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The Harmonia Sacra is a hymn book of renown. In 1832 a Mennonite named Joseph Funk published a songbook that had a profound influence on Mennonite singing for generations. Its name, Genuine Church Music, indicated the compiler's intention that the contents be songs that, in his words, have stood the test of time and survived the changes of fashion. Its distinctively shaped notes of the fasola system linked it with dozens of songbooks published in America at the time to encourage musical literacy. The variety of musical content, ranging from simple psalm tunes and American folk melodies to complex early American anthems, offered ideal materials for singing schools. The Harmonia Sacra is still used in old folks' all-day singings in Rockingham and adjacent areas. In fact, this edition is the revised Legacy Edition, making it the twenty-seventh edition of The Harmonia Sacra.
The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.
In 1850 and again in 1860, the U.S. government carried out a census of slave owners and their property. Jack F. Cox's transcription of the 1850 slave owners' census is arranged in alphabetical order according to the surname of the slave owner and gives his/her full name, number of slaves owned, and the county of residence. It may be just possible that more persons with slave ancestors will be able to trace them via other records (property records, for example) pertaining to the 37,000 slave owners enumerated in this new volume.
A 40th anniversary tribute to the Last Great Race on Earth describes the brutal natural elements that challenge competitors, profiling the intrepid dogs whose history dates back to the famous Balto while sharing historical facts and offering insigh
Music and song are important parts of worship, and hymns have long played a central role in Protestant history. This book explores the ways in which Protestants use hymns to clarify their identity and define their relationship with America and Christianity.
The Sound of Light is a sweeping overview of the history of gospel music. Powerful and incisive, it traces contemporary Christianity and Christian music to the 16th century and the Protestant Reformation after examining music in the Bible and early church music. From the psalms of the early Puritans through the hymns of human composure of Isaac Watts and the social activism of the Wesleys, gospel music was established in 18th century America. With the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the 19th century. The 20th century brought recording technology and electronic media to the table. Gospel music has developed with Christian revivals and the history of American gospel music is the history of Christianity in America. Gospel music reflects the American spirit of freedom and the free market as a Christian culture emerges in the 20th century, providing a spiritual as well as economic foundation. The Sound of Light presents gospel music as part of the history of contemporary Christianity. It is a work broad in scope that defines a music essential to understanding American culture as well as American music in the 20th century. Don Cusic is the author of ten books, including the biography Eddy Arnold: I'll Hold You in My Heart and an encyclopedia of cowboys, Cowboys and the Wild West: An A-Z Guide from the Chisholm Trail to the Silver Screen. He joined the faculty at Middle Tennessee State University in 1982, teaching courses in the music business. He earned a Masters and Doctorate in Literature from MTSU. Since August of 1994, Cusic has been Professor of Music Business at Belmont University.