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Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ?new? artists, including ?ouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.
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The Perennial Philadelphians tells the story of the city's inherited aristocracy—of Wanamakers and Drexels, of Biddles and Cadwaladers. Drawing on history, genealogy, politics, economics, the fine arts, private diaries, and the impressions and anecdotes of myriad living witnesses, Nathaniel Burt paints a fascinating portrait of Old Philadelphians. He traces the succession of a dynasty of doctors or lawyers, explores the country club scene, and takes us to regattas on the Schuylkill, fox hunts in Radnor, and horse shows in Devon. First published in 1963, this classic text has lost none of its timeliness. An adept social commentator, Burt cuts aside the centuries-old protective coloration in which Old Philadelphians have wrapped themselves, and reveals who these people are and how they manage to perpetuate themselves from generation to generation.