went on to become the dominant leaders of Hasidism in Poland from the middle of the nineteenth century to the destruction of Polish Jewry in the Holocaust. R. Menahem Mendel left no surviving writings. His descendants and disciples moved away from the radicalism of his teachings and adopted more conventional and conservative theological positions. As a result, there was little incentive to preserve and publish his teachings. The goal of this work is twofold. First, to present a biographical study of what is known about R. Menahem Mendel that is based on historical research, instead of repeating myths, legends, and stories without regard to their historical veracity. Secondly, to collect, translate, and analyze those teachings and sayings by or about R. Menahem Mendel that are consistent with what we know about his life and teachings, and are also accessible to a broader audience.
Bovo d'Antona by Elye Bokher (Elyiahu ben Asher haLevi Ashkenazi, 1469-1549) is a chivalry poem written in Yiddish in Padoa, in the year 1507, and printed under the author's supervision in Isny (Germany) in the year 1541. The present book intends to present a critical edition of this poem, together with a commentary. An introduction will focus on various related questions, such as the place of the Bovo d'Antona in European literature and in Italian literature, Bovo d'Antona and the chivalric genre in Old Yiddish literature, the analysis of the manuscript versions in comparison with the printed edition, the relationship with the Italian source and the readership. An appendix will deal with later transformations of the Bovo-Bukh. "Bovo Bukh is an excellent example of the relationship between romances and folktales,and Rosenzweigʼs introduction and edition of this important early Yiddish text will be appreciated by scholars of early Modern literature and folk narrative." - Dr. David Elton Gay, Indiana University, in: Fabula 59:1-2 (2018)
In Polish Woods, which was first published in its English translation from its original Yiddish in 1938, is a historical novel describing the devolution of the Kotzker dynasty between the age of Napoleon and the Polish Revolt of 1863. Author Joseph Opatoshu reflects on the conflicting and even opposite tendencies in development of the Jewish ideology during this era, which would largely determine the future of the Jewish people: Hasidism, enlightenment, and assimilation. A thoroughly engaging read.
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
This book brings together contributions by thirty scholars of journalism and history who look at what was reported about the Holocaust in the press of more than a dozen countries and languages. The studies examine the news media in America, England, and the Soviet Union, in Nazi Germany and Fascist Italy, in the Vatican, in occupied countries like Romania, Hungary, Greece, and Poland, and in Palestine under the British Mandate. By and large, the news media in the Allied countries neglected the story, while those in Nazi-dominated countries treated news related to the Holocaust in a wholly tendentious way. Thus the press, for a variety of reasons, did not cover the Holocaust, one of the central events of the twentieth century. As this book thoroughly demonstrates, it was perhaps the greatest ethical, professional, and political failure of the news media during World War II. If the press had been more responsible, and had informed the public in the West early enough and thoroughly enough, the history of the Holocaust might have been different and millions of victims might have survived. Published in association with Yeshiva University Press.