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'Art? What has art ever done for us as a family?' In the First World War, artist-soldier Joseph Gray drew and painted scenes of battle, his illustrations appearing in the popular press and his canvases sold to museums. But after struggling through the next decade and facing the threat of another war, Joseph had found a secret new calling: the art of camouflage. As he went from representing reality to disguising it, Joseph’s growing interest in camouflage concealed another, deeper subterfuge. He was leading a double life, and would eventually leave his family for the woman that he loved. Joseph Gray’s Camouflage is a multi-layered story of art, war, love and deception. Beyond attempting to pin down the image of a man who eludes us at every turn, it also traces the development of camouflage between the two wars and shines a light on the unlikely band of artists who made it happen. Though private letters, diaries, archives and interviews Joseph's great-granddaughter Mary Horlock pieces together the truth that was once lost, and brings his far-from-ordinary life back into focus.
What do a fawn and a hermit crab have in common? They both use camouflage to hide from their enemies. A fawn’s spots help it blend in with its dappled surroundings, and a hermit crab might be mistaken for an empty shell. This lyrical introduction to camouflage explains how and why a wide variety of animals use it to go undercover. Readers can also hunt for camouflaged animals in every illustration.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Seekers of the Wild Realm meets My Diary from the Edge of the World in this second “lively adventure tale” (Booklist) in the heartwarming and witty middle grade Secret of the Storm series from author of Mrs. Smith’s Spy School for Girls, Beth McMullen! When twelve-year-old Cassie found a small, abandoned kitten by a dumpster, she never dreamed that taking little Albert home would change her life forever. And she certainly never imagined that Albert would turn out to be a dragon in disguise. All she wants now is to keep Albert safe, but in trying to protect him from ill-intentioned humans, she’s accidentally just sent him back to Vayne, the dragon king who is hunting him. With the help of Joe, her mom, and Miss Asher, Cassie sets off on a quest: find Albert, and find somewhere he’ll be safe. But in the process, she learns more about the prophecy that’s put him in danger—Albert, with the help of a second dragon, will overthrow Vayne and bring peace to the dragon world. Who is this second dragon? And how exactly can Albert save anyone when he’s being hunted in two different dimensions? Braving new enemies, unlikely allies, and strange new powers, Cassie is determined to help her kitten—even if it takes her into the Land of Dragons itself.
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”
An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.